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OBERLIN LCRI CUMULATED page 25-48 rev. 12-10 Composers and Writers (Series added entry) 800 1# $a ... $t Works. $f 1904. $s Lovell ; $v v. 2. (Series added entry) 240 10 $a Works. $f 1904. $s Lovell (Eldorado ed.) (Bibliographic record) 100 1# $a ... $t Works. $f 1904. $s Lovell (Eldorado ed.) (Series authority record) 800 1# $a ... $t Works. $f 1904. $s Lovell (Eldorado ed.) ; $v v. 1. (Series added entry) 240 10 $a Works. $f 1920 240 10 $a Works. $f 1930 (Bibliographic record) 100 1# $a ... $t Works. $f 1930 (Series authority record) 800 1# $a ... $t Works. $f 1930 ; $v v. 2. (Series added entry) 240 10 $a Works. $f 1969 240 10 $a Works. $1 German. $f 1911 240 10 $a Works. $1 German. $f 1922 (Bibliographic record) 100 1# $a ... $t Works. $1 German. $f 1922 (Series authority record) 800 1# $a Works. $1 German. $f 1922 ; $v Bd. 1. (Series added entry) 240 10 $a Works. $1 German. $f 1924. $s Propyläen (Bibliographic record) 100 1# $a ... $t Works. $1 German. $f 1924. $s Propyläen (Series authority record) 800 1# $a ... $t Works. $1 German. $f 1924. $s Propyläen ; $v Bd. 1. (Series added entry) 240 10 $a Works. $1 German. $f 1924. $s Rösl (Bibliographic record) 100 1# $a ... $t Works. $1 German. $f 1924. $s Rösl (Series authority record) 800 1# $a ... $t Works. $1 German. $f 1924. $s Rösl ; $v Bd. 2. (Series added entry) 240 10 $a Works. $1 German. $f 1966 240 10 $a Works. $1 Portuguese. $f 1944 240 10 $a Works. $1 Spanish. $f 1972
OBERLIN LCRI CUMULATED page 25-49 rev. 12-10 following: If a person has written both musical and literary works, apply the 1) If the person is primarily a composer, use the uniform title "Works" works and a) for editions containing the complete musical and literary b) for editions containing the complete musical works. (For complete collections of the literary works alone, use the uniform title "Literary works." For partial collections of the literary works, see LCRI 25.10.) 2) If the person is primarily a writer, use the uniform title "Works" works and a) for editions containing the complete literary and musical b) for editions containing the complete literary works. (For complete collections of the musical works alone, use the uniform title "Musical works." For partial collections of the musical works, see LCRI 25.10.) 25.8-25.11:CSB108 Collective titles Except as noted in LCRI 25.9 and LCRI 25.10, assign a collective uniform title to an item at the first instance of appropriateness, i.e., do not defer the adding of a collective uniform title until the file under the heading is voluminous. Extend the use of collective uniform titles to collections entered under a corporate name whenever the particular circumstances warrant it (e.g., collections of official communications by a head of state, collections of encyclicals). Note that the application of 25.8-25.11 is not restricted to collections for which a single person or a single corporate body is responsible. In any case of a collection covered by 25.8-25.11 containing three or more works, generally, do not make analytical added entries for any of the works in the collection. This applies both to collections with a uniform title and those without. (For the exception for music sound recordings, see LCRI 25.34B-25.34C.) Under any of the collective uniform titles ("Short stories," "Laws, etc.") other than "Works" (see LCRI 25.8) or "Selections" (see LCRI 25.9: but for musical works see LCRI 25.34B1) a difference in titles proper would separate originals from translations and likewise would separate unrevised editions as well as the various publications of a single edition. Such collective uniform titles are also not adequate for the proper identification of a work being used in a secondary entry. Because of these inadequacies, apply collective uniform titles with the principle found in 25.5B always in mind. The "appropriate designation to distinguish" between one work and another (or to bring them together) will usually be the title proper of each work. Note, however, that the designation should be tailored to fit each case, so that there are possibilities other than the title proper (editor, translator, publisher, compiler, etc.) and that the title proper, if used, may be shortened. Do whatever makes the most sense in the particular case. The following example is merely illustrative of this point; it is not meant to be prescriptive for the particular work shown: 100 1# $a Maugham, W. Somerset 240 10 $a Short stories (Heinemann)
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Chapter 1 General Rules for Descrip
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Chapter 4 Manuscripts (Including Ma
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Chapter 5 Music 5.1B1:CSB108 Title
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Chapter 8 Graphic Materials 8.1C:CS
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Chapter 12 Serials 12.0:CSB124 Gene
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Chapter 21 Choice of Access Points
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Appendix A A.2A :CSB16 General rule
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Appendix B B.4:CSB13 For a language
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Appendix C C.1:CSB104 General rule
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Appendix D Chorus Score (CSB 108) T
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