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OBERLIN LCRI CUMULATED page 26-41 rev. 12-10 Variant forms of titles 100 1# $a Debussy, Claude, $d 1862-1918. $t Images, $m orchestra 400 1# $a Debussy, Claude, $d 1862-1918. $t Obrazy, $m orchestra 100 1# $a Debussy, Claude, $d 1862-1918. $t Images, $m piano, $n 1st ser. 400 1# $a Debussy, Claude, $d 1862-1918. $t Obrazy, $m piano, $n 1st ser. 100 1# $a Debussy, Claude, $d 1862-1918. $t Images, $m piano, $n 2nd ser. 400 1# $a Debussy, Claude, $d 1862-1918. $t Obrazy, $m piano, $n 2nd ser. 1) Ampersand. When an ampersand (or other symbol, e.g., +, representing the word “and”) occurs as one of the first five words in a distinctive uniform title or in a distinctive title being referred from, make a reference (or an additional reference) substituting the word “and” in the language of the title. 100 1# $a Green, David Llewellyn. $t Allegro moderato & three metamorphoses 400 1# $a Green, David Llewellyn. $t Allegro moderato and three metamorphoses 400 1# $a Green, David Llewellyn. $t Allegro moderato & drei Metamorphosen 400 1# $a Green, David Llewellyn. $t Allegro moderato und drei Metamorphosen 2) Numbers. When a cardinal number occurs as one of the first five words in a distinctive uniform title or in a distinctive title being referred from, make references according to the principles governing the making of added entries for alternate forms containing numbers in LCRI 21.30J. In addition, when a distinctive title being referred from begins with a number that is not an integral part of the title, make a reference from the title with the number omitted (unless the resulting title is the same as the uniform title). 100 1# $a Bach, Johann Sebastian, $d 1685-1750. $t Brandenburgische Konzerte 400 1# $a Bach, Johann Sebastian, $d 1685-1750. $t 6 concerti brandeburghesi 400 1# $a Bach, Johann Sebastian, $d 1685-1750. $t Sei concerti brandeburghesi 400 1# $a Bach, Johann Sebastian, $d 1685-1750. $t Concerti brandeburghesi 3) Other. If a distinctive title proper or a distinctive title being referred from contains data within the first five words for which there could be an alternative form that would be filed differently, make a reference (or an additional reference) from that form if it is thought that some users of the catalog might reasonably search under that form, following the “Guidelines for Making Title Added Entries” in LCRI 21.30J. 100 1# $a Finnissy, Michael. $t Mr. Punch
OBERLIN LCRI CUMULATED page 26-42 rev. 12-10 Non-distinctive titles 400 1# $a Finnissy, Michael. $t Mister Punch Make references based on non-distinctive titles only when the uniform title that would result from the application of 25.30 to such a title is different from the actual uniform title. Then make a reference only in the form that the uniform title would take if the title in question had been selected as the basis for the uniform title. The following examples illustrate the most common situations in which references based on non-distinctive titles are needed. 1) The title selected as the basis for the uniform title is distinctive but the work is also known by a non-distinctive title. 100 1# $a Hovhaness, Alan, $d 1911- $t Artik 400 1# $a Hovhaness, Alan, $d 1911- $t Concertos, $m horn, string orchestra, $n op. 78 100 1# $a Routh, Francis. $t Double concerto 400 1# $a Routh, Francis. $t Concertos, $m violin, violoncello, orchestra, $n op. 19 1 2) The work is also known by the name of a type of composition different from that selected as the basis for the uniform title. 100 1# $a Pleyel, Ignaz, $d 1757-1831. $t Sonatas, $m piano trio, $n B. 465-467 400 1# $a Pleyel, Ignaz, $d 1757-1831. $t Trios, $m piano, strings, $n B. 465-467 3) The work is identified in the item being cataloged by a number from a numbering system different from that used in the uniform title. 100 1# $a Dvorák, Antonín, $d 1841-1904. $t Symphonies, $n no. 8, op. 88, $r G major 400 1# $a Dvorák, Antonín, $d 1841-1904. $t Symphonies, $n no. 4, op. 88, $r G major 100 1# $a Haydn, Joseph, $d 1732-1809. $t Symphonies, $n H. I, 6, $r D major 400 1# $a Haydn, Joseph, $d 1732-1809. $t Symphonies, $n no. 6, $r D major 100 1# $a Vivaldi, Antonio, $d 1678-1741. $t Concertos, $m oboes (2), continuo, $n RV 535, $r D minor 400 1# $a Vivaldi, Antonio, $d 1678-1741. $t Concertos, $m oboes (2), continuo, $n op. 42, no. 2, $r D minor 400 1# $a Vivaldi, Antonio, $d 1678-1741. $t Concertos, $m oboes (2), continuo, $n P. 302, $r D minor (Title on item being cataloged: Concerto for two oboes and bassoon in D minor, op 42, no. 2, P. 302) (Generally do not refer from titles using numbers not found in the item being cataloged unless such numbers originated with the composer.)
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Chapter 1 General Rules for Descrip
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