Butterfly Effect - ressourcesfeministes

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92 37 wolves. Olga Broumas in her poem, “Little Red Riding Hood” writes that she is waiting, across this improbable forest / peopled with wolves and our lost, flower-gathering /sisters they feed on. Olga Broumas. 1977. Beginning with O. p. 68. The sisters are at once flower-gatherers and wolves; at once sexually expressive and the subject of sexual expression. Another improbable forest appears in Suniti Namjoshi’s fable “Wolf”, which tells the tale of a friendship which develops between a virgin and a wolf. The hunters are immediately suspicious that the virgin is using the wolf to guard her virginity (although Namjoshi explains that they just happened to get on and became friends). Knowing best, although they were never able to slay the wolf or find the wolf’s friend, the virgin, the hunters: “decided the forest had swallowed them, so they put up a sign on the edge of their town in large red letters warning the unwary that there were wolves around.” Suniti Namjoshi. 1993. St Suniti and the Dragon, p. 86. That this is equivalent to putting up a neon sign with the message “Beware: Lesbians in this Area” is confirmed by the story which follows “Wolf”. “Subsequent History” has the wolf and the virgin walking on through several villages, being rejected or accepted only on impossible conditions (pulling out the wolf’s claws and teeth – read: her frightening sexuality; the virgin marrying someone – read: taming and occupying her sexuality). And so they walk on: “until, at last, they entered a realm that is not as yet familiar to us.” Namjoshi, St Suniti and the Dragon. p. 87. 38 Her. See H.D. 1981. HERmione. The HER of this novel is Frances Gregg 39 goat. Latin, caper, capri. Capri: The island of goats. A favourite hangout for lesbians of the 1920s. Also the brand name of a sportscar, driven by the lesbian with a penchant for the wind in her hair. 40 write slant. Writing slant was what Emily Dickinson advised in Poem 1129 which begins “Tell all the Truth but tell it slant–“. See The Complete Poems of Emily Dickinson. (1960). 41 why is the measure of love lost. Jeanette Winterson. 1993. Written on the Body. p. 1.
93 sleepless eyes reviled for our appetites we are poor sisters our souls condemned to wander through forests and deserts like hungry wolves 37 some of us cannot speak our pain or we sob as we confess undying love for Her 38 in ancient times we sacrificed a goat 39 the creature who can climb mountains backwards picking at leaves as it goes the goat whose death signals our release into the drama of life the script we can rewrite write slant 40 if we will they replay these scripts in an effort to make us believe them I ask why is the measure of love loss 41
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Susan Hawthorne is a poet, novelist
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the Butterfly Effect Susan Hawthorn
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Contents note to sappho vii The But
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Note to Sappho It’s been a long t
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3 Strange tractors It’s an ancien
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5 We stand in a place where flowers
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7 not missing a beat. His history i
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Unstopped Mouths
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11 Unstopped Mouths 1 we meet in th
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13 simplified a single twist of hai
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15 we line the shelves of our homes
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17 summer with fire in the nostrils
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19 Empurpled 1 physicists speak of
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21 to the moon 5 with desire satisf
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23 we play pool billiards and snook
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25 harpies sirens birds of prey les
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27 In the Prisons we are known as c
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29 it’s still happening just two
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31 when the moon rises full in Scor
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33 my friend Daisy killed her husba
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35 some live in prisons without wal
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37 Rose Garden those who have no me
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39 making rosettes embroidering pil
Page 51 and 52: 41 we fall upon one another kissing
Page 53 and 54: 43 Firenze in honour of Jacqui Stoc
Page 55 and 56: 45 porticos are chosen for secret m
Page 57 and 58: 47 the cupola floats like a giant b
Page 59 and 60: 49 we share our home with dogs cats
Page 61 and 62: 51 Death for Maureen O’Connor it
Page 63 and 64: 53 we stand in the cold gathering s
Page 65 and 66: 55 Gumboots and Goblin Fruit we pul
Page 67 and 68: 57 amazons Margaret Bhadravati Boud
Page 69 and 70: 59 with the assistance of harnesses
Page 71 and 72: 61 sipping at lemons 22 relishing t
Page 73 and 74: 63 Amphibious Lips we tuck hibiscus
Page 75 and 76: 65 we take our boats casting off 11
Page 77 and 78: 67 some days we float above corals
Page 79 and 80: 69 we build fires on the beach cook
Page 81 and 82: 71 The Land for Renate and River I
Page 83 and 84: 73 known to drive nine hundred kilo
Page 85 and 86: 75 we are not the only lesbians in
Page 87 and 88: 77 Angel Tongues Hail Mary Mother o
Page 89 and 90: 79 mani padme aum clouds wrap thems
Page 91 and 92: 81 pustules vile bodies unclean bod
Page 93 and 94: 83 Tragedia they say it is a traged
