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mistress of the vatican.pdf - End Time Deception

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Eleanor Herman<br />

But Bernini’s flamboyance got <strong>the</strong> better <strong>of</strong> his common sense. In<br />

February 1646, at <strong>the</strong> behest <strong>of</strong> Olimpia, he wrote and produced a Carnival<br />

play at her palazzo for a crowd <strong>of</strong> cardinals and nobility. Bernini<br />

made <strong>the</strong> sets and costumes and joined <strong>the</strong> young noblemen <strong>of</strong> Rome in<br />

acting. Unfortunately, <strong>the</strong> play made fun <strong>of</strong> <strong>the</strong> pope and <strong>the</strong> cardinal<br />

nephew. The ambassador <strong>of</strong> Modena, Francesco Mantovani, explained,<br />

“There was depicted in <strong>the</strong> play a youth who had good will but who<br />

never did anything and an old man who never could make up his<br />

mind.” 19<br />

Though <strong>the</strong> script has, tragically, been lost, we can still hear Olimpia’s<br />

loud guffaws as she poked fun at her inept son and her indecisive<br />

bro<strong>the</strong>r-in-law. She must have seen no harm in it because o<strong>the</strong>r Bernini<br />

plays given at her palazzo poked fun at Olimpia herself, making her out<br />

to be a greedy, power-hungry vixen; she chuckled hardest at <strong>the</strong>se.<br />

When he heard about <strong>the</strong> play, <strong>the</strong> old man who could never make<br />

up his mind couldn’t make up his mind about it. Draped in his brittle<br />

dignity, Innocent had never been one to laugh at himself. He asked Cardinal<br />

Panciroli his opinion about Bernini’s play. The cardinal reassured<br />

him that it was just ano<strong>the</strong>r silly piece <strong>of</strong> Carnival revelry that would<br />

soon be forgotten.<br />

But <strong>the</strong> young man who never did anything was furious. Camillo<br />

complained bitterly to <strong>the</strong> pope that <strong>the</strong> play had his mo<strong>the</strong>r’s “tacit approval<br />

and reinforced <strong>the</strong> caricature <strong>of</strong> <strong>the</strong> cardinal nephew circulating<br />

at court.” He told his uncle <strong>the</strong> play was “foul.” 20 Everyone in Rome was<br />

talking about it and making fun <strong>of</strong> him.<br />

Camillo vowed to wreak his revenge. Though Olimpia seemed untouchable<br />

at <strong>the</strong> moment, Bernini was in a very delicate situation due to<br />

<strong>the</strong> bell towers. He was also fragile politically; <strong>the</strong> spoiled darling <strong>of</strong> <strong>the</strong><br />

reviled Barberini family, he stood on a precipice, ready to tumble after<br />

<strong>the</strong>m into <strong>the</strong> fissures <strong>of</strong> disgrace.<br />

While <strong>the</strong> enemies <strong>of</strong> <strong>the</strong> Barberinis circled <strong>the</strong>ir prey, and <strong>the</strong> jealous<br />

architects <strong>of</strong> Rome pounced, it was <strong>the</strong> cardinal nephew who bit into <strong>the</strong><br />

jugular. According to Bernini’s contemporary biographer, Filippo Baldinucci,<br />

when Innocent retired to an estate outside Rome for a few days,<br />

“enemies <strong>of</strong> Bernini and <strong>the</strong> Barberini family, especially a certain person<br />

[ 194 ]

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