Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
13<br />
Tower<br />
For the image of the tower (Fig. “tower.tif”), you need<br />
to complete the sides of the base. Use a vector in the<br />
same format and the Stamp Tool to fill the spaces.<br />
After positioning it, use the same vector to create the<br />
first shadow (follow the Lake Step), creating a layer to<br />
Overlay. Ensure the shadows work with the light<br />
direction for the tower, footpath, grass and left<br />
side of the tower. Try repeating some of the<br />
pieces over the grass so all the elements fit together.<br />
<strong>14</strong><br />
Street and bus<br />
Import Bus Station (Fig.<br />
“bus-station.tif”). You’ll also need<br />
to build a street. In the same way<br />
you built the lake, make a vector<br />
(which we’ll also use to shade the<br />
ground) and applied the Gradient<br />
Tool to end it. Then use the image<br />
“street.tif” and apply the part of<br />
the asphalt as a Clipping Mask.<br />
Repeat the Appearance Step for<br />
the image of the Bus (Fig. “bus.tif”)<br />
and snap it on the street.<br />
15<br />
Street Light<br />
After applying the statue<br />
(Fig. “statue.tif”) following<br />
the same steps used for the<br />
tower, put some light poles<br />
(Fig. “bollard-light.tif”) in<br />
so it looks like Bollard<br />
Lights. After fitting them<br />
and leaving them with<br />
overlay, use the Lighting<br />
Brush in white colour and<br />
apply Overlay to leave the<br />
lights with aspect lit.<br />
PHOTOSHOP PROJECTS | 131
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