Page 95 and 96: 85 social mores shift and run their
Page 97 and 98: 87 HD 17 even though their words bu
Page 99 and 100: 89 there are cities in our minds 21
Page 101: 91 those who fear us have many name
Page 105 and 106: 95 Love is an Uprising we write wri
Page 107 and 108: 97 we imagine a language invented b
Page 109 and 110: 99 some of us are saints 19 or Sybi
Page 111 and 112: 101 Lavender Hour in the lavender h
Page 113 and 114: 103 in the lavender hour extraterre
Page 115 and 116: 105 the lavender hour is not marked
Page 117 and 118: 107 Carnivale 1 we sing sliding alo
Page 119 and 120: 109 the Queen of Hearts the Queen o
Page 121: 111 join the throng beating out the
Page 125: 115 Music for lesbian mouths oooooo
Page 129 and 130: 119 Almanac of the Dead 1 for Primr
Page 131 and 132: 121 ix I go to breakfast and mentio
Page 133 and 134: 123 The drive to LA is too long. I
Page 135 and 136: 125 Graveside Meditation We, the mo
Page 137 and 138: 127 In my mind then comes a phrase
Page 139 and 140: 129 But then the war came. You had
Page 141 and 142: 131 You told me later that you spen
Page 143 and 144: 133 As the cold wraps itself around
Page 145 and 146: 135 Memory is trampled by daily lif
Page 147 and 148: 137 The Dead i The dead press their
Page 149 and 150: 139 I return to my daughters in the
Page 151: India Sutra
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144 modern day swan-maidens. Here a
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146 the coffin missing but still th
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148 unlike the others, she talks tu
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150 o A buzz of black and yellow pa
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152 Mementos for Sindhu, she says,
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154 but not the silence between us.
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156 Is this what freedom amounts to
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158 they say, but not back. The ris
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160 white on ochre a drummer and da
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162 o The woman holds out her hands
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164 o This headache is like a strin
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166 25 Jan We talk of place, of mig
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168 Happiness is a dry fart, says t
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170 into the couch. It’s Scintl w
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172 The buffalo is in camouflage, w
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174 o In Goa, tourists tear along o
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176 just then, I receive one from h
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178 entwined double snakes, spirals
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180 Poorvashada and Uttarshada— f
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182 Mourning my father, the stillne
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184 of battles between the freedoms
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186 4 Feb In this one speeding car,
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188 I can haggle too, but not here.
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190 broad swathe is no highway for
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192 spread it out in the paddock an
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194 Second Sutra 26 May 2004, Delhi
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196 half contained. Pot plants flow
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198 o The women of Jagori share lun
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200 29 May We attend a reading in A
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202 emerge from behind bushes, thei
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204 31 May Old Agra is shimmering i
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206 Knocked sideways by this rush o
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208 third Sutra 28 Dec 2004, Bingil
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Fragilities
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214 Gravity’s rainbow could not f
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216 Greek for Suzanne Bellamy in ho
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218 It helped her unravel the birds
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220 Oil and water I said, It’s no
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222 The Day of My Crucifixion for a
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224 perform as if in a wake ghostli
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Eye of a Needle 226 Mid-twentieth c
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228 o 1980s In the camp I live unde
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230 Once long ago they said I was a
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232 women falling, falling … We a
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235 Bibliography Abbot, Sidney and
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237 —. 1989. Medieval Woman’s M
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239 —. 1990. Lecture, UCLA, May 5
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241 Jay, Karla. 1999. Tales of the
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243 Radicalesbians. 1970. “The Wo
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245 Undset, Sigrid. 1951/1980. Kris
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247 Acknowledgements Some of the po
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Butterfly Effect - ressourcesfeministes

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