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Wonderland - Jags

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Deeper Mysteries - Chessboards<br />

Flux Terrain Examined<br />

Some elements of<br />

Chessboard Four are “stable”—<br />

they are always there when<br />

you visit. Some are “in flux”<br />

meaning that they only appear<br />

at a given place for a period<br />

of time. Usually this is very<br />

predictable: the road (a super<br />

highway) crosses the great desert<br />

to the north … from 3—6 PM.<br />

If you are on that road after 6:<br />

01 PM you’ll find it dissolving<br />

into sand. Maybe there’s a<br />

tower out in the desert that<br />

exists from 2—4 in the dark of<br />

night. The native inhabitants<br />

of the tower experience it all<br />

the time (and, perhaps, during<br />

the other hours it’s somewhere<br />

else … or nowhere at all)—but<br />

if you aren’t native, you’ll find<br />

the walls begin to crack and<br />

crumble, floors collapse in, and<br />

furniture turns to dust, and the<br />

place becomes a haunted ruin in<br />

a few fluid seconds … and then<br />

it puts itself back together again<br />

later.<br />

What is stable and what isn’t—<br />

and how you “get caught in<br />

the flux”-- varies from place to<br />

place. Sometimes being inside<br />

or near a disappearing terrain<br />

feature is enough to be taken<br />

with it. Other times (as with<br />

the tower example) it’ll decay<br />

or mutate right around you.<br />

Sometimes the cycle is on the<br />

order of hours, sometimes days.<br />

152<br />

Chessboard Four: Where the Wild<br />

Things Are<br />

Chessboard Four is alien—to some it is even worse than the deep places<br />

below it. Its inhabitants are inhuman at best—monsters at worst—and<br />

mostly a cruel mockery of human beings. The land itself is fluid and<br />

unstable: over the course of days (or even hours), mountain ranges melt<br />

into oceans. Seas drain into vast deserts. Cliffs crumble to reveal lush<br />

rainforest, and so-on. Traveling on Chessboard Four gives a strong sense<br />

of hallucination: you can “travel” just by standing still.<br />

But unlike the even deeper realms there is a method to Chessboard<br />

Four’s madness, a key to understanding it. Chessboard Four is composed<br />

of the raw materials of stories. Instead of the chemical compounds of<br />

natural substances the base elements of the fourth chessboard are literary<br />

elements.<br />

There are no seas filled with mixtures of saline and water; there are<br />

oceans of doubt. The sediment—the ground you walk on—isn’t ground<br />

silicon and aluminum oxides; it’s 64% atmosphere, 17% tone with traces<br />

of plot devices, influences, and faiths. In dangerous, volatile regions<br />

there are boiling fountains, raging storms, and devouring maelstroms of<br />

climax and resolution.<br />

Chessboard Four is primal and chaotic; it is an engine that drives the<br />

higher Chessboards, spawning the monsters and treasures—the truths<br />

and revelations—of Chessboards Three and Two. It is a source of energy,<br />

like a distant star that sustains the life of broken shadows—the whirls—<br />

who have been cut off from their casters. It is a mythic place where<br />

even the dirt has the power to shape lives and fortunes. Chessboard<br />

Four answers some mysteries about the nature of <strong>Wonderland</strong> while<br />

suggesting others and raising questions about what might lie beneath it.<br />

Topology<br />

Chessboard Four’s terrain changes the way the weather changes; rolling<br />

in and out and re-arranging itself from day to day, or suddenly shifting<br />

violently and cataclysmically for those caught in its grip.<br />

There are regions of stability where there are great alien cities peopled<br />

by inhuman creatures; more common are distant, scattered townships<br />

and villages that “drift” from place to place as the world ebbs and flows<br />

around them.<br />

Relevance to Chessboard Zero<br />

Chessboard Four’s connection to Chessboard Zero is tenuous at best;<br />

absent in most cases. Sometimes there are patterns that seem to suggest<br />

or imply the terrain of the natural universe (a reassuring grid of stones<br />

where a city lies; a general matching of the locations of oceans), but<br />

these are transient, fading as a new landscape rolls in.

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