Butterfly Effect - ressourcesfeministes

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24 white. Eva Johnson’s play, “What Do They Call Me” explores the life of Alison, an Aboriginal lesbian who is part of Australia’s stolen generation. She writes: “How do I justify being taken from my mother / being put into government institutions / being given to white mothers, who got paid / who were subsidized to raise me WHITE.” Eva Johnson. 1990. “Alison”. In Cathie Dunsford and Susan Hawthorne (Eds.). The Exploding Frangipani, p. 142. The play has subsequently been published in full in Dale Spender (Ed.). 1991. Heroines, and in Bruce Parr. (Ed.). 1996. Australian Gay and Lesbian Plays. 25 Jermaine. Jermaine Hicks, a character in the novel, Push by Sapphire. The reader can read Jermaine’s life story in the appendix to the novel under the title, Harlem Butch. Sapphire. 1997. Push. 34 26 Voudou. See Luisah Teish. 1988. Jumbalayah. 27 Afrekete. See Catherine E. McKinley and Joyce DeLaney (Eds.). 1995. Afrekete: An Anthology of Black Lesbian Writing. Afrekete is a Yoruba goddess and a character from Audre Lorde’s Zami (1982). 28 explosives. “Car Maintenance, Explosives and Love” by Donna Jackson is a monologue which explores the explosiveness of a relationship between a working-class and a middle-class lesbian. The play uses real explosives, handled by writer and performer, Donna Jackson. This anthology was preceded by The Exploding Frangipani. As Radicalesbians said in 1970: “A lesbian is the rage of all women condensed to the point of explosion.” See Rosemary Silva (Ed.). Lesbian Quotations, p. 18. 29 suffragists. The anti-property strategy of the suffragists was an original approach to civil disobedience. They targeted the playgrounds of the aristocracy, including pouring acid on golf courses, thereby disrupting the pleasures of wealth. 30 Valerie. Valerie Solanas, author of the SCUM Manifesto, was very influential during the 1970s. Her small book, like the pirated edition of Robin Morgan’s Monster, was passed from hand to hand. Perhaps its most influential idea was that members of SCUM would always subvert the system, wherever they were working. Such women would, of course, be incognito and difficult to trace. A recent edition of her book was released to coincide with the release of the movie, I Shot Andy Warhol. In her novel Darkness More Visible (2000) Finola Moorhead plays with the legacy of Valerie Solanas with a revolutionary cybercell called the Solanasites. 31 guerilla. Because the second wave of the women’s movement coincided with the wars of liberation in the 1960s, the concept of guerilla was very current in the early 1970s. There were radical women all around the world who took up arms or who identified with far left wing “terrorist” groups. Lesbians were active in the Symbionese Liberation Army, and were probably involved in the capture of Patti Hearst. In Germany, lesbians were immediately suspect in the eyes of the state. A friend was held at gunpoint by German police who believed that she and her companions were members of the Bader Meinhof Gang. Monique Wittig taps into this zeitgeist with her novel Les Guérillères. Monique Wittig. 1972. Les Guérillères. A more recent, and more irreverent use is The Guerrilla Girls’ Bedside Companion to the History of Western Art (1998). 32 Glorious Age. A period of history proposed by Monique Wittig and Sande Zeig. Roughly it equates with the beginnings of the second wave of the women’s movement in the late 1960s and early 1970s. Monique Wittig and Sande Zeig. 1979. Lesbian Peoples. 33 next five years. Such stories are not unusual among lesbians in prison. A rebellious streak, added to by circumstances of poverty and bad luck, creates fertile ground for drug abuse and the resulting criminal lifestyle required to sustain it.
35 some live in prisons without walls but prisons all the same they have been separated stolen encased in a cocoon of white 24 walls called culture they cry for the loss of their mothers their sisters their culture my friends Iris Elsie Sojourner Jermaine 25 are here because their skin is black in the cells they practise the ancient craft of Voudou 26 they make greetings to Afrekete 27 Oya and others they tell me only what I need to know sometimes they protect me sometimes they cannot for they are more at risk I am here for a concatenation of reasons it started when I was just a girl shoplifting for my mother and my sisters our father long gone I skipped school was labelled a truant a troublemaker at sixteen I got my first tat a tear rolling from the corner of my left eye I was arrested more often than anyone else I knew I became an activist sat in trees lay on the road in front of bulldozers went on demonstrations got arrested again tallied up an impressive record then I got into explosives 28 like the suffragists 29 before me I began with men’s property followed in the footsteps of Valerie 30 became a guerrilla 31 of the Glorious Age 32 it didn’t take much to get involved in criminal activity this time I’m here for drugs it’s easy money when your luck is in mine wasn’t I’m here for the next five years 33
Page 4 and 5: Susan Hawthorne is a poet, novelist
Page 6 and 7: the Butterfly Effect Susan Hawthorn
Page 8 and 9: Contents note to sappho vii The But
Page 10 and 11: Note to Sappho It’s been a long t
Page 13 and 14: 3 Strange tractors It’s an ancien
Page 15 and 16: 5 We stand in a place where flowers
Page 17 and 18: 7 not missing a beat. His history i
Page 19 and 20: Unstopped Mouths
Page 21 and 22: 11 Unstopped Mouths 1 we meet in th
Page 23 and 24: 13 simplified a single twist of hai
Page 25 and 26: 15 we line the shelves of our homes
Page 27 and 28: 17 summer with fire in the nostrils
Page 29 and 30: 19 Empurpled 1 physicists speak of
Page 31 and 32: 21 to the moon 5 with desire satisf
Page 33 and 34: 23 we play pool billiards and snook
Page 35 and 36: 25 harpies sirens birds of prey les
Page 37 and 38: 27 In the Prisons we are known as c
Page 39 and 40: 29 it’s still happening just two
Page 41 and 42: 31 when the moon rises full in Scor
Page 43: 33 my friend Daisy killed her husba
Page 47 and 48: 37 Rose Garden those who have no me
Page 49 and 50: 39 making rosettes embroidering pil
Page 51 and 52: 41 we fall upon one another kissing
Page 53 and 54: 43 Firenze in honour of Jacqui Stoc
Page 55 and 56: 45 porticos are chosen for secret m
Page 57 and 58: 47 the cupola floats like a giant b
Page 59 and 60: 49 we share our home with dogs cats
