Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...

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BIBLIOGRAPHY Aelianus, Claudius. De natura animalium. Ed. and trans. A. F. Scholfield. London, Cambridge, MA: William Heinemann Ltd., Harvard University Press, 1958. Albertus Magnus. Man and the Beasts (De Animalibus Books 22-26). Trans. James J. Scanlan. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1987. Alexander Neckam. De naturis rerum. London: Longman, Green, Longman, Roberts, and Green, 1863. Ali ibn Ahmad. The Dove's Neck-Ring. Ed. A. R. Nykl. Paris: Librairie Orientaliste Paul Geuthner, 1931. Alighieri, Dante. La divina commedia. Ed. Luigi Scorrano, Aldo Vallone. Napoli: Editrice Ferraro, 1990. Ambrose, Saint. Hexameron, Paradise, and Cain and Abel. Trans. John J. Savage. New York: Fathers of the Church, Inc., 196 1. Andreas Capellanus. On Love. Ed. P. G. Walsh. London: Duckworth, 1982. Appel, Carl, ed. Provenzalische Inedita. Leipzig: Fues's Verlag (R. Reisland), 1890. Aristotle. Historia animalium. Ed. and trans. D. M. Balme. Cambridge, MA: Harvard University Press, 199 1. Balduino, Armando, ed. Cantari del Trecento. Milano: Marzorati, 1970. Baratto, Mario. Realta e stile nel "Decameron ". Roma: Riuniti, 1984. Bartholomaeus Anglicus. De genuinis rerum coelestium, terrestrium et inferiarum proprietatibus, libri XC.'III. Frankfurt: Wolfgang Richter, 1650. Bertini, Fermccio. "Gli animali nella favolistica medievale dal Romulus a1 secolo XII." In L'uomo di fronte a1 mondo animale nell'alto medioevo, 103 1-5 1. Spoleto: Centro italiano di studi sull'alto medioevo, 1985. Biagi, G. et al., ed. La Divina Commedia nellafigurazione artistica e nel secolare commento. 3 vols. Torino: UTET, 1924, 193 1, 1939. Boccaccio, Giovanni. Decameron. Ed. Cesare Segre. Milano: Mursia, 1966. . I1 Filostrato. Ed. Robert apRoberts, Vincenzo Pernicone, Anna Bruni Seldis. New York and London: Garland, 1986.
. Elegia di Madonna Fiammetta. Ed. M. Mussini Sacchi. Milano: Mursia, 1987. Boccassini, Daniela. I1 volo della mente. Falconeria e sofia nel mondo mediterraneo: Islam, Federico 11, Dante. Ravenna: Longo, 2003. Boutiere, J. and A.-H. Schutz, ed. Biographies des troubadozirs. Paris: A. G. Nizet, 1964. Branca, Vittore, ed. Esopo toscano dei frati e dei mercanti trecenteschi. Venezia: Marsilio Editore, 1989. Brunetto Latini. I1 Tesoro. Trans. Bono Giamboni, ed. P. Chabaille. Bologna: Gaetano Romagnoli, 1877. . Li livres dou trisor. Ed. Francis J. Carrnody. Berkeley and Los Angeles: University of California Press, 1948. . The Book of the Treasure (Li Livres dou Tresor). Trans. Paul Barrette and Spurgeon Baldwin. New York-London: Garland Publishing, 1993. Burnett, Charles, ed. Adelard of Bath, Conversations with His Nephew. Cambridge: Cambridge University Press, 1998. Carmody, Francis J., ed. Physiologus latinus. Paris: Librairie E. Droz, 1939. Casini, Tommaso, ed. Le rime dei poeti bolognesi del secolo XIII. Bologna: Commissione per i testi di lingua, 1968. Cecchi, Emilio, Natalino Sapegno, ed. Storia della letteratura italiana. Vol. I, 11. Milano: Garzanti, 1965. Chaucer, Geoffrey. The Parlement of Foulys. Ed. D. S. Brewer. London and Edinburgh: Thomas Nelson and Sons, Ltd., 1960. . The Riverside Chaucer. Ed. Larry D. Benson. Boston: Houghton Mifflin, 1987. Chretien de Troyes. Erec e Enide. Trans. Cristina Noacco. Milano, Trento: Luni, 1999. Clark, Willene B. "The Illustrated Medieval Aviary and the Lay-Brotherhood." Gesta XXI, no. 1 (1 982): 63-74. -3 Meradith T. McMunn, ed. Beasts and Birds of the Middle Ages; the Bestiary and Its Legacy. Philadelphia: The University of Pennsylvania Press, 1989. -, ed. The Medieval Book of Birds: Hugh of Foulloy's Aviarium. Binghamton: Medieval & Renaissance Texts and Studies, 1992. Cochrane, Louise. Adelard of Bath, the First English Scientist. London: British Museum Press, 1994.
