Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
CONSTRUCTING FANTASY WORLDS<br />
16<br />
Balloons, birds and airplane<br />
For these elements (Fig. “house.tif”, “birds.tif”,<br />
“airplane.tif”) apply an Overlay in a second layer<br />
and use the Reveal Mask to add cuts to them.<br />
Once positioned in the sky, trying to fit the<br />
objects proportionately.<br />
17<br />
Heaven<br />
To create heaven,<br />
make a layer and<br />
degrade the Blue (C:100<br />
M:94 Y:17 K:5) for White,<br />
before applying the<br />
clouds, and then with<br />
a white bottom layer,<br />
apply 60% opacity.<br />
18<br />
Clouds<br />
Cut out the images<br />
clouds “land-2.tif”,<br />
“sky.tif” and “cloud.tif”<br />
and go about applying<br />
the sky. Leave some<br />
above the base of the<br />
island, to give the<br />
impression it’s floating<br />
on the clouds. For<br />
transparency use<br />
rubber opacity of<br />
about 50%.<br />
132 | PHOTOSHOP PROJECTS
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