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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

skirmishes <strong>of</strong> <strong>the</strong> carriages, <strong>the</strong> insulting epigram contests, and Olimpia’s<br />

never-performed Carnival comedy. Yet not all was victory; <strong>the</strong><br />

princess began to see signs <strong>of</strong> defeat very close to home.<br />

The bloom was <strong>of</strong>f <strong>the</strong> bud in terms <strong>of</strong> her marriage. After two years<br />

with Camillo, <strong>the</strong> thrill <strong>of</strong> <strong>the</strong> forbidden love affair had gone, and <strong>the</strong><br />

steamy sexual passions had burned <strong>the</strong>mselves out. Now, looking across<br />

<strong>the</strong> breakfast table, <strong>the</strong> princess realized that she was married to a dolt.<br />

Cardinal Pallavicino put it diplomatically when he described Camillo as<br />

“a man very much inferior to <strong>the</strong> mediocrity <strong>of</strong> o<strong>the</strong>rs, while his wife<br />

was far above <strong>the</strong> mediocrity <strong>of</strong> o<strong>the</strong>r women.” 4<br />

Using his wife’s money, Camillo designed improvements to her gardens<br />

and collected statues. He spent an inordinate amount <strong>of</strong> time trying<br />

to give <strong>the</strong> Pamphili family an ancient noble lineage, instead <strong>of</strong> <strong>the</strong> unimpressive<br />

descent from <strong>the</strong> fifteenth-century Pamphilis <strong>of</strong> <strong>the</strong> Umbrian<br />

backwater <strong>of</strong> Gubbio. The legendary king <strong>of</strong> Rome in <strong>the</strong> sixth century<br />

b.c. was called Numa Pompilio. In writing his history <strong>of</strong> <strong>the</strong> family, Camillo<br />

fudged <strong>the</strong> name to Numa Pamphilio and claimed direct descent.<br />

He was terribly proud <strong>of</strong> his genealogical accomplishment and didn’t<br />

seem to notice that people—including his wife—were laughing.<br />

Olimpia was an avid collector <strong>of</strong> relics. Catholics believed that <strong>the</strong> body<br />

parts <strong>of</strong> saints retain <strong>the</strong> essence <strong>of</strong> holiness that can perform miracles<br />

or at least bring good luck. Saints’ bones, blood, hair, skin, teeth, and<br />

even clothing and household items were treasured as miracle-working<br />

totems, encased in gold and crystal and studded with diamonds.<br />

The royal family <strong>of</strong> Spain was fortunate to possess entire saintly cadavers,<br />

which, if a member <strong>of</strong> <strong>the</strong> dynasty became gravely ill, would be<br />

put into <strong>the</strong> sickbed. Sometimes <strong>the</strong> royal four-poster became a charnel<br />

house <strong>of</strong> moldering corpses, with <strong>the</strong> bright eyes <strong>of</strong> a feverish prince or<br />

princess peering out from beneath <strong>the</strong>m. Oddly, <strong>the</strong> miraculous corpses<br />

sometimes affected a cure. Or perhaps, if that experience didn’t kill <strong>the</strong><br />

invalid, nothing would.<br />

In <strong>the</strong> Dark and Middle Ages, merchants in <strong>the</strong> Byzantine Empire,<br />

hearing <strong>of</strong> <strong>the</strong> European thirst for relics, were seen in crumbling cem-<br />

q<br />

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