Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...
Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...
Dissertation on Birds of Prey and the Sport - the Falconry Heritage ...
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E la madre questo vedendo vuole morire a dolore.. .e duolsi il cuore della madre<br />
c<strong>on</strong> maggiore angoscia che gli squarciati figliuoli, el cuore della madre e fesso da<br />
uno mortale dolore pih che fusse da una tagliente spada.<br />
The hawk gets what's coming to him when he ends his life by being caught in bird-lime.<br />
The author c<strong>on</strong>cludes, "il malvagio che piglia i piccolini si duole qu<strong>and</strong>o k preso c<strong>on</strong><br />
ingiegno." The moral interpretati<strong>on</strong> is as follows:<br />
Per lo sparviere s'intende gli malvagi uomini li quali, c<strong>on</strong> tutto che il servigio de'<br />
piccolini sia lor0 grazioso, n<strong>on</strong> c<strong>on</strong>siderano il c<strong>on</strong>tinovo utile e diletto, ma come<br />
golosi e giotti solo in una ora gli dimagr<strong>on</strong>o e c<strong>on</strong>sumano che mai n<strong>on</strong> si poss<strong>on</strong>o<br />
rilevare.<br />
There is an obvious class c<strong>on</strong>flict here: <strong>the</strong> greed <strong>of</strong> <strong>the</strong> powerful causes <strong>the</strong>m to abuse<br />
<strong>the</strong> lower classes that serve <strong>the</strong>m. Here <strong>the</strong>re is no gracious courtly courtesy towards<br />
those less fortunate.<br />
In <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r tales,6 <strong>the</strong> sparrowhawk <strong>and</strong> <strong>the</strong> kite represent <strong>the</strong> upper<br />
classes, but <strong>the</strong>ir significance has changed. True, <strong>the</strong> kite has always been viewed<br />
negatively, but here it represents a pers<strong>on</strong> who is truly evil. The sparrowhawk has n<strong>on</strong>e<br />
<strong>of</strong> <strong>the</strong> positive gentle noble c<strong>on</strong>notati<strong>on</strong>s, nor does it represent love <strong>of</strong> any kind, as is so<br />
comm<strong>on</strong>. Here <strong>the</strong> birds represent powerful people as cruel tyrants, ready to victimize<br />
<strong>the</strong> classes at which <strong>the</strong> stories are aimed.<br />
In <strong>the</strong> novelle, falc<strong>on</strong>s <strong>and</strong> hawks define <strong>the</strong> upper class in a more favorable way,<br />
but even here, <strong>the</strong> symbolism gains some ambivalence as to who is an appropriate owner<br />
<strong>of</strong> <strong>on</strong>e, <strong>and</strong> as to what happens to a lover's falc<strong>on</strong> when he takes <strong>the</strong> rules <strong>of</strong> love too<br />
literally. The stories in <strong>the</strong> Novellino, however, take place in an idealized past, <strong>and</strong> have<br />
no ambivalence about what hawks signify <strong>and</strong> to whom <strong>the</strong>y should bel<strong>on</strong>g.<br />
Ibid., XIX <strong>and</strong> LXII.