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PUBLIC OPINION by WALTER LIPPMANN TO FAYE LIPPMANN ...

PUBLIC OPINION by WALTER LIPPMANN TO FAYE LIPPMANN ...

PUBLIC OPINION by WALTER LIPPMANN TO FAYE LIPPMANN ...

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3<br />

But how is it that a vague idea so often has the power to unite deeply<br />

felt opinions? These opinions, we recall, however deeply they may be<br />

felt, are not in continual and pungent contact with the facts they<br />

profess to treat. On the unseen environment, Mexico, the European war,<br />

our grip is slight though our feeling may be intense. The original<br />

pictures and words which aroused it have not anything like the force<br />

of the feeling itself. The account of what has happened out of sight<br />

and hearing in a place where we have never been, has not and never can<br />

have, except briefly as in a dream or fantasy, all the dimensions of<br />

reality. But it can arouse all, and sometimes even more emotion than<br />

the reality. For the trigger can be pulled <strong>by</strong> more than one stimulus.<br />

The stimulus which originally pulled the trigger may have been a<br />

series of pictures in the mind aroused <strong>by</strong> printed or spoken words.<br />

These pictures fade and are hard to keep steady; their contours and<br />

their pulse fluctuate. Gradually the process sets in of knowing what<br />

you feel without being entirely certain why you feel it. The fading<br />

pictures are displaced <strong>by</strong> other pictures, and then <strong>by</strong> names or<br />

symbols. But the emotion goes on, capable now of being aroused <strong>by</strong> the<br />

substituted images and names. Even in severe thinking these<br />

substitutions take place, for if a man is trying to compare two<br />

complicated situations, he soon finds exhausting the attempt to hold<br />

both fully in mind in all their detail. He employs a shorthand of<br />

names and signs and samples. He has to do this if he is to advance at<br />

all, because he cannot carry the whole baggage in every phrase through<br />

every step he takes. But if he forgets that he has substituted and<br />

simplified, he soon lapses into verbalism, and begins to talk about<br />

names regardless of objects. And then he has no way of knowing when<br />

the name divorced from its first thing is carrying on a misalliance<br />

with some other thing. It is more difficult still to guard against<br />

changelings in casual politics.<br />

For <strong>by</strong> what is known to psychologists as conditioned response, an<br />

emotion is not attached merely to one idea. There are no end of things<br />

which can arouse the emotion, and no end of things which can satisfy<br />

it. This is particularly true where the stimulus is only dimly and<br />

indirectly perceived, and where the objective is likewise indirect.<br />

For you can associate an emotion, say fear, first with something<br />

immediately dangerous, then with the idea of that thing, then with<br />

something similar to that idea, and so on and on. The whole structure<br />

of human culture is in one respect an elaboration of the stimuli and<br />

responses of which the original emotional capacities remain a fairly<br />

fixed center. No doubt the quality of emotion has changed in the<br />

course of history, but with nothing like the speed, or elaboration,<br />

that has characterized the conditioning of it.

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