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Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...

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The ways in which falc<strong>on</strong>s <strong>and</strong> cranes appear in each canticle illustrate divine<br />

order: those in Inferno have an element <strong>of</strong> chaos, <strong>the</strong> souls compared to <strong>the</strong>m in<br />

Purgatorio are training <strong>and</strong> <strong>on</strong> pilgrimage, while those in Paradiso are enlightened, <strong>and</strong><br />

have reached <strong>the</strong>ir goal. A distincti<strong>on</strong> is made between <strong>the</strong> wild falc<strong>on</strong>s <strong>and</strong> hawks <strong>of</strong><br />

Inferno <strong>and</strong> those domesticated in training in Purgatorio, or finished training in<br />

Paradiso. Likewise, <strong>the</strong> cranes <strong>of</strong> Inferno fly in' a disorderly fashi<strong>on</strong>, while those in<br />

Purgatorio are migrating, like <strong>the</strong> souls in transit, <strong>and</strong> those in Paradiso are feeding <strong>and</strong><br />

rejoicing, like <strong>the</strong> souls enjoying full divine love.<br />

maintenant crient et f<strong>on</strong>t esveillier leg autres por eschaper a sauvete. (Brunetto Latini, Li livres dozr<br />

Tresol; I.V.165, ed. P. Chabaille (Paris: Imprimerie Imperiale, 1863), pp. 215-16.)<br />

Translati<strong>on</strong>: "Cranes are birds that fly in formati<strong>on</strong>, like armed knights who are going to battle [...I <strong>and</strong> <strong>the</strong><br />

first <strong>on</strong>e leads <strong>and</strong> guides <strong>and</strong> instructs with its voice, <strong>and</strong> all <strong>the</strong> o<strong>the</strong>rs follow it <strong>and</strong> obey its instructi<strong>on</strong>s.<br />

When <strong>the</strong> chieftain has grown hoarse <strong>and</strong> its voice is somewhat weak it has no sense <strong>of</strong> shame at being<br />

replaced by ano<strong>the</strong>r, <strong>and</strong> it goes back to join <strong>the</strong> o<strong>the</strong>rs which are following [...I <strong>on</strong>e out <strong>of</strong> twelve [sic] <strong>of</strong><br />

<strong>the</strong>m watches over <strong>and</strong> protects <strong>the</strong> o<strong>the</strong>rs as <strong>the</strong>y sleep [...I all <strong>the</strong> while <strong>the</strong>y hold a st<strong>on</strong>e in <strong>the</strong>ir claw<br />

which does not let <strong>the</strong>m fall asleep [...I. When something dangerous arises, <strong>the</strong>y immediately cry out <strong>and</strong><br />

awaken <strong>the</strong> o<strong>the</strong>rs so <strong>the</strong>y can escape to safety." (Trans. Paul Barrette <strong>and</strong> Spurge<strong>on</strong> Baldwin, Brunetto<br />

Latini, The Book <strong>of</strong> <strong>the</strong> Treasure [Li Livres dou Tresor] [New York-L<strong>on</strong>d<strong>on</strong>: Garl<strong>and</strong> Publishing, 19931,<br />

122.)<br />

Also, Hugh de Fouilloy expounds <strong>on</strong> <strong>the</strong> view <strong>of</strong> cranes as symbols <strong>of</strong> divine order <strong>and</strong> m<strong>on</strong>astic living:<br />

Grues dum pergunt, unam sequuntur ordine litterato [...I. 1110s autem significant, qui ad hoc student, ut<br />

ordinate vivant. Grues enim ordine litterato volantes designant ordinate viventes. Cum autem ordinate<br />

vol<strong>and</strong>o procedunt, ex se litteras in volatu fingunt. 1110s autem designant, qui in se praecepta<br />

Scripturae bene vivendo formant. Una earum reliquas antecedit, quae clamare n<strong>on</strong> desinit, quia<br />

praelatus, qui primum locum regiminis obtinet, suos sequaces moribus et vita praeire debet, ita tamen<br />

ut semper clamet, et viam b<strong>on</strong>ae operati<strong>on</strong>is sequacibus suis praedic<strong>and</strong>o dem<strong>on</strong>stret. Quae autem alias<br />

antecedit, si rauca facta fuerit, tune alia succedit, quia praelatus si verbum Dei subjectis n<strong>on</strong> praedicet,<br />

vel praedicare nesciat, cum raucus fuit, necesse est ut alius succedat.<br />

Translati<strong>on</strong>: "While cranes are flying <strong>the</strong>y follow <strong>on</strong>e <strong>of</strong> <strong>the</strong>ir number in lettered order [...I. They<br />

symbolize, moreover, those who strive to live by <strong>the</strong> Rule. Moreover, when <strong>the</strong>y fly in formati<strong>on</strong> <strong>the</strong>y<br />

fashi<strong>on</strong> letters with <strong>the</strong>ir bodies as <strong>the</strong>y fly: fur<strong>the</strong>r, <strong>the</strong>y denote moreover those who by righteous living<br />

form within <strong>the</strong>mselves <strong>the</strong> teachings <strong>of</strong> Scripture. A certain <strong>on</strong>e <strong>of</strong> <strong>the</strong> cranes precedes <strong>the</strong> o<strong>the</strong>rs, <strong>on</strong>e<br />

which cries c<strong>on</strong>tinually, because a priest, who occupies a prime positi<strong>on</strong> in <strong>the</strong> care <strong>of</strong> souls, should lead<br />

his followers by his manner <strong>and</strong> way <strong>of</strong> life, so that he still c<strong>on</strong>tinually cries out <strong>and</strong> in his serm<strong>on</strong>s<br />

dem<strong>on</strong>strates to his followers <strong>the</strong> path <strong>of</strong> good behaviour. If (<strong>the</strong> bird) which leads <strong>the</strong> o<strong>the</strong>rs,<br />

however, should become hoarse, <strong>the</strong>n ano<strong>the</strong>r takes its place, because if <strong>on</strong>e priest should not preach<br />

<strong>the</strong> Word <strong>of</strong> God to those in his care, or cannot preach because he becomes hoarse, it is necessary that<br />

ano<strong>the</strong>r take his place," from The Medieval Book <strong>of</strong> <strong>Birds</strong>: Hugh <strong>of</strong> Fouilloy's Aviarium, trans. Willene<br />

B. Clark (Binghamt<strong>on</strong>: Medieval <strong>and</strong> Renaissance Texts <strong>and</strong> Studies, 1992), 203-5.

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