Butterfly Effect - ressourcesfeministes

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86 17 H.D. The original Imagist, Hilda Doolittle is a poet’s poet. Her work is steeped in Greek mythology and its influence continues today. The 1980s saw a veritable H.D. industry grow around her work. There are several fine books on her life and work, but none more fascinating than Paint It Today the roman à clef which she wrote about her relationships with Francis Gregg and Bryher (Winifred Ellerman). H.D. 1992. Paint It Today. For biographical and literary treatments of H.D.’s life that acknowledge her as a lesbian, see Rachel Blau DuPlessis. 1986. H.D.: The Career of That Struggle; Susan Stanford Friedman. 1990. Persephone’s Web: Gender, Modernity, H.D.’s Fiction. For an interesting examination of modernist lesbian writers see Gillian Hanscombe and Virgina P.M. Smyers. 1987. Writing for Their Lives and Jane McIntosh Snyder. 1997. Lesbian Desire in the Lyrics of Sappho, especially the Epilogue in which she discusses the work of H.D. and Olga Broumas. 18 classicists. Among the greats in this field is Jane Ellen Harrison (1850-1928), a Cambridge scholar and hugely influential in the interpretation of mythology, art and ritual. Her two most important works are Prolegomena to the Study of Greek Religion (1903) and Themis: A Study of the Social Origins of Greek Religion (1912). By the time I came to study Ancient Greek in the early 1980s, these books were out of favour, but I was able to read the copies still standing in the library stacks and not borrowed for years. They were an eye opener, and contributed enormously to my study of the language. Having the language to understand her work made it possible to plough through the war-mongering Thucydides. Virginia Woolf makes a reference to Jane Harrison in A Room of One’s Own. For more on her life see, Sandra J. Peacock. 1988. Jane Ellen Harrison: The Mask and the Self. Jane’s twentyyear friendship with Hope Mirlees is cast as non-sexual by Sandra Peacock but I would argue that the evidence suggests otherwise. Another classicist is “Michael Field”, also poet and philosopher. She was in fact two women, Katharine Bradley (1846-1914) and Edith Cooper (1862-1913). This aunt and niece duo, also lovers, collaborated on some of the most passionate lesbian poems of the nineteenth century. See Alison Hennegan’s The Lesbian Pillow Book (2000) and Lillian Faderman’s Surpassing the Love of Men (1981), pp. 209-13. 19 Greek. Virginia Woolf lamented this in her essay “On not knowing Greek” (1968) pp. 39-59. I suspect it was also because it kept her out of the conversations of her Cambridge-educated brother, Thoby and his friends, all of whom were later to be known as the Bloomsbury Group. Barbara Deming, writing of her travels in Greece in the early 1950s, describes an epiphany at Eleusis in which the stone breasts of a statue become the possibility for claiming her self. She writes. “I am. And I will not be robbed of my sex. And I will not be shamed.” Barbara Deming. 1985. A Humming Under My Feet: A Book of Travail, p. 221. 20 there’s no word in our language to describe what we are. This is what Sita says to Rada in Deepa Mehta’s film, Fire. In the face of Giti Thadani’s research it appears this is not the case, although it might be true that because of hatred few wish to use the available words.
87 HD 17 even though their words burned flaming passions there has never been a shortage of classicists 18 among us many of us speak Greek 19 others among us lament that we do not so many times I’ve heard them say there’s no word in our language to describe what we are 20 we go on long journeys to ancient lands we wander through cities cut into stone rocks hanging over us like gardens the shapes suggestive of an entirely other world
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Susan Hawthorne is a poet, novelist
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the Butterfly Effect Susan Hawthorn
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Contents note to sappho vii The But
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Note to Sappho It’s been a long t
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3 Strange tractors It’s an ancien
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5 We stand in a place where flowers
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7 not missing a beat. His history i
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Unstopped Mouths
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11 Unstopped Mouths 1 we meet in th
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13 simplified a single twist of hai
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15 we line the shelves of our homes
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17 summer with fire in the nostrils
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19 Empurpled 1 physicists speak of
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21 to the moon 5 with desire satisf
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23 we play pool billiards and snook
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25 harpies sirens birds of prey les
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27 In the Prisons we are known as c
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29 it’s still happening just two
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31 when the moon rises full in Scor
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33 my friend Daisy killed her husba
Page 45 and 46: 35 some live in prisons without wal
Page 47 and 48: 37 Rose Garden those who have no me
Page 49 and 50: 39 making rosettes embroidering pil
Page 51 and 52: 41 we fall upon one another kissing
Page 53 and 54: 43 Firenze in honour of Jacqui Stoc
Page 55 and 56: 45 porticos are chosen for secret m
Page 57 and 58: 47 the cupola floats like a giant b
Page 59 and 60: 49 we share our home with dogs cats
Page 61 and 62: 51 Death for Maureen O’Connor it
Page 63 and 64: 53 we stand in the cold gathering s
Page 65 and 66: 55 Gumboots and Goblin Fruit we pul
Page 67 and 68: 57 amazons Margaret Bhadravati Boud
Page 69 and 70: 59 with the assistance of harnesses
Page 71 and 72: 61 sipping at lemons 22 relishing t
Page 73 and 74: 63 Amphibious Lips we tuck hibiscus
Page 75 and 76: 65 we take our boats casting off 11
Page 77 and 78: 67 some days we float above corals
