january 2007 - Professional Photographer Magazine
january 2007 - Professional Photographer Magazine
january 2007 - Professional Photographer Magazine
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‘‘<br />
another person’s thought process, the more<br />
full your perspective becomes.<br />
Looking at changing work over the years,<br />
it occurred to me that people measure image<br />
quality by image content. They don’t care so<br />
much about grain structure and resolution.<br />
They judge you by the images you capture. I<br />
tell my students all the time: It’s not what’s make things technically better, not adding<br />
in your hands that takes the picture; it’s what’s in needless effects just because we can.<br />
inside you. As Einstein said, “Imagination is We shouldn’t abandon the roots of good por-<br />
more important than knowledge.”<br />
traiture, just embellish it with what technology<br />
offers. With that in mind, there are four ele-<br />
What do you think are the most significant ments that contribute to a good portrait: One,<br />
artistic developments in photography over technique. If you’re a professional photographer,<br />
the past five or six years? Will they endure you must be a good technician. Two, aesthetics.<br />
or become passing fads?<br />
You should spend enough time immersing<br />
We’ve gone through the period of doing things yourself in the art of photography that you can<br />
because you can. It was like bad sci-fi movies create images on a higher plane. You want to<br />
—all effects and no plot. It should be a matter make something more than a collection of good<br />
of using digital tools to make better images, to technical elements. Three, the personal element.<br />
’’<br />
You need to be able to bring yourself into your<br />
work. And four, spiritual. It could be your relationship<br />
to a higher power, nature, mankind<br />
—whatever you feel spiritually connected to.<br />
It’s what really polishes your apples. Slow down<br />
and pay attention to the creative process so<br />
you’ll be able to bring in the spiritual element.<br />
What three critical lessons would you convey<br />
to today’s professional photographers?<br />
First, concentrate on research and development.<br />
Read <strong>Professional</strong> <strong>Photographer</strong> magazine.<br />
Go to Imaging USA. Attend industry events<br />
It’s not what’s in your hands that takes<br />
the picture; it’s what’s inside you.<br />
January <strong>2007</strong> • <strong>Professional</strong> <strong>Photographer</strong> • 83