Butterfly Effect - ressourcesfeministes

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106 1 Carnivale. “Carnivale”. Script for POW small show. First performed at Swinburne University, Lilydale Campus. 1 December, 1998. 2 O. The O has been used by lesbian writers on numerous occasions. Olga Broumas’ first collection of poems (1977) is entitled Beginning with O. Monique Wittig uses the O as the first chapter opener (p. 3) in The Guérillères. These images of lacunae recur in the text on pp. 51 and 105. As a lesbian reader in the 1970s these circles seemed affirming of the decision I had made in regard to my sexuality. Gertrude Stein with her “A rose is a rose is a rose” later made it into a ring, an O, of roses. Gertrude Stein. 1935. Lectures in America, p. 231. Dante proposed that the original (male) name of god was i. I suggest it is O. Kay Gardner, in Sounding the Inner Landscape creates images of intervals. The O represents unison, singing at the same pitch. Sameness. See Kay Gardner. 1997. Sounding the Inner Landscape, p. 105. For a critique of David Le Vay’s English translation of Wittig’s The Lesbian Body and his use of “I” in the text, see Namascar Shaktini’s “Displacing the Phallic Subject” (1982). 3 wolf. The wolf has been interpreted as a symbol of aggressive male sexuality, but feminist and lesbian writers have turned this idea on its head. Renée Vivien in her story, “The Woman of the Wolf”, writes of a woman who would rather die with her pet wolf in the sea, than respond to the sexual advances of the man telling the story. See Renée Vivien. 1983. The Woman of the Wolf and other stories. Barnes uses the image of the wolf to represent repressed sexuality, the sexuality society forced lesbians to hide. The wolf, nevertheless, emerges in the dark of the night. See Djuna Barnes. 1936. Nightwood. Was it Djuna Barnes’ wolf that inspired the irrepressible girls at Vassar See Anne Mackay (Ed.). 1993. Wolf Girls at Vassar. 4 companion lovers. “The companion lovers gather from lesbians all of the culture, the past, the inventions, the songs and the ways of life.” They are engaged in much the same project as this series of poems. See Monique Wittig and Sande Zeig. 1979 A Dictionary of Lesbian Peoples, p. 35. 5 masks. If you go to Venice look for the masks of Carnivale which are for sale in the little shops a few steps below street level. 6 crowds. We often meet in crowds. It is safer that way. We form crowds at street demonstrations, at dance parties and lesbian balls, when lesbian singers come to town, and when Martina Navratilova or one of her descendants is playing on the centre court at Kooyong. 7 joglaresas. Joglaresas were Moorish women jugglers who were part of the retinue of the Occitanian ruling class in the tenth and eleventh centuries. It was from this base that the Troubadors arose in subsequent centuries. An image of a late 10th century joglaresa can be found in the St. Martial Codex, held in the Bibliothèque Nationale, France. It also appears in Meg Bogin. 1976. The Women Troubadors, p. 48. Referring to this time Monique Wittig and Sande Zeig say that companion lovers began to juggle during the dark ages to cheer it up. Monique Wittig and Sande Zeig. 1979. Lesbian Peoples, p. 88. 8 spin. Spinning is a particularly female occupation, whether it be spinning yarn, spinning out a tale (a yarn), spinning and sparking in a Dalyesque manner or spinning like a spider on a web.
107 Carnivale 1 we sing sliding along arpeggios stringing out the sounds the rhythm of our heartbeats in time to the music we chant beginning with O 2 like the chorister and the lesbian the howl of the wolf 3 woman and her companion lovers 4 we don masks 5 of black gold silver white and splashes of colour we disguise the extrovert the streets are filled with crowds 6 everyone disguised and in our new personae we explore the wilds of our emotions here are bridal pairs exchanging vows mid-canal with grappa in coloured Venetian glasses carnivale is here the crowds could be from any time a medieval feast a painting by Bosch or Carpaccio jugglers and joglaresas 7 stand side by side the one throwing balls the other tossing notes into the cold air pigeons play shadow games children roll hoops or spin 8 by on knife-thin blades the tarot reader spins her own stories unravelling the future from the past a Norn crouches in an archway
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Susan Hawthorne is a poet, novelist
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the Butterfly Effect Susan Hawthorn
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Contents note to sappho vii The But
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Note to Sappho It’s been a long t
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3 Strange tractors It’s an ancien
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5 We stand in a place where flowers
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7 not missing a beat. His history i
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Unstopped Mouths
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11 Unstopped Mouths 1 we meet in th
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13 simplified a single twist of hai
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15 we line the shelves of our homes
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17 summer with fire in the nostrils
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19 Empurpled 1 physicists speak of
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21 to the moon 5 with desire satisf
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23 we play pool billiards and snook
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25 harpies sirens birds of prey les
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27 In the Prisons we are known as c
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29 it’s still happening just two
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31 when the moon rises full in Scor
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33 my friend Daisy killed her husba
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35 some live in prisons without wal
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37 Rose Garden those who have no me
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39 making rosettes embroidering pil
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41 we fall upon one another kissing
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43 Firenze in honour of Jacqui Stoc
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45 porticos are chosen for secret m
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47 the cupola floats like a giant b
