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OBERLIN LCRI CUMULATED page 25-66 rev. 12-10 240 10 $a Aubade, $m piano, instrumental ensemble 245 10 $a Aubade pour piano et 18 instruments : $b concerto chorégraphique... not not not not 100 1# $a Ravel, Maurice, $d 1875-1937. 245 13 $a La valse : $b poème chorégraphique ... 100 1# $a Ravel, Maurice, $d 1875-1937. 240 10 $a Waltzes, $m orchestra 245 13 $a La valse : $b poème chorégraphique ... 100 1# $a Sculthorpe, Peter, $d 1929- 245 10 $a Requiem : $b for cello alone ... 100 1# $a Sculthorpe, Peter, $d 1929- 240 10 $a Requiem, $m violoncello 245 10 $a Requiem for cello alone ... 100 1# $a Sims, Ezra, $d 1928- 245 10 $a String quartet #2 (1962) ... 100 1# $a Sims, Ezra, $d 1928- 240 10 $a Quartets, $m strings ... 245 10 $a String quartet #2 (1962) ... 100 1# $a Sims, Ezra, $d 1928- 240 10 $a Quintet, $m flute, clarinet, violin, viola, violoncello 245 10 $a String quartet #2 (1962) ... Do not consider such titles as “Double concerto,” “Tripelkonzert” to be names of types of compositions. 25.27D1:CSB108 Titles including the name of a type of composition Note that this rule does not apply if a work is cited as one of a numbered sequence of compositions of a particular type but the title selected according to 25.27A- 25.27C does not include the name of the type. but 100 1# $a Kelterborn, Rudolf, $d 1931- 245 10 $a Espansioni : $b Sinfonie III ... (Uniform title, [Espansioni], not included in bibliographic record; cf LCRI 25.25) 100 1# $a Hovhaness, Alan, $d 1911- 240 10 $a Symphonies, $n no. 21, op. 234 245 10 $a Symphony Etchmiadzin : $b Symphony no. 21 ... The word “cited” means that the work must be explicitly identified as one of a numbered sequence of compositions in at least one reference source or manifestation. 25.28:CSB108 Isolation of initial title element
OBERLIN LCRI CUMULATED page 25-67 rev. 12-10 For alternative titles, see LCRI 25.27. For pre-twentieth century works, normally consider phrases such as "a due," "a cinque" to be statements of medium of performance and not part of the title as defined in this rule . For pre-twentieth century works with titles such as Duo concertant, Quartetto concertante (but not titles naming a form, such as Sinfonia concertante (cf . rule 25.29A), Rondeau concertant), consider the word "concertant" or its equivalent to be an adjective or epithet not part of the original title of the work, and omit it from the uniform title. 100 1# $a Vanhal, Johann Baptist, $d 1739-1813. 240 10 $a Quartets, $m flute, violin, viola, violoncello, $n op . 14 245 10 $a Sei quartetti concertantte : $b a flauto 0 violino, violino, alto e basso , op. 14 100 1# $a Vanhal, Johann Baptist, $d 1739-1813 . 240 10 $a Quartets, $m strings, $n op. 1 245 10 $a Six quatuors concert antes : $b a 2 violons, basse, oeuvre 1 ... alto et 100 1# $a Vanhal, Johann Baptist, $d 1739-1813. 240 10 $a Quartets, $m strings, $n op. 13 245 10 $a Sei quartetti a due violini, alto et basso, opera 13a When the title selected as the basis for a uniform title contains a number that causes other words to be inflected, if the number is to be omitted, change the inflected words to the nominative case so that the uniform title will be grammatically correct. 100 1# $a Shostakovich, Dmitrit Dmitrievich, $d 1906-1975. 240 10 $a Fantasticheskie tan~y 245 10 $a Tri fantasticheskikh tant\a ..• 25.29A:CSB44 composition. Initial title elements consisting solely of the name of one type of One Work of One Type When cataloging the first occurrence of a work of a particular type by a composer, apply the following: 1) If the composer is deceased, search reference sources to determine whether the composer wrote more than one work of the type, and use the singular or plural form in the uniform title according to the information found. 2) If the composer is living, use the singular form in the uniform title unless the work being cataloged bears a serial number (including 1); in that case use the plural form on the assumption that the composer has written or intends to write more works of the type.
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LIBRARY OF CONGRESS RULE INTERPRETA
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Chapter 1 General Rules for Descrip
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Chapter 2 Books, Pamphlets, and Pri
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Chapter 3 Cartographic Materials 3.
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Chapter 4 Manuscripts (Including Ma
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Chapter 5 Music 5.1B1:CSB108 Title
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Chapter 6 Sound Recordings 6.0B1:CS
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Chapter 7 Motion Pictures and Video
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Chapter 8 Graphic Materials 8.1C:CS
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Chapter 9 Machine-Readable Data Fil
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Chapter 10 Three-Dimensional Artefa
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Chapter 11 Microforms 11:CSB81 Micr
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Chapter 12 Serials 12.0:CSB124 Gene
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Chapter 13 Analysis 13.3:CSB113 Ana
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Chapter 21 Choice of Access Points
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Chapter 22 Headings for Persons 22.
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Chapter 23 Geographic Names 23.1:CS
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Chapter 25 Uniform Titles 25.1:CSB1
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Appendix A A.2A :CSB16 General rule
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Appendix B B.4:CSB13 For a language
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Appendix C C.1:CSB104 General rule
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Appendix D Chorus Score (CSB 108) T
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