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I<br />
'<br />
]<br />
Discussing<br />
Projection room house has columns, too! Equipment<br />
includes Simplex sound, Hertner generator (160 amps).<br />
Simplex mechanisms, Strong lamps pulling 150 amps,<br />
Bausch & Lomb and Kollmorgen lenses. Red Simplex<br />
speakers with blue dome lights are mounted on yellow<br />
{stands and teardrops.<br />
says Whitaker. "It is designed for the best<br />
iCinemaScope projection, with the picture<br />
bleeding off the edges of the screen for the<br />
best effect. With the right size lenses,<br />
which we have installed in all of our projection<br />
booths, this imijortant operation is<br />
jsasy to regulate."<br />
Whitaker is a believer in color and has<br />
i?one to experts for ideas. "Our standards,<br />
speakers and teardrops are colorful instead<br />
Df the conventional," he says. "After consulting<br />
with University of Georgia authorises,<br />
I took their suggestions and we now<br />
jse colors to match tha surrounding foliige<br />
of the Northeast, which nestles in a<br />
latural tree and foliage setting, where we<br />
jictually carved it out of the woods."<br />
MANAGER'S HOME ON PREMISES<br />
the manager's house and ofi'ice<br />
under the Northeast's screen tower,<br />
'iVhitaker states: "We have found out that<br />
t is important that the managers of our<br />
flrive-ins live on the premises. There is a<br />
lot of 'housekeeping' to be done in and<br />
'iround an outdoor theatre—just as much<br />
jis, if not more than, must be done for a<br />
ijonventional theatre. We have, therefore,<br />
nade it a practice to design our screen<br />
iowers with comfortable living quarters for<br />
lur managers. The managers are pleased<br />
vith the arrangement, as they are always<br />
lose to their families as well as to their<br />
vork. And if emergencies arise in nonhowing<br />
hours, the manager is right on<br />
the spot to take care of them. The curtained<br />
windows in the living quarters are<br />
visible from tlie boxoffice. They provide a<br />
'homey' toucli to our drive-ins—something<br />
tiiat the patron appreciates."<br />
Whitaker adds that each GTC drive-in<br />
lias a pickup truck, bearing the theatre's<br />
name, assigned to it and that the trucks<br />
have been found to be "very handy and<br />
versatile."<br />
"If a patron can't start his automobile,"<br />
says Whitaker, "the manager gets into the<br />
truck and offers assistance. If it is battery<br />
trouble, a cable from the truck battery to<br />
the one in the automobile usually gets him<br />
started and prevents a traffic complication.<br />
If the patron's car is out oi gas, the manager<br />
gets behind him in the pickup and<br />
pushes him out of the theatre to a nearby<br />
filling station. Each one of these trucks is<br />
equipped with a stout 2xl2-inch redwood<br />
board, which is bolted to the front bumper,<br />
to facilitate any pushing operation needed.<br />
And, of course, if something is required to<br />
help the patron out of his car trouble, the<br />
manager can get one of his aides to jump<br />
into the pickup and run an errand. We do<br />
not, of course, charge a penny for this<br />
Columned concessions house provides rooftop dining,<br />
picture-viewing area. Speakers surround railing. Windows<br />
are curtained. Gentle slope of asphalt paving eliminates<br />
need for any steps.<br />
service, and we create a great deal of<br />
goodwill."<br />
The truck also proves Its value in theatre<br />
maintenance, says Whitaker. Drive-ins require<br />
as much constant care as fourwallers,<br />
and this means that weeds and<br />
grass must be fought continuously, he<br />
stresses to the managers. The truck is<br />
equipped with a power spray and a chemical<br />
weed killer—one gallon of which makes<br />
100 gallons of spray—is used. "Takes very<br />
little time," says Whitaker. "if weeds are<br />
not peiTnitted to start growing. Manager<br />
either does it or supervises it."<br />
Careful maintenance pays off in the<br />
restrooms, too. Northeast's restrooms are<br />
tiled completely top to bottom and are kept<br />
spotless. "Writings on the wall" ai-e uncommon.<br />
Whitaker feels that the cleanliness<br />
tends to discourage this type of nuisance<br />
vandalism.<br />
The Northeast, which gets its name from<br />
its location on the northeast leg of 1-85,<br />
one of Atlanta's principal freeways, was<br />
designed by Whitaker. Jim Thigpen, of<br />
National Theatre Supply Co., and his arch-<br />
Continued on page 10<br />
"Two-entrance boxoffice<br />
is<br />
as colonial as we could<br />
get it and still keep it<br />
low," says Whitaker.<br />
Columns protect ticketmen.<br />
Popcorn is popped<br />
in backroom behind<br />
cashier, who can reach<br />
through three sides.<br />
"Lights out" signs are<br />
yellow plastic with red<br />
letters. Fences are yellow<br />
with blue lights<br />
spaced 10 feet opart.<br />
lOXOFTICE : : August 16. 1965