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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

an appreciation <strong>of</strong> antiquity that <strong>the</strong>ir great-grandfa<strong>the</strong>rs had lacked.<br />

Though delighted with <strong>the</strong> new magnificent Saint Peter’s, <strong>the</strong>y realized<br />

that <strong>the</strong> priceless historical and sacred value <strong>of</strong> <strong>the</strong> old one was forever<br />

lost. It had been a grievous waste to knock it down and throw it out with<br />

<strong>the</strong> trash to build something bigger and newer.<br />

To overhaul Saint John Lateran, Innocent hired Francesco Borromini<br />

to recommend repairs. The architect was hell-bent on completely<br />

redesigning <strong>the</strong> building from top to bottom, making it into <strong>the</strong> Church<br />

<strong>of</strong> Saint John Borromini. Innocent gently reined him in and instructed<br />

him to preserve as much <strong>of</strong> <strong>the</strong> ancient church as possible. No walls<br />

were torn down, and <strong>the</strong> ancient proportions were retained. Borromini<br />

reinforced <strong>the</strong> wobbly foundations, stabilized <strong>the</strong> walls, and adorned<br />

<strong>the</strong> church with magnificent decorations.<br />

Meanwhile, Innocent turned his attention to Saint Peter’s. The interior<br />

decoration was not yet complete. The pilasters in <strong>the</strong> nave that held<br />

up <strong>the</strong> giant arches were <strong>of</strong> plain marble, which, people <strong>of</strong> <strong>the</strong> baroque<br />

felt, just cried out for adornment. With an eye toward <strong>the</strong> jubilee, soon<br />

after Bernini’s rehabilitation Innocent hired him to decorate <strong>the</strong> pilasters.<br />

Bernini and his team carved cherubs holding three-dimensional<br />

medallions <strong>of</strong> <strong>the</strong> first thirty-eight popes. The Pamphili dove and olive<br />

branch were visible on each pilaster, an eternal reminder <strong>of</strong> Innocent X’s<br />

generosity. Innocent also commissioned Bernini to design and lay down<br />

<strong>the</strong> sumptuous marble pavement in <strong>the</strong> nave.<br />

In October 1649 Giacinto Gigli wrote that <strong>the</strong> churches “in o<strong>the</strong>r<br />

holy years were never this ornamented or beautiful. Because Saint Peter’s<br />

looked fabulous with its new floor <strong>of</strong> colored marble and <strong>the</strong> chapels<br />

<strong>of</strong> Paul V newly inlaid with marble and all <strong>the</strong> altars embellished<br />

and everything carefully washed and polished.” 1<br />

Given <strong>the</strong> astronomical expenses, <strong>the</strong> Holy Year was like a Broadway<br />

show with elaborate stage sets and a huge cast that had to be paid for<br />

before <strong>the</strong> first ticket was sold. All wealthy Romans were expected to<br />

make significant contributions <strong>the</strong> year before <strong>the</strong> jubilee. As first lady<br />

<strong>of</strong> Rome, Olimpia was assigned <strong>the</strong> Trinity Institute <strong>of</strong> Pilgrims, a huge<br />

guest house open for <strong>the</strong> Holy Year. The Roman people, aware <strong>of</strong> her<br />

avarice, were curious to see how much she would donate.<br />

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