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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

slapping down her cards with a cry <strong>of</strong> victory and raking in <strong>the</strong>ir cash.<br />

Gianbattista’s cautious nature was adamantly opposed to gambling,<br />

but he enjoyed <strong>the</strong> parties none<strong>the</strong>less, talking with important guests<br />

and listening to <strong>the</strong> musicians.<br />

Olimpia did not attend <strong>the</strong> balls or feasts <strong>of</strong> o<strong>the</strong>r noble families very<br />

<strong>of</strong>ten. Her contemporaries said this was due not to grief over her husband’s<br />

death but to her avarice—she would <strong>the</strong>n be required to reciprocate<br />

by giving expensive festivities <strong>of</strong> her own. Considering that she did<br />

give expensive festivities <strong>of</strong> her own from time to time—elaborate <strong>the</strong>atrical<br />

performances in her palazzo—it is more likely that she found<br />

<strong>the</strong> events <strong>of</strong> o<strong>the</strong>rs boring. She far preferred small dinner parties at<br />

which she could talk to powerful men about politics and finance and<br />

win <strong>the</strong>m over to support Cardinal Pamphili in <strong>the</strong> next conclave.<br />

Olimpia had one sore spot in conversation. She became noticeably<br />

disturbed when those around her praised <strong>the</strong> generosity <strong>of</strong> o<strong>the</strong>r women.<br />

“Women,” she would counter, “were to amass riches, not to dissipate<br />

<strong>the</strong>m.” 13 Most men would have disagreed with her.<br />

In <strong>the</strong> late 1630s Olimpia found a clever way to avoid dissipating her<br />

riches when she wanted frescoes painted in her expanded palazzo.<br />

Hearing that <strong>the</strong> talented artist Andrea Camassei, who had worked for<br />

Urban VIII, had been thrown into debtors’ prison, Olimpia generously<br />

<strong>of</strong>fered to pull a few strings with her Vatican friends and spring him if<br />

he promised to paint her rooms for free. The artist was in no position to<br />

argue and worked <strong>the</strong> next year at <strong>the</strong> Piazza Navona house without<br />

being paid a single scudo.<br />

In <strong>the</strong> 1630s and early 1640s, Olimpia had one goal—to line up sufficient<br />

cardinals to elect Gianbattista pope. He was, more than ever,<br />

papabile, having reached <strong>the</strong> age <strong>of</strong> sixty in 1634. His reputation as an<br />

able if stern churchman had been enhanced by increasing honors and<br />

positions <strong>of</strong> responsibility.<br />

In 1637, Urban VIII suffered a serious illness from which it was<br />

thought he would not recover. He did recover, but his health was never<br />

<strong>the</strong> same, and ailments kept him in bed for weeks at a time. Papal<br />

power slipped into <strong>the</strong> hands <strong>of</strong> his cardinal nephews, and for several<br />

years a conclave was expected at a moment’s notice.<br />

[ 111 ]

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