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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

As Easter dawned on April 17, <strong>the</strong> Spanish confraternity <strong>of</strong> <strong>the</strong> Holy<br />

Resurrection marched into <strong>the</strong> Piazza Navona holding al<strong>of</strong>t <strong>the</strong> Holy<br />

Sacrament. The architect Carlo Rainaldi had transformed <strong>the</strong> piazza<br />

into a peristyle <strong>of</strong> columns, creating 116 arches, surrounded by vines<br />

that flickered with <strong>the</strong> light <strong>of</strong> 1,600 candles. At each end <strong>of</strong> <strong>the</strong> piazza<br />

was a magnificent arch and cupola that seemed to be <strong>of</strong> heavy colored<br />

marble but was really made <strong>of</strong> flimsy painted wood. Inside one was <strong>the</strong><br />

risen Christ, and inside <strong>the</strong> o<strong>the</strong>r was his Virgin Mo<strong>the</strong>r.<br />

Bernini’s fountain <strong>of</strong> <strong>the</strong> Four Rivers was still being constructed behind<br />

scaffolding. For Holy Week <strong>the</strong> artist surrounded <strong>the</strong> fountain<br />

with a crenellated wooden enclosure resembling a medieval castle, hung<br />

with beautiful religious paintings. On each corner he built a castle<br />

tower, on top <strong>of</strong> which musicians played. Lit by colored lights, <strong>the</strong> obelisk<br />

rose above <strong>the</strong> construction and at times shot <strong>of</strong>f fireworks.<br />

The jubilee year was a time <strong>of</strong> frequent miracles. Miracles occurred<br />

throughout Italy even in non-jubilee years, <strong>of</strong> course, but <strong>the</strong> hysteria <strong>of</strong><br />

<strong>the</strong> Holy Year seemed to cause swarms <strong>of</strong> <strong>the</strong>m. Prayers were answered.<br />

Crutches were left at altars. The moribund rose from <strong>the</strong>ir deathbeds<br />

and danced in <strong>the</strong> streets. Looking at <strong>the</strong>se miracles from a modern<br />

perspective, we are unsure whe<strong>the</strong>r <strong>the</strong>y were caused by mind over matter,<br />

natural healing, trickery, or divine intervention.<br />

Innocent and Olimpia were kept closely informed <strong>of</strong> any miracles<br />

that took place in <strong>the</strong> Papal States. It was important, from both a church<br />

and governmental point <strong>of</strong> view, to determine <strong>the</strong> source <strong>of</strong> <strong>the</strong> miracles.<br />

Some <strong>of</strong> <strong>the</strong>m were found to be real, caused by God and his saints to<br />

boost faith in <strong>the</strong> true church. O<strong>the</strong>rs were no less real but caused by<br />

Satan and his demons to fool <strong>the</strong> devout, and <strong>the</strong>se had to be driven out<br />

by exorcists. The clearest sign <strong>of</strong> demonic possession was a gyrating<br />

pelvis. Anyone caught doing a seventeenth-century version <strong>of</strong> Elvis<br />

Presley—no matter how many cripples he healed—would have been<br />

drenched with holy water immediately and would, most likely, have<br />

responded with hisses and howls. Alas, most miracles were faked,<br />

caused by men and women hoping to defraud <strong>the</strong> pious.<br />

q<br />

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