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OBERLIN LCRI CUMULATED page 26-39 rev. 12-10 not but 100 1# $a Bartók, Béla, $d 1881-1945. $t Kékszakállu herceg vára 400 1# $a Bartók, Béla, $d 1881-1945. $t Duke Bluebeard’s castle 100 1# $a Bartók, Béla, $d 1881-1945. $t Kékszakállu herceg vára. $1 English 400 1# $a Bartók, Béla, $d 1881-1945. $t Duke Bluebeard’s castle 100 1# $a John, Elton, $t Crocodile rock. $s Text 400 1# $a John, Elton. $t Words of Elton’s smash hit “Crocodile rock” For further information regarding arrangements, see below under Nondistinctive titles (section 4). Underlying these instructions is the principle that each reference should, to the extent possible, be constructed “in the same form in which it would be constructed if used as the heading” (LCRI 26.1, “Forms of References”). Thus, for example, it is understood that if a title being referred from begins with an article, the article should be omitted in accordance with 25.2C. The instructions are divided into two parts: the first for references from distinctive titles and the second for references for non-distinctive titles. Essentially, consider a title to be a non-distinctive if it fits the description in the second sentence of rule 5.1B1. Consider other titles to be distinctive. Distinctive titles When the title proper of a work (or the principal title if a secondary entry is being made for the work in question) is distinctive and is significantly different from the work’s uniform title, make a reference from it to the uniform title. Generally do not include other title information in the title referred from. Similarly, refer from any other distinctive and significantly different title under which catalog users are likely to search for the work: e.g., a parallel title, especially one in English; an alternative title or a subtitle that has the nature of an alternative title; a nickname; the original title. Such titles may appear in the item being cataloged or may be found in a reference source; generally, however, do not do research solely for the purpose of identifying titles from which references should be made. 100 1# $a Sullivan, Arthur, $c Sir, $d 1842-1900 $t Patience 400 1# $a Sullivan, Arthur, $c Sir, $d 1842-1900. $t Bunthorne’s bride 100 1# $a Mendelssohn-Bartholdy, Felix, $d 1809-1847. $t Symphonies, $n no. 4, op. 90, $r A major 400 1# $a Mendelssohn-Bartholdy, Felix, $d 1809-1847. $t Italian symphony
OBERLIN LCRI CUMULATED page 26-40 rev. 12-10 Conflicts 100 1# $a Schubert, Franz, $d 1797-1828. $t Moments musicaux 400 1# $a Schubert, Franz, $d 1797-1828. $t Momens musicals (Preface of the item being cataloged indicates that the work was originally published under the title “Momens musicals”) When a distinctive title to be referred from is the same as the uniform title of another work entered under the same composer (apart from any additions made to that uniform title under rule 25.31B), resolve the conflict by making an addition or additions to the reference according to 25.31B. Change the existing uniform title by making a corresponding addition or additions to it, if it does not already include them. 100 1# $a Bach, Johann Sebastian, $d 1685-1750. $t Gott, der Herr, ist Sonn’ und Schild. $p Nun danket alle Gott 400 1# $a Bach, Johann Sebastian, $d 1685-1750. $t Nun danket alle Gott (Chorale), $n BWV 79, no. 3 (Established uniform title: [Nun danket alle Gott (Cantata)]; the index to Schmieder lists six works or parts of works with the title “Nun danket alle Gott”: one cantata, three chorales, one chorale prelude, and one motet) 100 1# $a Schubert, Franz, $d 1797-1828. $t Quartets, $m strings, $n D. 810, $r D minor 400 1# $a Schubert, Franz, $d 1797-1828. $t Tod und das Mädchen (String quartet) (Established uniform title, [Tod und das Mädchen], to be changed to [Tod und das Mädchen (Song)]) When a distinctive title to be referred from is the same as the title in a name-title reference to another work by the same composer, resolve the conflict by making additions to both references according to rule 25.31B. 100 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Ouverture zur Oper Leonore, $n no. 1 400 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Leonore overture, $n no. 1 100 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Fidelio $n (1806). $p Ouverture 400 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Leonore overture, $n no. 3 100 1# $a Glière, Reinhold Moritsevich, $d 1875-1956. $t P’esy, $n op. 35. $p Grustnyi val’s 400 1# $a Glière, Reinhold Moritsevich, $d 1875-1956. $t Valse triste, $m clarinet, piano 100 1# $a Glière, Reinhold Moritsevich, $d 1875-1956. $t P’esy, $m pianos (2), $n op. 41. $p Grustnyi val’s 400 1# $a Glière, Reinhold Moritsevich, $d 1875-1956. $t Valse triste, $m pianos (2)
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LIBRARY OF CONGRESS RULE INTERPRETA
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Chapter 1 General Rules for Descrip
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Chapter 4 Manuscripts (Including Ma
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Chapter 5 Music 5.1B1:CSB108 Title
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Chapter 8 Graphic Materials 8.1C:CS
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Chapter 21 Choice of Access Points
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