Page 79 and 80: 69 we build fires on the beach cook
Page 81 and 82: 71 The Land for Renate and River I
Page 83 and 84: 73 known to drive nine hundred kilo
Page 85 and 86: 75 we are not the only lesbians in
Page 87 and 88: 77 Angel Tongues Hail Mary Mother o
Page 89 and 90: 79 mani padme aum clouds wrap thems
Page 91 and 92: 81 pustules vile bodies unclean bod
Page 93 and 94: 83 Tragedia they say it is a traged
Page 95: 85 social mores shift and run their
Page 99 and 100: 89 there are cities in our minds 21
Page 101 and 102: 91 those who fear us have many name
Page 103 and 104: 93 sleepless eyes reviled for our a
Page 105 and 106: 95 Love is an Uprising we write wri
Page 107 and 108: 97 we imagine a language invented b
Page 109 and 110: 99 some of us are saints 19 or Sybi
Page 111 and 112: 101 Lavender Hour in the lavender h
Page 113 and 114: 103 in the lavender hour extraterre
Page 115 and 116: 105 the lavender hour is not marked
Page 117 and 118: 107 Carnivale 1 we sing sliding alo
Page 119 and 120: 109 the Queen of Hearts the Queen o
Page 121: 111 join the throng beating out the
Page 125: 115 Music for lesbian mouths oooooo
Page 129 and 130: 119 Almanac of the Dead 1 for Primr
Page 131 and 132: 121 ix I go to breakfast and mentio
Page 133 and 134: 123 The drive to LA is too long. I
Page 135 and 136: 125 Graveside Meditation We, the mo
Page 137 and 138: 127 In my mind then comes a phrase
Page 139 and 140: 129 But then the war came. You had
Page 141 and 142: 131 You told me later that you spen
Page 143 and 144: 133 As the cold wraps itself around
Page 145 and 146: 135 Memory is trampled by daily lif
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137 The Dead i The dead press their
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139 I return to my daughters in the
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India Sutra
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144 modern day swan-maidens. Here a
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146 the coffin missing but still th
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148 unlike the others, she talks tu
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150 o A buzz of black and yellow pa
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152 Mementos for Sindhu, she says,
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154 but not the silence between us.
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156 Is this what freedom amounts to
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158 they say, but not back. The ris
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160 white on ochre a drummer and da
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162 o The woman holds out her hands
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164 o This headache is like a strin
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166 25 Jan We talk of place, of mig
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168 Happiness is a dry fart, says t
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170 into the couch. It’s Scintl w
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172 The buffalo is in camouflage, w
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174 o In Goa, tourists tear along o
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176 just then, I receive one from h
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178 entwined double snakes, spirals
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180 Poorvashada and Uttarshada— f
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182 Mourning my father, the stillne
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184 of battles between the freedoms
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186 4 Feb In this one speeding car,
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188 I can haggle too, but not here.
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190 broad swathe is no highway for
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192 spread it out in the paddock an
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194 Second Sutra 26 May 2004, Delhi
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196 half contained. Pot plants flow
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198 o The women of Jagori share lun
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200 29 May We attend a reading in A
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202 emerge from behind bushes, thei
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204 31 May Old Agra is shimmering i
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206 Knocked sideways by this rush o
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208 third Sutra 28 Dec 2004, Bingil
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Fragilities
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214 Gravity’s rainbow could not f
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216 Greek for Suzanne Bellamy in ho
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218 It helped her unravel the birds
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220 Oil and water I said, It’s no
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222 The Day of My Crucifixion for a
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224 perform as if in a wake ghostli
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Eye of a Needle 226 Mid-twentieth c
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228 o 1980s In the camp I live unde
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230 Once long ago they said I was a
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232 women falling, falling … We a
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235 Bibliography Abbot, Sidney and
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237 —. 1989. Medieval Woman’s M
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239 —. 1990. Lecture, UCLA, May 5
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241 Jay, Karla. 1999. Tales of the
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243 Radicalesbians. 1970. “The Wo
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245 Undset, Sigrid. 1951/1980. Kris
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247 Acknowledgements Some of the po
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