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Boxoffice-August.16.1965

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• AOLINES t EXPLOITIPS<br />

• ALPHABmCAL INDEX<br />

• EXHIBITOR HAS HIS SAY<br />

• FEATURE RELEASE CHART<br />

• FEATURE REVIEW DIGEST<br />

• SHORTS<br />

RELEASE CHART<br />

• SHORT SUBJECT REVIEWS<br />

• REVIEWS OF FEATURES<br />

• SHOWMANDISING<br />

IDEAS<br />

J<br />

J<br />

Go-Go<br />

Showmanship<br />

Bold, but Subtle<br />

How about this for a playdate attentiongetter:<br />

A shapely bathing-suited model,<br />

sitting on a lounge in the center of town,<br />

rubbing herself with suntan lotion. Eyes<br />

bulged out and cars slowed down, all for<br />

"The Art of Love."<br />

Award-winning showman Harry Gaines,<br />

manager of the Hollywood in Fort Worth,<br />

aided by his assistant Morris Tallmon and<br />

Dick Empey, advertising-publicity director<br />

for Trans-Texas Theatres, successfully<br />

used that stunt for Universal's "The Art<br />

of Love."<br />

A tie-in was set with a local drugstore<br />

to promote the picture and Coppertone<br />

Suntan lotion. A piece of lawn furniture<br />

was promoted and a lovely model, Sandy<br />

Cai-ter, was hired for the bally. She distributed<br />

candy kisses to passers-by at her<br />

lawn couch set up in front of the drugstore.<br />

A prominent sign told of the theatre's<br />

playdate and of the suntan lotion.<br />

Other parts of Gaines' campaign included<br />

a classified ad, which ran three days<br />

before the picture opened. The ad, listed<br />

under "personal items," read: "Learn all<br />

about the art of love. Call ED 5-5803." The<br />

phone number, of coui'se, was the theatre's.<br />

Gaines said this particular ad achieved<br />

more response than any he ever has used.<br />

Some people thought the ad was legitimate<br />

and called for advice. "I told them to go<br />

see their minister or a marriage counselor,"<br />

said Gaines, One woman called for advice<br />

for her teenage son, who was planning a<br />

trip to Mexico City.<br />

Gaines also set a tie-in with Leonard's,<br />

Cincinnati Times Opens<br />

'Pussycat' in Style<br />

"What's New Pussycat?" drew the largest<br />

attendance for an opening week since<br />

the Times Theatre reopened in 1964 on a<br />

first-run policy in Cincinnati. Launched<br />

with skill and dash July 28, the picture<br />

amused an invitational audience. For an<br />

extra French touch, champagne was served<br />

in the lounge to top off its debut.<br />

The Times, which is its own best advertisement,<br />

has been repainted in sparkling<br />

white, bright blue with black accents,<br />

to create a whimsical atmosphere for the<br />

film's run.<br />

To give "Pussycat" an extra flourish,<br />

a beautifully appointed cocktail party on<br />

July 27 was held for city officials, news<br />

media representatives and business and<br />

theatre executives.<br />

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Every Cent Helps<br />

In Miami, two industrious youngsters<br />

are getting started on the road to "high<br />

finance."<br />

Florida State Theatres and the Miami<br />

News, in cooperation with Royal Crown<br />

Cola, sponsor Summertime Fun Shows<br />

for kiddies. Admission is 35 cents, 15<br />

cents with a coupon clipped from the<br />

newspaper, or six RC bottle caps. Two<br />

youngsters, seeing the opportunity for<br />

some quick popcorn money, collect bottle<br />

caps all week, then sell the caps<br />

at the sponsoring theatres for 5 cents a<br />

six-cap package at the Wednesday mattinees.<br />

After all, Wrigley started out by selling<br />

five "sticks" for a nickeL<br />

the largest department store in Port<br />

Worth, for a fashion display plugging the<br />

picture. He also tied in with a restaurant<br />

and a candy store for window space.<br />

Book and music stores also were used.<br />

A news company distributed display and<br />

rack cards to all book stores. Display cards<br />

plugging the records and picture were used<br />

in six music shops.<br />

In the theatre lobby, a 6-sheet posted on<br />

a large board was set up two weeks in advance<br />

of playdate. A record player also<br />

was positioned in the lobby and music was<br />

piped outside for passers-by. Music was<br />

played during intermissions and before the<br />

show began each day. Gaines did this a<br />

week in advance and during the picture's<br />

loin.<br />

Lovely Sandy Carter dabs herself with suntan lotion<br />

on a downtown Fort Worth street, attracting ottcntion<br />

of pedestrians and motorists, all for "The Art<br />

of Love" at the Trans-Texas Hollywood Theatre.<br />

An illuminated, three-dimensional standee<br />

will be made available to exhibitors<br />

for Joseph E. Levine's "Dingaka."<br />

BOXOFFICE Showmcmdiser :: Aug. 16, 1965 — 123 —<br />

Those Men' Bally<br />

Paces Detroit Bow<br />

The film business, friends and the public<br />

tui-ned out en masse for the premiere<br />

of "Those Magnificent Men in Theii- Flying<br />

Machines" at the Adams Theatre in<br />

Detroit. All the traditional glamor of an<br />

opening night was given an extra dimension<br />

by the authentic reconstruction of<br />

atmosphere of the 1910 era of the film,<br />

providing a genuine and appreciated nostalgic<br />

experience for a large part of the<br />

audience.<br />

One featui-e was a solid block—long<br />

aiTay of ancient automobiles from that<br />

general period, parked out in front. Moving<br />

under their own power, they provided<br />

liberal excitement for the public both<br />

before and after the performance.<br />

Five pioneer fliers were special guests.<br />

All Michigan men, they were members of<br />

the Early Birds—the organization of fliers<br />

who soloed before 1915. They were welcomed<br />

on the stage and individually introduced<br />

by Malcolm "Mickey" Rose, manager<br />

of the Adams, who acted as masterof-ceremonies.<br />

A seven-man combination band and<br />

barbershop quartet presented reminiscent<br />

tunes of the period in the lobby and<br />

foyer in appropriate costume. An interesting<br />

period touch was the generous consumption<br />

of popcorn by an appreciative<br />

audience. Girls costumed in the longskirted<br />

styles of the day added another<br />

distinctive touch.<br />

Fred Bunkelman, 20th-Pox manager, was<br />

on hand to greet guests. Promotion and<br />

publicity were handled by Sol Gordon of<br />

the Fox district office and Bob Solomon of<br />

the Solomon-Sayles organization, theatrical<br />

publicists.<br />

Adolph and Irving Goldberg of Community<br />

Theatres, the circuit which operates<br />

the Adams, were in personal charge<br />

of liaison and coordination of activities.<br />

Audience comment at intermission and<br />

at the end of the evening showed a general<br />

reaction of enjoyment of the hilarious<br />

aspects of the pictixre and general goodwill<br />

for its success.<br />

In one of the most extensive Hartfordbased<br />

promotions in recent years. Lockwood<br />

& Gordon Tlieatres resident manager<br />

Mannie Friedman has tied up with Best<br />

Food Products for point-of-purchase cards<br />

plugging UA's "The Hallelujah Trail,"<br />

playing the Lockwood & Gordon Cinerama<br />

Theatre there, in more than 500 supermarkets<br />

throughout Connecticut and<br />

western Massachusetts.

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