03.04.2013 Views

Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...

Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...

Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

hitless.* Like <strong>the</strong> o<strong>the</strong>r servants <strong>of</strong> hell that are forced to cooperate with Dante <strong>and</strong><br />

Virgil by <strong>the</strong> will <strong>of</strong> God, Gery<strong>on</strong> gets nothing out <strong>of</strong> it. Indeed, Gery<strong>on</strong> is,<br />

appropriately, a falc<strong>on</strong> sent <strong>on</strong> a fraudulent flight. As <strong>the</strong> falc<strong>on</strong>, he is used, fatigued<br />

(lasso), <strong>and</strong> unrewarded, unworthy <strong>of</strong> <strong>the</strong> divine lure. It might be suggested, however,<br />

that Gery<strong>on</strong> is shown a lure: when Virgil throws Dante's cord-belt down into <strong>the</strong> abyss at<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> previous canto to summ<strong>on</strong> him. It is not a proper lure, swung in a circle<br />

with food <strong>on</strong> <strong>the</strong> end <strong>of</strong> it; it is a hellish lure, with no reward, <strong>and</strong> no caring falc<strong>on</strong>er<br />

holding <strong>on</strong> to <strong>the</strong> o<strong>the</strong>r end <strong>of</strong> it. When Gery<strong>on</strong> resp<strong>on</strong>ds, he finds no reward, <strong>on</strong>ly <strong>the</strong><br />

humiliating work <strong>of</strong> letting Dante <strong>and</strong> Virgil ride <strong>on</strong> his back. A true lure is to be found<br />

in <strong>the</strong> Commedia, but it is in heaven, being shown by God to his faithful.<br />

The motif <strong>of</strong> frustrated hunts c<strong>on</strong>tinues, <strong>and</strong> in a real ra<strong>the</strong>r than metaphorical<br />

manner, in <strong>the</strong> episode <strong>of</strong> <strong>the</strong> devils that runs from Cantos XXI to XXIII which starts<br />

with <strong>the</strong> hunting <strong>of</strong> sinners in <strong>the</strong> pitch <strong>and</strong> ends with <strong>the</strong> enraged devils hunting Virgil<br />

<strong>and</strong> Dante. At <strong>the</strong> end <strong>of</strong> Canto XXII is <strong>the</strong> fight between Alichino <strong>and</strong> Calcabrina which<br />

begins when <strong>the</strong> Navarrese sinner escapes <strong>the</strong> devils <strong>and</strong> plunges back in <strong>the</strong> pitch like a<br />

duck escaping a falc<strong>on</strong>:<br />

. . . quelli <strong>and</strong>o sotto,<br />

e quei drizzo vol<strong>and</strong>o suso il petto:<br />

n<strong>on</strong> altrimenti l'anitra di botto,<br />

qu<strong>and</strong>o '1 falc<strong>on</strong> s'appressa, giu s'attuffa,<br />

ed ei ritorna su crucciato e rotto.<br />

(Inferno XXII, 128-132)<br />

Richard Holbrook has described what happens here from a falc<strong>on</strong>ry point <strong>of</strong> view:9<br />

Though a hungry falc<strong>on</strong> might stoop for a swimming duck, her acti<strong>on</strong> would be a<br />

misdemeanour, for it was a rule <strong>of</strong> falc<strong>on</strong>ry not to fly <strong>the</strong> falc<strong>on</strong> until her quarry<br />

Boccassini (359-360) sees Gery<strong>on</strong> as <strong>the</strong> opposite <strong>of</strong> Dante, both <strong>of</strong> <strong>the</strong>m in a hunt for knowledge, <strong>on</strong>e<br />

infernal anh <strong>on</strong>e heavenly.<br />

Richard Thayer Holbrook, Dante <strong>and</strong> <strong>the</strong> Animal Kingdom (New York: AMS Press, Inc., 1966), 25 1-252.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!