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Courses of Study - William Jewell College

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teenth century fiction. The works selected for<br />

the study are ones which figure significantly in<br />

the history <strong>of</strong> realism, including Madame Bovary,<br />

Middlemarch, The Portrait <strong>of</strong> a Lady, Adventures<br />

<strong>of</strong> Huckleberry Finn, and Tess <strong>of</strong> the d’Urbervilles.<br />

OXE 112, 212, 412. Naturalist and Modern<br />

Modes. 4 (2) cr. hrs.<br />

Tutor: D. Dean Dunham, Jr., Oxbridge Pr<strong>of</strong>essor <strong>of</strong><br />

English Language and Literature<br />

This tutorial course <strong>of</strong> study focuses on an<br />

important, perhaps dominant, mode <strong>of</strong> literary<br />

expression in early twentieth century fiction,<br />

related to expression in other genres at the same<br />

time. The works selected for the study are ones<br />

which figure significantly in the history <strong>of</strong> modernism,<br />

including Lord Jim, Ulysses, The Trial, To<br />

the Lighthouse, and The Sound and the Fury.<br />

OXE 213, 413. Seventeenth Century Voices:<br />

Donne and Milton. 4 (2) cr. hrs.<br />

Tutor: Staff.<br />

Analysis <strong>of</strong> important works <strong>of</strong> John Donne and<br />

John Milton in the context <strong>of</strong> 17th-century life<br />

and thought, applying the historical/biographical<br />

critical approach to understand how individual<br />

works form the pattern <strong>of</strong> each poet’s works as a<br />

whole and to see why even in this time <strong>of</strong> contentious<br />

revision <strong>of</strong> the canon, these men retain<br />

their status as major poets.<br />

OXE 121, 221, 421. Tragedy: The Dramatic<br />

Form. 4 (2) cr. hrs.<br />

Tutor: Kim B. Harris, Pr<strong>of</strong>essor <strong>of</strong> Communication<br />

A survey approach to representative Occidental<br />

dramatic tragedies: ancient Greece through realism.<br />

Focus on form.<br />

OXE 122, 222, 422. Tragedy: Perspectives<br />

Through Drama. 4 (2) cr. hrs.<br />

Tutor: Kim B. Harris, Pr<strong>of</strong>essor <strong>of</strong> Communication<br />

A survey approach to representative Occidental<br />

dramatic tragedies: poetic realism through the<br />

present. Focus on form and perspectives.<br />

OXE 241, 441. Post-Colonial Literature and<br />

Criticism. 4 (2) cr. hrs.<br />

Tutor: Ian Munro, Pr<strong>of</strong>essor <strong>of</strong> English<br />

A study <strong>of</strong> the literary and theoretical texts <strong>of</strong><br />

contemporary writers belonging to formerly colonized<br />

societies, examining such concepts as irony,<br />

allegory and magical realism and the uses that<br />

<strong>Courses</strong> <strong>of</strong> <strong>Study</strong> –<br />

The Oxbridge Honors Program<br />

postcolonial writers have made <strong>of</strong> concepts like<br />

authenticity, identity, mimicry and hybridity.<br />

Students completing the tutorial should be able to<br />

show understanding <strong>of</strong> the critical debates surrounding<br />

the term “post-colonialism” in literature.<br />

OXE 260, 460. Medieval Devotional<br />

Literature. 4 (2) cr. hrs.<br />

Tutor: Patricia Deery Kurtz, Adjunct Tutor in<br />

English Language and Literature<br />

Medieval devotional literature from the Old<br />

English “Dream <strong>of</strong> the Rood” to the late Middle<br />

English morality play Everyman. Analysis <strong>of</strong><br />

devotional poetry, prose, and drama in terms <strong>of</strong><br />

subjects, themes, images, and purpose; emphasis<br />

on English literature, but some consideration <strong>of</strong><br />

works by continental writers; comparison and<br />

contrast <strong>of</strong> various types <strong>of</strong> piety; discussion <strong>of</strong><br />

the social framework; some sessions devoted to<br />

the study <strong>of</strong> paleography.<br />

OXE 165, 265, 465. English Literature before<br />

1500. 4 (2) cr. hrs.<br />

Tutor: Patricia Deery Kurtz, Adjunct Tutor in<br />

English Language and Literature<br />

A study <strong>of</strong> various genres <strong>of</strong> medieval literature<br />

(allegory, drama, dream vision, elegy, epic, lyric,<br />

romance, satire) and <strong>of</strong> relevant aspects <strong>of</strong> the history<br />

<strong>of</strong> the period and how it influenced the subject<br />

matter and tone <strong>of</strong> representative works.<br />

Students will understand this literary period as a<br />

continuum which encompasses language, imagery,<br />

motifs, symbolism, themes and structure.<br />

OXE 272, 472. Christian Doctrine and<br />

American Literature. 4 (2) cr. hrs.<br />

Tutor: Mark Walters, Pr<strong>of</strong>essor <strong>of</strong> English<br />

An analysis <strong>of</strong> various theological perspectives <strong>of</strong><br />

fiction (how, for instance, certain readings <strong>of</strong> preand<br />

post-lapsarian human nature lead to a range<br />

<strong>of</strong> critical assumptions about the story-making<br />

impulse and process), followed by an examination<br />

<strong>of</strong> the ways in which Christian doctrine has<br />

informed canonical American fiction, specifically<br />

that <strong>of</strong> Hawthorne, Melville, Faulkner, O’Connor,<br />

and Updike.<br />

OXE 181, 281, 481. The Novels <strong>of</strong> the Bronte<br />

Sisters. 4(2) cr. hrs.<br />

Tutor: Laurie Accardi, Adjunct Tutor in English<br />

Language and Literature<br />

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