MENDELSSOHN - Bis

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Disc 7 [69'35] 1 2 3 4 String Symphony No. 8 in D major 30'29 version for strings (1822) I. Adagio e grave – Allegro 10'34 II. Adagio 4'46 III. Menuetto (Allegro molto) & Trio (Presto) 5'20 IV. Allegro molto 9'34 5 6 7 8 9 String Symphony No.11 in F major (1823) 38'12 I. Adagio – Allegro molto 12'02 II. Scherzo. Commodo. Schweizerlied 4'36 III. Adagio 8'07 IV. Menuetto. Allegro moderato 4'21 V. Allegro molto 8'44 Amsterdam Sinfonietta Lev Markiz conductor 10
Disc 8 [51'11] 1 2 3 Concerto in D minor for Violin and String Orchestra (1822–23) 20'19 I. Allegro molto 8'40 II. Andante 7'47 III. Allegro 3'53 4 5 6 7 Scherzo from Octet, Op. 20 4'16 Arranged for orchestra by the composer Sempre pianissimo e leggiero Concerto in E minor for Violin and Orchestra, Op. 64 (1844–45) 25'41 Original 1844 version I. Allegro con fuoco 11'50 II. Andante 7'09 III. Allegretto non troppo – Allegro molto vivace 6'42 Isabelle van Keulen violin [tracks 1–3, 5–7] Amsterdam Sinfonietta Lev Markiz conductor 11
Page 1 and 2: MENDELSSOHN THE COMPLETE SYMPHONIES
Page 3 and 4: Disc 1 [67'09] 1 ‘Ruy Blas’ Ove
Page 5 and 6: Disc 2 9 10 11 12 13 VII. Chorus an
Page 7 and 8: Disc 4 [70'26] 1 2 3 4 5 6 7 8 9 10
Page 9: Disc 6 [58'41] 1 2 3 4 5 6 7 8 9 10
Page 13 and 14: Disc 10 [67'12] 1 2 3 4 5 6 Concert
Page 15 and 16: Disc 1 · Symphonies Nos 1 & 4; ‘
Page 17 and 18: other hand it is debatable whether
Page 19 and 20: el op ment, surprisingly, introduce
Page 21 and 22: Despite the positive reception it r
Page 23 and 24: per formed in the Thomaskirche in L
Page 25 and 26: Adagio religioso, im plying a mood
Page 27 and 28: set off for Scotland with his frien
Page 29 and 30: had been excommunicated in 1521 and
Page 31 and 32: Discs 4-7 · String Symphonies No o
Page 33 and 34: finale of this three-movement sym p
Page 35 and 36: The String Symphony No. 11 was comp
Page 37 and 38: ion nor mere mimic of earlier model
Page 39 and 40: work for piano four-hands and orche
Page 41 and 42: Breit kopf & Härtel: ‘I composed
Page 43 and 44: piano begins the slow introduction
Page 45 and 46: into each other, how ever, that the
Page 47 and 48: Born in Moscow, Lev Markiz began hi
Page 49 and 50: CD 1 · Symphonien Nr. 1 & Nr. 4;
Page 51 and 52: stel lung dieses „work in progres
Page 53 and 54: ehrung eine mediterran-klare Musik
Page 55 and 56: er regte, chromatische Streicherthe
Page 57 and 58: gesang für zwei Männerchöre und
Page 59 and 60: schon abgebrochen zu werden. Hatten
Page 61 and 62:
Karl Klingemann nach Schottland auf
Page 63 and 64:
gegen übertraten. (Der Verfasser w
Page 65 and 66:
CD 4-7 · Streichersymphonien Kein
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schnellen, rhythmisch vorantreibend
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kantablen Adagio, dem ein immer tur
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Exotik und Aus gelassenheit des let
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„un voll kommene“ Fassung diese
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Worte. Das Fi nale ist ein feuriges
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Kom po nis ten der Preußischen Sta
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Stettin urauf ge führt). Dieses Ko
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Die Amsterdam Sinfonietta - 1988 al
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BBC Proms, wo er die Klavierkonzert
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con fuoco) se rat tache au premier
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ciety dont il avait été nommé me
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Ce ne pouvait être la quatrième S
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le « Comité des fêtes autour de
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cantate en neuf mouvements (nos 2
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Seigneur], les deux sopranos solos
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ture des Hébrides, op. 26. La Symp
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« style religieux » traditionnel
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l’occasion de rencontrer de grand
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un Presto où la vita lité est tri
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Menuet a perdu son air de cour et e
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ce « petit » concerto de Men dels
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Quoi que le manuscrit de ce mouve m
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piano, il lui manque beaucoup trop
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L’œuvre fut dédiée au pianiste
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La fondation de l’Orchestre philh
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Isabelle van Keulen a reçu ses pre
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1 4 Symphony No. 2, ‘Lobgesang’
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Der so viel Gutes tut, Who from our
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INSTRUMENTARIUM Violin Concerto in
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MENDELSSOHN - Bis

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