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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

Swishing into a room with her long silken train, smiling and nodding<br />

to <strong>the</strong> men assembled <strong>the</strong>re, she opened her mouth and <strong>the</strong>y were spellbound.<br />

“Highly gifted by nature and by fortune,” 1 Cardinal Pallavicino<br />

wrote <strong>of</strong> <strong>the</strong> princess, who was “furnished with intelligence, grace, and<br />

excellent power <strong>of</strong> speech.” 2<br />

Clothing styles had changed since Olimpia’s youth. Gone were <strong>the</strong><br />

clunky wheel-shaped farthingales sticking out from <strong>the</strong> waist. Gone were<br />

<strong>the</strong> enormous platter-sized ruffs, <strong>the</strong> heavily embroidered and stiffly<br />

bejeweled velvets. By <strong>the</strong> 1640s women’s fashions had a flowing ease to<br />

<strong>the</strong>m that had not been seen in well over a century. Women gleamed in<br />

shining silk that threatened to slip entirely <strong>of</strong>f <strong>the</strong> shoulders. Their décolletage<br />

was so low it barely covered <strong>the</strong> nipples. A puffy undershirt<br />

poked through full elbow-length sleeves sliced open in front and held<br />

loosely toge<strong>the</strong>r by jeweled pins, as if <strong>the</strong>y had been placed <strong>the</strong>re as an<br />

afterthought.<br />

Hair, too, had completely changed. In Olimpia’s day it had been severely<br />

scraped back from <strong>the</strong> face, secured over horsehair pads or metal<br />

frames, and loaded with gems. Now it was cut shoulder-length and<br />

curled, swinging and bobbing gently as a lady nodded, with tiny pin<br />

curls framing <strong>the</strong> face. Large teardrop-shaped pearls were worn in <strong>the</strong><br />

hair and ears.<br />

When <strong>the</strong> princess <strong>of</strong> Rossano—all bouncing curls, gleaming silks,<br />

and lustrous pearls—swept into Olimpia’s palazzo <strong>the</strong> day after Innocent’s<br />

election to render her congratulations, <strong>the</strong> usually loquacious Camillo<br />

appeared to be struck dumb, his mouth agape. Many visitors<br />

chuckled at his mute ecstasy, but little account was taken <strong>of</strong> it; it was<br />

known, that particular month, that Camillo was in love with a ballerina.<br />

Olimpia Aldobrandini had a most interesting and romantic story.<br />

She was related to Pope Paul III (Alessandro Farnese, reigned 1534–1549)<br />

and was a cousin <strong>of</strong> <strong>the</strong> Farnese duke <strong>of</strong> Parma. She was also <strong>the</strong> greatgrandniece<br />

<strong>of</strong> Pope Clement VIII (Ippolito Aldobrandini), who had<br />

died in 1605, leaving enormous wealth to his cardinal nephew’s nephew,<br />

Ippolito Aldobrandini. By <strong>the</strong> time Cardinal Ippolito died in 1638, his<br />

only surviving relative was his niece, Olimpia, a girl <strong>of</strong> fifteen. Fa<strong>the</strong>r<br />

[ 197 ]

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