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january 2007 - Professional Photographer Magazine

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about storing and backing up images.”<br />

Minor accidents aside, Littlecott’s popularity<br />

grew steadily, and he opened his first studio<br />

in an Orlando hotel in 1995. Though part of<br />

the business was a photo lab, which added<br />

some financial security, Littlecott’s main<br />

focus remained shooting. In addition to<br />

weddings, he picked up fashion assignments<br />

for local and national clients, constantly<br />

challenging his photographic eye.<br />

“I do the fashion as a creative outlet,” says<br />

Littlecott, who limits his fashion assignments<br />

to one or two days a month. “It’s an opportunity<br />

to get my name out there, and it’s reinforcement<br />

for my wedding customers to see my name in<br />

[scores of] publications. It’s subtle advertising.”<br />

In fact, Littlecott finds he doesn’t need<br />

‘‘<br />

I want my wedding clients to look<br />

beautiful but believable. It’s important<br />

to know when to step back and<br />

document things as they take place<br />

between family members. My goal<br />

is to make people feel natural.<br />

any direct advertising at all, between word<br />

of mouth referrals and his new studio’s<br />

location in downtown Orlando’s colorful<br />

nightclub district. Purchased last January,<br />

Littlecott’s artsy studio, Nu Visions in<br />

Photography, welcomes visitors with the<br />

warmth of wood floors, exposed brick walls,<br />

airy three-story atrium, and dramatic<br />

lighting. The overall effect is more like an<br />

exclusive club or a hip gallery than a working<br />

January <strong>2007</strong> • <strong>Professional</strong> <strong>Photographer</strong> • 77

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