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OBERLIN LCRI CUMULATED page 25-64 rev. 12-10 245 14 $a Les cinq doigts : $b 8 pièces très faciles sur 5 notes, pour piano ... 100 1# $a Stravinsky, Igor, $d 1882-1971. 240 10 $a Instrumental miniatures 245 10 $a Eight instrumental miniatures ... (Recomposed in 1962 for 15 winds and strings) 100 1# $a Prokofiev, Sergey, $d 1891-1953. 240 10 $a Romeo i Dzhul’etta (Ballet) 245 10 $a Romeo and Juliet : $b complete ballet, op. 64 100 1# $a Prokofiev, Sergey, $d 1891-1953. 240 10 $a Romeo i Dzhul’etta (Piano work) 245 10 $a Romeo i Dzhul’etta : $b desiat’ p’es dlia fortepiano, op. 75 ... If the new version’s title has not been changed and identifying elements (such as opus number) unique to the new version are lacking, yet the revision and/or addition of new material by the composer is extensive, treat the new version as another work. 100 1# $a Hindemith, Paul, $d 1895-1963. 240 10 $a Marienleben, $m soprano, piano $n (1923) 245 14 $a Das Marienleben : $b (original version) ... (Fifteen songs) 100 1# $a Hindemith, Paul, $d 1895-1963. $t Marienleben, $m soprano, piano $n (1923). $k Selections; $o arr. 400 1# $a Hindemith, Paul, $d 1895-1963. $t Marienleben, $m soprano, orchestra $n (1939) (Arrangements of four songs) 100 1# $a Hindemith, Paul, $d 1895-1963. 240 10 $a Marienleben, $m soprano, piano $n (1948) 245 14 $a Das Marienleben ... (“Neue Fassung (1948) der Original-Ausgabe, Opus 27 (1922- 1923)”) 100 1# $a Hindemith, Paul, $d 1895-1963. 240 10 $a Marienleben, $m soprano, orchestra $n (1959) 245 14 $a Das Marienleben : $b op. 27 ... (Orchestrations of four songs from the 1923 version and two from the 1948 version) If the revised version or edition of a composer’s work retains the same title and opus number as the original version, and the revision is one of different instrumentation within the same broad medium (e.g., orchestra, instrumental ensemble, band) rather than extensive overall revision and the introduction of new material, use the same uniform title for the original and revised versions. 100 1# $a Schoenberg, Arnold, $d 1874-1951. 240 10 $a Stücke, $m orchestra, $n op. 16 245 10 $a Fünf Orchesterstücke, op. 16 : $b Original fassung ...
OBERLIN LCRI CUMULATED page 25-65 rev. 12-10 100 1# $a Schoenberg, Arnold, $d 1874-1951. 240 10 $a Stücke, $m orchestra, $n op. 16 245 10 $a Five pieces for orchestra, op 16 : $b new version = Fünf Orchesterstücke ... (“Revised edition, reduced for normal-sized orchestra by the composer”) 100 1# $a Stravinsky, Igor, $d 1882-1971. 245 10 $a Petrushka : $b complete original 1911 version ... 100 1# $a Stravinsky, Igor, $d 1882-1971. 240 10 $a Petrushka 245 10 $a Petrouchka : $b burleske in four scenes (revised 1947 version) ... 25.27:CSB108 Selection of title Although according to 1.1B1 an alternative title is part of the title proper of an item, for uniform title purposes consider the main title and the alternative title to be two separate titles of a work, i.e., two members of the universe of titles from which one is selected as the basis of the uniform title (cf. 25.2A and LCRI 25.3B). 100 1# $a Costa, Onorato. 240 10 $a Souvenir d’Orient 245 10 $a Souvenir d’Orient, ou, Fantaisie brillante ... 100 1# $a Piccinni, Niccolò, $d 1728-1800. 240 10 $a Buona figliuola 245 13 $a La Cecchina, ossia, La buona figliuola ... 25.27A1:CSB108 Selection of title. General rule If the title of the first edition of a work is not known to be different in wording or language from the composer’s original title, use the first edition title as the basis for the uniform title unless a later title in the same language is better known. 25.27A1, footnote 10:CSB108 Selection of title. General rule When a composer uses a word which is normally the name of a type of composition as the title of a work which is definitely not a work of the type designated by the word, do not consider the title to be the name of a type of composition. not not 100 1# $a Carlid, Göte. 245 10 $a Mässa : $a för stråkar ... 100 1# %a Carlid, Göte. 240 10 $a Mass, $m string orchestra 245 10 $a Mässa for stråkar ... 100 1# $a Poulenc, Francis, $d 1899-1963. 245 10 $a Aubade : $b concerto chorégraphique pour piano et 18 instruments ... 100 1# $a Poulenc, Francis $d 1899-1963.
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LIBRARY OF CONGRESS RULE INTERPRETA
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Chapter 1 General Rules for Descrip
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Chapter 3 Cartographic Materials 3.
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Chapter 4 Manuscripts (Including Ma
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Chapter 5 Music 5.1B1:CSB108 Title
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Chapter 6 Sound Recordings 6.0B1:CS
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Chapter 7 Motion Pictures and Video
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Chapter 8 Graphic Materials 8.1C:CS
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Chapter 10 Three-Dimensional Artefa
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Chapter 12 Serials 12.0:CSB124 Gene
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Chapter 13 Analysis 13.3:CSB113 Ana
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Chapter 21 Choice of Access Points
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Appendix A A.2A :CSB16 General rule
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Appendix B B.4:CSB13 For a language
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Appendix C C.1:CSB104 General rule
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Appendix D Chorus Score (CSB 108) T
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