MENDELSSOHN - Bis

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Disc 9 [72'09] 1 2 3 4 5 6 7 8 9 Concerto in A minor for Piano and String Orchestra (1822) 31'40 I. Allegro 13'42 II. Adagio 8'30 III. Finale. Allegro ma non troppo 9'18 Concerto No.1 in G minor for Piano and Orchestra, Op.25 (1831) 18'45 I. Molto allegro con fuoco 6'58 II. Andante 5'54 III. Presto 5'49 Concerto No.2 in D minor for Piano and Orchestra, Op.40 (1837) 20'33 I. Allegro appassionato 8'53 II. Adagio – Molto sostenuto 5'39 III. Finale. Presto scherzando 5'58 Ronald Brautigam piano Amsterdam Sinfonietta Lev Markiz conductor 12
Disc 10 [67'12] 1 2 3 4 5 6 Concerto in D minor for Violin, Piano and String Orchestra (1823) 33'39 I. Allegro 17'05 II. Adagio 8'00 III. Allegro molto 8'27 Capriccio brillant, Op. 22 (1825–26/1832) 10'26 for piano and orchestra Andante – Allegro con fuoco Rondo brillant, Op. 29 (1834) 9'55 for piano and orchestra Presto Serenade and Allegro giocoso, Op. 43 (1838) 11'49 for piano and orchestra Andante – Allegro giocoso Isabelle van Keulen violin Ronald Brautigam piano Amsterdam Sinfonietta Lev Markiz conductor 13
Page 1 and 2: MENDELSSOHN THE COMPLETE SYMPHONIES
Page 3 and 4: Disc 1 [67'09] 1 ‘Ruy Blas’ Ove
Page 5 and 6: Disc 2 9 10 11 12 13 VII. Chorus an
Page 7 and 8: Disc 4 [70'26] 1 2 3 4 5 6 7 8 9 10
Page 9 and 10: Disc 6 [58'41] 1 2 3 4 5 6 7 8 9 10
Page 11: Disc 8 [51'11] 1 2 3 Concerto in D
Page 15 and 16: Disc 1 · Symphonies Nos 1 & 4; ‘
Page 17 and 18: other hand it is debatable whether
Page 19 and 20: el op ment, surprisingly, introduce
Page 21 and 22: Despite the positive reception it r
Page 23 and 24: per formed in the Thomaskirche in L
Page 25 and 26: Adagio religioso, im plying a mood
Page 27 and 28: set off for Scotland with his frien
Page 29 and 30: had been excommunicated in 1521 and
Page 31 and 32: Discs 4-7 · String Symphonies No o
Page 33 and 34: finale of this three-movement sym p
Page 35 and 36: The String Symphony No. 11 was comp
Page 37 and 38: ion nor mere mimic of earlier model
Page 39 and 40: work for piano four-hands and orche
Page 41 and 42: Breit kopf & Härtel: ‘I composed
Page 43 and 44: piano begins the slow introduction
Page 45 and 46: into each other, how ever, that the
Page 47 and 48: Born in Moscow, Lev Markiz began hi
Page 49 and 50: CD 1 · Symphonien Nr. 1 & Nr. 4;
Page 51 and 52: stel lung dieses „work in progres
Page 53 and 54: ehrung eine mediterran-klare Musik
Page 55 and 56: er regte, chromatische Streicherthe
Page 57 and 58: gesang für zwei Männerchöre und
Page 59 and 60: schon abgebrochen zu werden. Hatten
Page 61 and 62: Karl Klingemann nach Schottland auf
Page 63 and 64:
gegen übertraten. (Der Verfasser w
Page 65 and 66:
CD 4-7 · Streichersymphonien Kein
Page 67 and 68:
schnellen, rhythmisch vorantreibend
Page 69 and 70:
kantablen Adagio, dem ein immer tur
Page 71 and 72:
Exotik und Aus gelassenheit des let
Page 73 and 74:
„un voll kommene“ Fassung diese
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Worte. Das Fi nale ist ein feuriges
Page 77 and 78:
Kom po nis ten der Preußischen Sta
Page 79 and 80:
Stettin urauf ge führt). Dieses Ko
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Die Amsterdam Sinfonietta - 1988 al
Page 83 and 84:
BBC Proms, wo er die Klavierkonzert
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con fuoco) se rat tache au premier
Page 87 and 88:
ciety dont il avait été nommé me
Page 89 and 90:
Ce ne pouvait être la quatrième S
Page 91 and 92:
le « Comité des fêtes autour de
Page 93 and 94:
cantate en neuf mouvements (nos 2
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Seigneur], les deux sopranos solos
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ture des Hébrides, op. 26. La Symp
Page 99 and 100:
« style religieux » traditionnel
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l’occasion de rencontrer de grand
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un Presto où la vita lité est tri
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Menuet a perdu son air de cour et e
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ce « petit » concerto de Men dels
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Quoi que le manuscrit de ce mouve m
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piano, il lui manque beaucoup trop
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L’œuvre fut dédiée au pianiste
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La fondation de l’Orchestre philh
Page 117 and 118:
Isabelle van Keulen a reçu ses pre
Page 119 and 120:
1 4 Symphony No. 2, ‘Lobgesang’
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Der so viel Gutes tut, Who from our
Page 123 and 124:
INSTRUMENTARIUM Violin Concerto in
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MENDELSSOHN - Bis

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