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january 2007 - Professional Photographer Magazine

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from there, and today, McNally is a wellknown<br />

name in photography, shooting for a<br />

range of high-profile clients.<br />

McNally considers the world to be his<br />

studio. He shoots all digital, unless a client<br />

requests otherwise, and admits that his<br />

favorite piece of gear is the tattered plush<br />

bunny head his 3-year-old daughter stuffed<br />

into his camera bag for luck 18 years ago.<br />

“It’s the most important thing in my camera<br />

bag,” he says. Based in Westport, Conn.,<br />

McNally rents studio space in New York<br />

when he needs to, but does most shooting<br />

on location, from main street U.S.A. to farflung<br />

Siberia. Always, he says, “I’ve loved<br />

being out in the world, enjoying the people.”<br />

One of McNally’s favorite locations is<br />

Russia, where he’s traveled many times on<br />

assignment, covering a variety of subjects,<br />

from the Russian space program and the<br />

Bolshoi ballet, to the affects of the war in<br />

Chechnya on the light at the Artic Circle.<br />

“It’s an amazing place, and I feel privileged<br />

to be sent there to photograph and record it<br />

all,” says McNally. “I have a tremendous<br />

amount of respect for the Russian people.”<br />

For the National Geographic feature<br />

“Power of Light,” McNally studied the effects<br />

of the seasonal lack of sunlight in the Arctic

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