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PUBLIC OPINION by WALTER LIPPMANN TO FAYE LIPPMANN ...

PUBLIC OPINION by WALTER LIPPMANN TO FAYE LIPPMANN ...

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_Cf._ also his comment on _Dante's Visual Images, and his Early<br />

Illustrators_ in _The Study and Criticism of Italian Art_ (First<br />

Series), p. 13. "_We_ cannot help dressing Virgil as a Roman,<br />

and giving him a 'classical profile' and 'statuesque carriage,' but<br />

Dante's visual image of Virgil was probably no less mediaeval, no<br />

more based on a critical reconstruction of antiquity, than his entire<br />

conception of the Roman poet. Fourteenth Century illustrators make<br />

Virgil look like a mediaeval scholar, dressed in cap and gown, and<br />

there is no reason why Dante's visual image of him should have been<br />

other than this."] He goes on to show how in regard to the human<br />

figure we have been taught to see what we do see. "Created <strong>by</strong><br />

Donatello and Masaccio, and sanctioned <strong>by</strong> the Humanists, the new canon<br />

of the human figure, the new cast of features ... presented to the<br />

ruling classes of that time the type of human being most likely to win<br />

the day in the combat of human forces... Who had the power to break<br />

through this new standard of vision and, out of the chaos of things,<br />

to select shapes more definitely expressive of reality than those<br />

fixed <strong>by</strong> men of genius? No one had such power. People had perforce to<br />

see things in that way and in no other, and to see only the shapes<br />

depicted, to love only the ideals presented...." [Footnote: _The<br />

Central Italian Painters_, pp. 66-67.]<br />

2<br />

If we cannot fully understand the acts of other people, until we know<br />

what they think they know, then in order to do justice we have to<br />

appraise not only the information which has been at their disposal,<br />

but the minds through which they have filtered it. For the accepted<br />

types, the current patterns, the standard versions, intercept<br />

information on its way to consciousness. Americanization, for example,<br />

is superficially at least the substitution of American for European<br />

stereotypes. Thus the peasant who might see his landlord as if he were<br />

the lord of the manor, his employer as he saw the local magnate, is<br />

taught <strong>by</strong> Americanization to see the landlord and employer according<br />

to American standards. This constitutes a change of mind, which is, in<br />

effect, when the inoculation succeeds, a change of vision. His eye<br />

sees differently. One kindly gentlewoman has confessed that the<br />

stereotypes are of such overweening importance, that when hers are not<br />

indulged, she at least is unable to accept the brotherhood of man and<br />

the fatherhood of God: "we are strangely affected <strong>by</strong> the clothes we<br />

wear. Garments create a mental and social atmosphere. What can be<br />

hoped for the Americanism of a man who insists on employing a London<br />

tailor? One's very food affects his Americanism. What kind of American<br />

consciousness can grow in the atmosphere of sauerkraut and Limburger<br />

cheese? Or what can you expect of the Americanism of the man whose<br />

breath always reeks of garlic?" [Footnote: Cited <strong>by</strong> Mr. Edward Hale<br />

Bierstadt, _New Republic_, June 1 1921 p. 21.]

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