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mistress of the vatican.pdf - End Time Deception

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Mistress <strong>of</strong> <strong>the</strong> Vatican<br />

houses <strong>the</strong> <strong>of</strong>fices <strong>of</strong> Italy’s president and is used for presidential ceremonies.<br />

The two geniuses that Olimpia commissioned for her architectural<br />

projects continued <strong>the</strong>ir competition after her death, meeting with very<br />

different ends. In 1657 Camillo fired Francesco Borromini as architect<br />

<strong>of</strong> <strong>the</strong> Church <strong>of</strong> Saint Agnes. He was fired from o<strong>the</strong>r important projects,<br />

or never considered for <strong>the</strong> commissions, or when he was awarded<br />

<strong>the</strong> jobs he would soon after storm <strong>of</strong>f in a rage. As Borromini’s star<br />

continued to fall, <strong>the</strong> star <strong>of</strong> his deadly rival, Gian Lorenzo Bernini,<br />

continued to rise.<br />

In 1656, Pope Alexander gave Bernini <strong>the</strong> commission for <strong>the</strong> embracing<br />

columned portico surrounding Saint Peter’s Square. It was an<br />

immense, challenging, and prestigious job, completed to great acclaim<br />

in 1666. Bernini undertook it with characteristic zeal, but his success<br />

pushed his ancient competitor over <strong>the</strong> edge. Deeply depressed, in 1667<br />

Borromini ran himself through with his sword. The forty-year clash <strong>of</strong><br />

Rome’s artistic titans was over.<br />

Bernini died in 1680 at <strong>the</strong> age <strong>of</strong> eighty-one. He sculpted right up<br />

until <strong>the</strong> end, standing on a platform with a young man on ei<strong>the</strong>r side<br />

holding him so he would not fall. One day he had a stroke, which paralyzed<br />

his right hand. “It is right,” <strong>the</strong> dying man said to his son, “that<br />

before death this hand, which has done so much work in life, should get<br />

a little rest.” 9<br />

Queen Christina continued to shock Rome. She discovered that a life <strong>of</strong><br />

art and philosophy was not all she had imagined it to be. She missed<br />

power. Up to her elbows in political intrigue, she decided to become<br />

queen <strong>of</strong> a Catholic nation and chose, as Olimpia had a few years earlier,<br />

Naples. But when her private secretary betrayed her plans to Spain, she<br />

had him murdered in cold blood, begging for his life on his knees. The<br />

pope was disgusted, but he could hardly imprison for murder <strong>the</strong> personification<br />

<strong>of</strong> Catholicism’s triumph over <strong>the</strong> heretics.<br />

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