Page 61 and 62: 51 Death for Maureen O’Connor it
Page 63 and 64: 53 we stand in the cold gathering s
Page 65 and 66: 55 Gumboots and Goblin Fruit we pul
Page 67 and 68: 57 amazons Margaret Bhadravati Boud
Page 69 and 70: 59 with the assistance of harnesses
Page 71 and 72: 61 sipping at lemons 22 relishing t
Page 73 and 74: 63 Amphibious Lips we tuck hibiscus
Page 75 and 76: 65 we take our boats casting off 11
Page 77 and 78: 67 some days we float above corals
Page 79 and 80: 69 we build fires on the beach cook
Page 81 and 82: 71 The Land for Renate and River I
Page 83 and 84: 73 known to drive nine hundred kilo
Page 85 and 86: 75 we are not the only lesbians in
Page 87 and 88: 77 Angel Tongues Hail Mary Mother o
Page 89 and 90: 79 mani padme aum clouds wrap thems
Page 91 and 92: 81 pustules vile bodies unclean bod
Page 93 and 94: 83 Tragedia they say it is a traged
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85 social mores shift and run their
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87 HD 17 even though their words bu
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89 there are cities in our minds 21
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91 those who fear us have many name
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93 sleepless eyes reviled for our a
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95 Love is an Uprising we write wri
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97 we imagine a language invented b
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99 some of us are saints 19 or Sybi
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101 Lavender Hour in the lavender h
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103 in the lavender hour extraterre
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105 the lavender hour is not marked
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107 Carnivale 1 we sing sliding alo
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109 the Queen of Hearts the Queen o
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111 join the throng beating out the
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115 Music for lesbian mouths oooooo
Page 129 and 130:
119 Almanac of the Dead 1 for Primr
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121 ix I go to breakfast and mentio
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123 The drive to LA is too long. I
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125 Graveside Meditation We, the mo
Page 137 and 138:
127 In my mind then comes a phrase
Page 139 and 140:
129 But then the war came. You had
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131 You told me later that you spen
Page 143 and 144:
133 As the cold wraps itself around
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135 Memory is trampled by daily lif
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137 The Dead i The dead press their
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139 I return to my daughters in the
Page 151:
India Sutra
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144 modern day swan-maidens. Here a
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146 the coffin missing but still th
Page 158 and 159:
148 unlike the others, she talks tu
Page 160 and 161:
150 o A buzz of black and yellow pa
Page 162 and 163:
152 Mementos for Sindhu, she says,
Page 164 and 165:
154 but not the silence between us.
Page 166 and 167:
156 Is this what freedom amounts to
Page 168 and 169:
158 they say, but not back. The ris
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160 white on ochre a drummer and da
Page 172 and 173:
162 o The woman holds out her hands
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164 o This headache is like a strin
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166 25 Jan We talk of place, of mig
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168 Happiness is a dry fart, says t
Page 180 and 181:
170 into the couch. It’s Scintl w
Page 182 and 183:
172 The buffalo is in camouflage, w
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174 o In Goa, tourists tear along o
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176 just then, I receive one from h
Page 188 and 189:
178 entwined double snakes, spirals
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180 Poorvashada and Uttarshada— f
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182 Mourning my father, the stillne
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184 of battles between the freedoms
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186 4 Feb In this one speeding car,
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188 I can haggle too, but not here.
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190 broad swathe is no highway for
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192 spread it out in the paddock an
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194 Second Sutra 26 May 2004, Delhi
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196 half contained. Pot plants flow
Page 208 and 209:
198 o The women of Jagori share lun
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200 29 May We attend a reading in A
Page 212 and 213:
202 emerge from behind bushes, thei
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204 31 May Old Agra is shimmering i
Page 216 and 217:
206 Knocked sideways by this rush o
Page 218 and 219:
208 third Sutra 28 Dec 2004, Bingil
Page 221:
Fragilities
Page 224 and 225:
214 Gravity’s rainbow could not f
Page 226 and 227:
216 Greek for Suzanne Bellamy in ho
Page 228 and 229:
218 It helped her unravel the birds
Page 230 and 231:
220 Oil and water I said, It’s no
Page 232 and 233:
222 The Day of My Crucifixion for a
Page 234 and 235:
224 perform as if in a wake ghostli
Page 236 and 237:
Eye of a Needle 226 Mid-twentieth c
Page 238 and 239:
228 o 1980s In the camp I live unde
Page 240 and 241:
230 Once long ago they said I was a
Page 242 and 243:
232 women falling, falling … We a
Page 245 and 246:
235 Bibliography Abbot, Sidney and
Page 247 and 248:
237 —. 1989. Medieval Woman’s M
Page 249 and 250:
239 —. 1990. Lecture, UCLA, May 5
Page 251 and 252:
241 Jay, Karla. 1999. Tales of the
Page 253 and 254:
243 Radicalesbians. 1970. “The Wo
Page 255 and 256:
245 Undset, Sigrid. 1951/1980. Kris
Page 257 and 258:
247 Acknowledgements Some of the po
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