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OBERLIN LCRI CUMULATED 21-18 rev. 11-07 (Donizetti; Romani) (Music by Donizetti; libretto by Romani, based on Le philtre by Eugene Scribe) main entry under the heading for Donizetti as composer (21.23A1, 21.19A1) Added entries under the headings for Romani and for Scribe's Le philtre (21.19A1) 21.23C:CSB108 Works by different persons or bodies. Collective title Principal Performer In applying the rules and these interpretations, understand "performer" in 21.23C1 to mean a person or corporate body whose performance is heard on the sound recording. When a person performs as a member of a corporate body, do not consider him or her as a separate person to be a performer. Do not consider a conductor or accompanist to be a member of the body he or she conducts or accompanies. If the person's name appears in conjunction with the name of a group, apply LCRI 24.1A to determine whether the corporate name includes this personal name. If the conclusion is that the corporate name does not include the person's name, do not consider the person a member of the group; if the conclusion is that it does include the person's name, consider the person to be a member of the group. For recordings containing musical works by different composers or writers, follow the guidelines below in 1) deciding whether or not there are principal performers and 2) identifying the principal performers, if any. The use of the term "principal performer" in 21.23C1 and 21.23D1 can lead to confusion since the term implies a performer who is more important (or, in the words of footnote 5 on p. 314, given greater prominence) than other performers. This interpretation, however, would often produce undesirable results: it would make main entry under the heading for a performer impossible under 21.23C1 when there is only one performer or when there are only two or three performers who are given equal prominence. To avoid this difficulty, apply the following: 1) When two or more performers are named in the chief source of information, consider to be principal performers those given the greatest prominence there. If all the performers named in the chief source of information are given equal prominence there, consider all of them to be principal performers. 2) When only one performer is named in the chief source of information, consider that performer to be a principal performer. 3) When no performers are named in the chief source of information, consider that there are no principal performers. In judging relative prominence on the basis of wording, layout, and typography, consider names printed in the same size and style of lettering and in association with one another to have equal prominence. When names appear in the same size and style of lettering but in different areas of the same source of information, consider those in a location implying superiority (e.g., a higher position) to have greater prominence. Do not consider names near the beginning of a list or sequence to have greater prominence than those near the end.
OBERLIN LCRI CUMULATED 21-19 rev. 11-07 chief source: JESS WALTERS SINGS CLASSIC FOLK SONGS Jess Walters, baritone Hector García, guitar main entry under the heading for Walters as principal performer chief source: Joan Sutherland SONGS MY MOTHER TAUGHT ME Songs by Dvorak, Mendelssohn, Massenet, Gounod, Delibes, Grieg, Liszt, and others Richard Bonynge The New Philharmonic Orchestra main entry under the heading for Sutherland as principal performer chief source: SONATAS OF J.S BACH & SONS JEAN-PIERRE RAMPAL, Flute ISAAC STERN, Violin JOHN STEELE RITTER, Harpsichord and Fortepiano LESLIE PARNAS, Cello main entry under title; Rampal, Stern, Ritter, and Parnas are principal performers chief source: MUSIC OF CHABRIER AND MASSENET Detroit Symphony Ochestra Paul Paray main entry under heading for the orchestra added entry under the heading for Paray (The orchestra and Paray are principal performers) chief source: LAS VOCES DE LOS CAMPESINOS Francisco García and Pablo and Juanita Saludado sing corridos about farm workers and their union main entry under the heading for García added entries under the headings for P. Saludado and J. Saludado (García and the Saludados are principal performers)
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LIBRARY OF CONGRESS RULE INTERPRETA
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Chapter 1 General Rules for Descrip
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Chapter 4 Manuscripts (Including Ma
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Chapter 5 Music 5.1B1:CSB108 Title
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Chapter 7 Motion Pictures and Video
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Chapter 8 Graphic Materials 8.1C:CS
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Chapter 10 Three-Dimensional Artefa
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Chapter 11 Microforms 11:CSB81 Micr
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Chapter 25 Uniform Titles 25.1:CSB1
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Appendix A A.2A :CSB16 General rule
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Appendix B B.4:CSB13 For a language
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Appendix C C.1:CSB104 General rule
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Appendix D Chorus Score (CSB 108) T
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