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49 we share our home with dogs cats
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51 Death for Maureen O’Connor it
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53 we stand in the cold gathering s
Page 65 and 66: 55 Gumboots and Goblin Fruit we pul
Page 67 and 68: 57 amazons Margaret Bhadravati Boud
Page 69 and 70: 59 with the assistance of harnesses
Page 71 and 72: 61 sipping at lemons 22 relishing t
Page 73 and 74: 63 Amphibious Lips we tuck hibiscus
Page 75 and 76: 65 we take our boats casting off 11
Page 77 and 78: 67 some days we float above corals
Page 79 and 80: 69 we build fires on the beach cook
Page 81 and 82: 71 The Land for Renate and River I
Page 83 and 84: 73 known to drive nine hundred kilo
Page 85 and 86: 75 we are not the only lesbians in
Page 87 and 88: 77 Angel Tongues Hail Mary Mother o
Page 89 and 90: 79 mani padme aum clouds wrap thems
Page 91 and 92: 81 pustules vile bodies unclean bod
Page 93 and 94: 83 Tragedia they say it is a traged
Page 95 and 96: 85 social mores shift and run their
Page 97 and 98: 87 HD 17 even though their words bu
Page 99 and 100: 89 there are cities in our minds 21
Page 101 and 102: 91 those who fear us have many name
Page 103 and 104: 93 sleepless eyes reviled for our a
Page 105 and 106: 95 Love is an Uprising we write wri
Page 107 and 108: 97 we imagine a language invented b
Page 109 and 110: 99 some of us are saints 19 or Sybi
Page 111 and 112: 101 Lavender Hour in the lavender h
Page 113 and 114: 103 in the lavender hour extraterre
Page 115: 105 the lavender hour is not marked
Page 119 and 120: 109 the Queen of Hearts the Queen o
Page 121: 111 join the throng beating out the
Page 125: 115 Music for lesbian mouths oooooo
Page 129 and 130: 119 Almanac of the Dead 1 for Primr
Page 131 and 132: 121 ix I go to breakfast and mentio
Page 133 and 134: 123 The drive to LA is too long. I
Page 135 and 136: 125 Graveside Meditation We, the mo
Page 137 and 138: 127 In my mind then comes a phrase
Page 139 and 140: 129 But then the war came. You had
Page 141 and 142: 131 You told me later that you spen
Page 143 and 144: 133 As the cold wraps itself around
Page 145 and 146: 135 Memory is trampled by daily lif
Page 147 and 148: 137 The Dead i The dead press their
Page 149 and 150: 139 I return to my daughters in the
Page 151: India Sutra
Page 154 and 155: 144 modern day swan-maidens. Here a
Page 156 and 157: 146 the coffin missing but still th
Page 158 and 159: 148 unlike the others, she talks tu
Page 160 and 161: 150 o A buzz of black and yellow pa
Page 162 and 163: 152 Mementos for Sindhu, she says,
Page 164 and 165: 154 but not the silence between us.
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156 Is this what freedom amounts to
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158 they say, but not back. The ris
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160 white on ochre a drummer and da
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162 o The woman holds out her hands
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164 o This headache is like a strin
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166 25 Jan We talk of place, of mig
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168 Happiness is a dry fart, says t
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170 into the couch. It’s Scintl w
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172 The buffalo is in camouflage, w
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174 o In Goa, tourists tear along o
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176 just then, I receive one from h
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178 entwined double snakes, spirals
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180 Poorvashada and Uttarshada— f
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182 Mourning my father, the stillne
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184 of battles between the freedoms
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186 4 Feb In this one speeding car,
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188 I can haggle too, but not here.
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190 broad swathe is no highway for
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192 spread it out in the paddock an
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194 Second Sutra 26 May 2004, Delhi
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196 half contained. Pot plants flow
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198 o The women of Jagori share lun
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200 29 May We attend a reading in A
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202 emerge from behind bushes, thei
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204 31 May Old Agra is shimmering i
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206 Knocked sideways by this rush o
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208 third Sutra 28 Dec 2004, Bingil
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Fragilities
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214 Gravity’s rainbow could not f
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216 Greek for Suzanne Bellamy in ho
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218 It helped her unravel the birds
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220 Oil and water I said, It’s no
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222 The Day of My Crucifixion for a
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224 perform as if in a wake ghostli
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Eye of a Needle 226 Mid-twentieth c
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228 o 1980s In the camp I live unde
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230 Once long ago they said I was a
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232 women falling, falling … We a
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235 Bibliography Abbot, Sidney and
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237 —. 1989. Medieval Woman’s M
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239 —. 1990. Lecture, UCLA, May 5
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241 Jay, Karla. 1999. Tales of the
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243 Radicalesbians. 1970. “The Wo
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245 Undset, Sigrid. 1951/1980. Kris
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247 Acknowledgements Some of the po
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