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Birds of Prey and the Sport of Falc
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O Copyright by Teresa Flora Lucia G
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Birds of Prey and the Sport of Falc
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TABLE OF CONTENTS ACKNOWLEDGEMENTS
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This dissertation is dedicated to m
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medieval Italian literature is the
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poetry. The Sicilians adopt quite a
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CHAPTER 1 : Falconry as symbols bef
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The ancient Greeks and Romans did n
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hawk. The hawk responds that it is
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If a falcon sees the dead body of a
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The popularity of falcons and hawks
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animali, including a section on fal
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Hrabanus Maurus, in his eighth cent
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earlier; second, that there is a pe
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evolution of the late medieval view
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chapter that consists entirely of a
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century, is not spiritual, but a vo
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conveying the idea of Caesar's fier
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on falcons and hawks, telling about
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it is made typically of something t
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Having established the popularity o
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circle of acquaintances to illustra
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C'una noch sornnav' en pascor Tal s
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Amors o fai si com lo bons astors q
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chosen a mate so far above him in e
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Inferno, Chaucer is in this place t
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tercel eagle states that she should
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she gave in for fear that he might
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CHAPTER 2: Falconry in Duecento and
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nonexistent in the poetry of the sc
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da c'omo vene tosto a compimento. B
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It seems as if the text were meant
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We find here the image of the nibbi
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to be forceful like the sparrowhawk
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10 va' vedere, e par tenere, lo suo
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e disleale, larone e traito, che wo
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volgesi a1 grido, quand' egli e sta
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the hunter. In the stanza in which
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practice of falconry does not carry
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celebrates throughout his corona-in
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These crows and vultures, disagreea
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previous ladies who inspired poets,
Page 88 and 89: y Guido Cavalcanti. Matteo Correggi
Page 90 and 91: who far from being beyond the reach
Page 92 and 93: - I' mi son qui selvaggia pasturell
Page 94 and 95: The ladylfalcon is much less hostil
Page 96 and 97: la carta de le regole d'amore, dove
Page 98 and 99: The ways in which falcons and crane
Page 100 and 101: crane" among poets, Dante feels a f
Page 102 and 103: hitless.* Like the other servants o
Page 104 and 105: esponsibility and order, is, howeve
Page 106 and 107: Unlike the birds in Inferno, the fa
Page 108 and 109: Bastiti, e batti a terra le calcagn
Page 110 and 111: Bonagiunta portrays Dante's being i
Page 112 and 113: (Purgatorio XXVI, 133-5) The crane
Page 114 and 115: compared to them have reached the g
Page 116 and 117: source of the formation of letters,
Page 118 and 119: a me medesima uscita di mente, non
Page 120 and 121: E la madre questo vedendo vuole mor
Page 122 and 123: Upon hearing that it was an old man
Page 124 and 125: tal es mon talens, Ke m'inervia d'o
Page 126 and 127: expectation of the class status of
Page 128 and 129: Ardito avendo uno suo figliuolo nom
Page 130 and 131: "'tua figliuola B stata si vaga del
Page 132 and 133: Monna Giovanna re-enters his life w
Page 134 and 135: a "miglior massaio" in a society co
Page 136 and 137: domestication or training of the fa
Page 140 and 141: Consoli, Joseph P., ed. The Novelli
Page 142 and 143: Lewis, C. S. Allegory of Love: a St
Page 144: . Transcription and Visual Poetics
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