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faithful guide to each and every rule of ... - Oberlin College

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OBERLIN LCRI CUMULATED page 25-71<br />

rev. 12-10<br />

not<br />

245 10 $a Vocalise, op. 38, for soprano, clarinet, piano,<br />

violin, violoncello ...<br />

240 10 $a Vocalise, $m clarinet, piano trio acc. ...<br />

(Accompanying ensemble is not a st<strong>and</strong>ard combination<br />

although it includes one)<br />

25.30B4:CSB108<br />

Individual instruments<br />

Use the following instrument names: violoncello, English horn,<br />

contrabassoon, <strong>and</strong> timpani.<br />

The list <strong>of</strong> terms for keyboard instruments in this <strong>rule</strong> is illustrative, not<br />

restrictive. Other terms may be used as necessary.<br />

clavichord, 3 h<strong>and</strong>s<br />

harpsichords (3)<br />

player piano<br />

If the application <strong>of</strong> 25.30B4 results in the separation <strong>of</strong> a composer's<br />

works between harpsichord or clavichord on the one h<strong>and</strong> <strong>and</strong> piano on the other, choose<br />

the instrument for which the major portion <strong>of</strong> the works <strong>of</strong> a given type was intended <strong>and</strong><br />

use that instrument name for all works <strong>of</strong> the type. If the "major" instrument is not<br />

apparent, use "keyboard instrument".<br />

25.30B5:CSB108<br />

Groups <strong>of</strong> instruments<br />

Use “winds” in uniform titles for chamber music combinations only when it is<br />

either not possible (e.g., because <strong>of</strong> the three-element limitation in 25.30B1) or not<br />

more informative <strong>to</strong> use “woodwinds” or “brasses” <strong>to</strong>gether with the names <strong>of</strong> individual<br />

instruments. Specifically:<br />

1) For works for two different woodwind instruments <strong>and</strong> two<br />

different brass instruments, state the medium <strong>of</strong> performance simply as “winds.” Do not<br />

list the woodwind instruments individually <strong>and</strong> group the brass instruments (e.g. “flute,<br />

oboe, brasses”) or group the woodwind instruments <strong>and</strong> list the brass instruments<br />

individually (e.g., “woodwinds, trumpets (2), horn”), since the choice <strong>of</strong> which <strong>to</strong> list<br />

<strong>and</strong> which <strong>to</strong> group is arbitrary; do not use “woodwinds, brasses,” since this would convey<br />

no additional information.<br />

2) For works for two different woodwind instruments <strong>and</strong> three or<br />

more different brass instruments or for two different brass instruments <strong>and</strong> three or more<br />

different woodwind instruments, list the two <strong>and</strong> group the others.<br />

240 10 $a Serenade, $m woodwinds, horn, trombone ...<br />

240 10 $a Suite, $m flutes (2), oboe, brasses ...<br />

3) For works for two or more different woodwind instruments, two or<br />

more different brass instruments, <strong>and</strong> one other instrument or group <strong>of</strong> instruments, use<br />

“winds,” not “woodwinds, brasses.”<br />

240 10 $a Suite, $m piano, winds

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