21.10.2014 Views

Boxoffice-August.16.1965

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Wk<br />

28<br />

FOCAL LENGTHS!<br />

See Kollmorgen for l%"and below<br />

FOCAL LENGTHS!<br />

See Kollmorgen for 11" and beyond<br />

Now, Kollmorgen offers you the widest<br />

range of theater lenses, in speeds and<br />

focal length extremes. For extra short,<br />

e.f. range, the telescopic BX294 series<br />

has no equal. This series has 7 items in<br />

focal lengths of 1%", VM", 2", 2Vi",<br />

2%" and 3". These superior lenses,<br />

with built-in telescope adapters, bring<br />

you the benefits of longer back focus,<br />

larger rear aperture, sharper focus and<br />

more complete overall corrections. Get<br />

all the facts. Ask your equipment dealer<br />

for latest information on Kollmorgen<br />

Projection lenses for 1965 or write us.<br />

CORPORATION<br />

NORTHAMPTON MASSACHUSETTS<br />

America s Number J Source<br />

of Optimum Image Quality<br />

MAXIMUM SCREEN<br />

ILLUMINATION<br />

Continued from page 26<br />

atres do. however, use /, 1.8 or //1.9 and<br />

obtain fairly sharp image, provided the<br />

lens is one of the modern types. New theatre<br />

installations should have several sets<br />

of projection lens—namely. //2.4. //I.9.<br />

/ 1.7 and //1. 8 —and should select the<br />

speed and type best suited for brilliant<br />

picture for both widescreen and Cinema-<br />

Scope projection, assuring the .same satisfactory<br />

illumination for either ratio. Lens<br />

manufacturers and theatre supply dealers<br />

will be happy to supply these for your selection.<br />

SELECTING PROJECTION LENSES<br />

Before we proceed further in discussion<br />

of various types of projection lenses to<br />

fit \arious situations, let us tell you about<br />

the lens speeds that were selected for the<br />

new Gaylynn Theatre, which opened May<br />

27 in Houston. The Gaylynn projects to a<br />

deep-curved Cinerama screen of 74 Va foot<br />

chord and 34 '2 foot high, at a distance<br />

of 159 feet i20-feet sc'-een depth). Using<br />

specially tested lenses of differing speeds,<br />

the result was a 70mm picture of 71 foot<br />

chord. Cinemascope pictm'e of 67 foot<br />

chord, and 35mm flat picture of 54 foot<br />

chord, and all at the same center illumination.<br />

Lens speeds are //2.4, f/1.9 and<br />

/ 1.7x. In the latter case, a new Kollmorgen<br />

adjustable Magna-com was used on an<br />

//1.7 lens for the combination of sharpness,<br />

speed, and rapid aperture plate fitting.<br />

Furnishing an assortment of 20 projection<br />

lenses to achieve the proper size, focus<br />

and illuminatioii, was Glenn Berggren of<br />

Kollmorgen Corp. The object of such a<br />

large assortment of projection lenses was<br />

to select speeds that would give good overall<br />

screen illumination — plus the same<br />

screen brightness—for the various screen<br />

ratios. This was achieved using the above<br />

lens speeds before the theatre opened.<br />

This can also be accomplished in many<br />

theatres that need more light for flat pictui-es.<br />

SHORT FOCAL LENGTH LENS<br />

Changes in theatre concept have created<br />

new demands on theatre equipment. In<br />

the lens field, the major area of attention<br />

has been to short focal length lenses and<br />

to lenses of greater stability and focus<br />

sharpness. Manufacturers have now met<br />

this demand, and one can now obtain a<br />

much sharper focused image with greatly<br />

improved short-focal projection lenses in<br />

nearly all situations.<br />

In recent years, the trend has been to<br />

wider and wider pictui-es in indoor and<br />

under-the-sky theatres. This was accelerated<br />

by the general use of anamorphic<br />

lenses and by the use of 70mm projection.<br />

New light sources for projection have been<br />

developed with higher and more uniform<br />

illumination.<br />

The earlier screens of 30 years ago were<br />

in the 20- and 30-foot size, with a few<br />

larger in de luxe theatres. These have now<br />

swelled to the 40- and 50-foot range and<br />

Continued on page 30<br />

DON'T LOSE<br />

SUMMER PROFITS<br />

THIS WINTER!<br />

INSTALL CIRCLE<br />

IN-CAR<br />

HEATER<br />

CAN SOLVE<br />

THE COLD<br />

NON-PROFIT WINTER SEASON<br />

PROVEN SAFE • EFFICIENT<br />

FAST HEATING • PUTS THE<br />

HEAT THROUGHOUT THE CAR<br />

Call your theatre supply dealer now. Or write.<br />

Drive-In<br />

Theatre Mfg. Co.<br />

709 NO. 6TH ST. KANSAS CITY, KANSAS<br />

FA 1-3978<br />

flSHCRflfl<br />

SUPER CORE-LITE<br />

CORE-LITE<br />

CINEX SPECIAL<br />

35/70<br />

PROJECTION LAMPS<br />

AND HIGH -REACTANCE<br />

MULTI- PHASE RECTIFIERS<br />

•<br />

World's Standard<br />

of<br />

Projection Excellence<br />

WANT MORE INFORMATION .<br />

.<br />

.?<br />

Send us the handy Readers' Service Bureou<br />

Coupon on page 37, in this Issue. It's easy. And<br />

postage is paid.<br />

The MODERN THEATRE SECTIOI

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!