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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

Christian baptism sanctifying <strong>the</strong> ancient pagan arena. Olimpia, casting<br />

her glance to <strong>the</strong> left out <strong>of</strong> her parlor windows as <strong>the</strong> fountain<br />

rose, must have sighed with contentment.<br />

But <strong>the</strong> people <strong>of</strong> Rome were not content. Just moving <strong>the</strong> obelisk<br />

cost twelve thousand scudi, and <strong>the</strong> fountain cost an additional eighty<br />

thousand, which <strong>the</strong> pope squeezed out <strong>of</strong> <strong>the</strong> Romans by placing a<br />

special tax on <strong>the</strong>m in <strong>the</strong> middle <strong>of</strong> a famine. One morning <strong>the</strong> engineers<br />

arrived at <strong>the</strong> Piazza Navona to find a placard on <strong>the</strong> obelisk that<br />

read, “This obelisk is consecrated in eternity in <strong>the</strong> Piazza Navona <strong>of</strong><br />

Innocent at <strong>the</strong> cost <strong>of</strong> <strong>the</strong> innocents.” 14 Pasquino cried: “We don’t want<br />

an obelisk and a fountain head. Give us bread, bread, bread!” 15<br />

Though Olimpia was not able to create a real garden in <strong>the</strong> Piazza<br />

Navona, she found an opportunity elsewhere to build one <strong>of</strong> <strong>the</strong> most<br />

beautiful gardens <strong>of</strong> <strong>the</strong> seventeenth century. With Camillo back in Rome<br />

but instructed not to involve himself with anything important, Olimpia<br />

took over <strong>the</strong> design <strong>of</strong> his gardens at his pleasure villa, Bel Respiro.<br />

Unhappy over <strong>the</strong> fact that curious passersby on <strong>the</strong> Via Aurelia could<br />

look up <strong>the</strong> sloping hill and stare at her villa, she wanted more privacy<br />

out front and a fashionable sunken garden out back.<br />

To this end she had hundreds <strong>of</strong> workmen cart thousands <strong>of</strong> wheelbarrows<br />

full <strong>of</strong> dirt out <strong>of</strong> her backyard and dump <strong>the</strong>m on <strong>the</strong> slope in<br />

<strong>the</strong> front <strong>of</strong> <strong>the</strong> house. Then she built a massive retaining wall, which<br />

was all that <strong>the</strong> gawkers below would now see. She planted <strong>the</strong> sunken<br />

gardens with rare blooms, fragrant trees, and thick hedges, and decorated<br />

with fountains, statues, and grottoes. She even placed a fountain<br />

on <strong>the</strong> lower floor <strong>of</strong> <strong>the</strong> villa, which opened onto <strong>the</strong> terrace. There her<br />

guests could relax or dine to <strong>the</strong> playful sound <strong>of</strong> falling water and look<br />

out over her acres <strong>of</strong> stunning sunken gardens.<br />

Many <strong>of</strong> <strong>the</strong> statues adorning her gardens were recent finds. It seemed<br />

that whenever a spade hit dirt in or around Rome, <strong>the</strong> glories <strong>of</strong> <strong>the</strong> ancient<br />

past resurfaced. In 1649, excavators digging in <strong>the</strong> Baths <strong>of</strong> Trajan<br />

found a room with a floor <strong>of</strong> lapis lazuli and fifty-four intact statues.<br />

Cemeteries were unear<strong>the</strong>d on <strong>the</strong> Via Latina, each tomb bursting with<br />

carved urns, sarcophagi, frescoes, inscriptions, vases, and jewels. In both<br />

cases, construction workers immediately sent word to Olimpia, who<br />

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