Butterfly Effect - ressourcesfeministes
Butterfly Effect - ressourcesfeministes
Butterfly Effect - ressourcesfeministes
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22<br />
14 pool billiards snooker. It is a badge of honour for lesbians to be able to play these games<br />
with flair. They have long been, and still are, an important element of lesbian culture.<br />
15 self-defence classes. Many lesbians have learnt self-defence, in part, to have the ability<br />
to protect themselves (not having a man about to help them!). Lesbians of my<br />
acquaintance have excelled in aikido, tae kwondo, judo, karate and ju jitsu.<br />
16 hunters. Monique Wittig and Suniti Namjoshi have both depicted men as hunters<br />
in their writings. Across the Acheron, tells of the ritual hunt in which men pursue<br />
women in the chapter entitled “Count Zaroff’s Hunt”, pp. 36-39. A metaphor for<br />
aggressive sexuality, one can see the hunt in any red light district in the world.<br />
Namjoshi depicts her hunters pursuing the wolf and the virgin. Suniti Namjoshi.<br />
1993. St Suniti and the Dragon, p. 86-87.<br />
17 streets. Barbara Hammer in her film Tender Fictions (1995) says she has been<br />
attacked in the street, thrown out of a restaurant because, as she says “I am a<br />
visible lesbian”.<br />
18 bars. There are lots of lesbian books which look at this aspect of lesbian culture.<br />
Perhaps the most evocative story of the bar scene in the US is Lesley Feinberg’s<br />
Stone Butch Blues (1993).<br />
19 underworld. See Judy Grahn. 1984. Another Mother Tongue, pp. 28-33. Monique<br />
Wittig’s, Across the Acheron is a retelling of a descent to hell, à la Virgil’s descent,<br />
set in contemporary San Francisco and led by a woman named Manastabal.<br />
20 Ereshkigal. See Judy Grahn. 1987. The Queen of Swords. An outstanding recreation<br />
of the mythic tale of a descent to the underworld. In this instance the ancient<br />
Sumerian myth of Inanna and Ereshkigal is told in the contemporary setting of<br />
the underground lesbian bar.<br />
21 pack. “Ironically groups of nuns or Lesbians are often mistaken for one another<br />
today, since we often travel in female packs oblivious to male attention or<br />
needs.” Rosemary Curb and Nancy Manahan (Eds.). Lesbian Nuns: Breaking<br />
Silence, p. xx.<br />
22 Hondas their Kawasakis their Harley Davidsons and their Ducatis. The group, Dykes<br />
on Bikes, is an informal lesbian institution. In Melbourne and Sydney each year<br />
they parade as part of Midsumma or Mardi Gras, roaring their engines in<br />
mockery of masculinity, but also as a way of saying, these toys are not just for the<br />
boys. With social skills such as having a good eye for pool, or excelling at martial<br />
arts, lesbians thumb their noses at prescriptive femininity. Monique Wittig in her<br />
allegorical Across the Acheron describes this aspect of lesbian culture: “As I began<br />
to shout ... a string of dikes appeared, naked on their motor cycles, their skin<br />
gleaming black or golden, and one after the other they rode over the hill.” p. 18.<br />
23 sing at the top of their lungs. They are of course singing, “Leader of the Pack”. As a<br />
young lesbian this song was one of the few pop tunes to speak to me directly in a<br />
way that captured my experience.<br />
24 diesel-driven road-trains. Diesel dykes can be found behind the wheel of many<br />
means of locomotion. Road-trains ply Australia’s outback, sometimes with as<br />
many as three articulated sections.<br />
25 relationships. “Yeah cars are easier to deal with than people. You buy a car and<br />
you have it. You don’t need to seduce it or talk to it or admit anything.” Donna<br />
Jackson. 1997. “Car Maintenance, Explosives and Love”, p. 68.