Butterfly Effect - ressourcesfeministes

More documents

Recommendations

Info

64 11 casting off. See Lara Fergus. 2005. “Lifeboat”. 12 the seven sisters. Also known as the Pleiades. There is much mythology centred on this star cluster. Many peoples have used the Pleiades as a calendar or as a guide in navigation. Sappho wrote of the Pleiades in one of her Fragments “The moon and the Pleiades have set / the night is half gone / hours pass / still I sleep alone.” Translation Susan Hawthorne. 1984. For more on the Pleiades, see Munya Andrews. 2004. The Seven Sisters of the Pleiades: Stories from around the World. 13 pirates. Famous among historical pirates are Mary Read (b. 1690) and Anne Bonney (fl. 1718), both of whom cross-dressed as men and are said to have fallen for one another. As happens in the lives of some lesbians, they are said to have later married and been condemned to hang. Mary Read died of a fever, and Anne Bonney disappeared from the history books. 14 lighthouse. A reference to Virginia Woolf’s To the Lighthouse (1990), whose main character, artist Lily Briscoe, herself became the central focus of the autobiography of artist, Mary Meigs. 1981. Lily Briscoe: A Self Portrait. Jeanette Winterson’s Lighhousekeeping (2005) is also a nod in the direction of Virginia Woolf. The suggestion is that whoever set out to the lighthouse is now installed there. Artist, Suzanne Bellamy’s Lily Briscoe Series, 1999 was reproduced in The Australian’s Review of Books, pp. 3-5, and 30. 15 curve of a breast. “The curve of your breast is like the curve / of a wave: look, held, caught, each instant / caught, the wave tipping over and we in our bower, / the two of us sheltered, my hands on your thighs, / your body, your back, my mouth on your mouth / in the hollows of your jaws and your head / nuzzling my breasts. And the wave above us is / folding over now, folding and laughing. Will you / take to the sea, my darling” From “Well, then let slip the masks.” Suniti Namjoshi and Gillian Hanscombe. 1986. Flesh and Paper, p. 19. 16 none of us can walk straight. Lesbian writers have reflected on the impossibility of straight lines, straight thinking. “The waves are curved lines on a sphere (earth) which moves in a spiral around a central point (the sun) which whirls through another spiral (the galaxy) which is part of an infinite boundless universal spiral. So to talk about the shortest distance between two points as a straight line is ludicrous. Nothing from the smallest particle to the galactic arms moves in a straight line.” Susan Hawthorne. 1992. The Falling Woman. p. 200. Also see Monique Wittig, 1992. The Straight Mind and Other Essays. 17 the waves break on the shore. The last sentence of Virginia Woolf’s novel The Waves is: “The waves broke on the shore.” Virginia Woolf. 1969. The Waves, p. 256. 18 wreck. Lesbian lives are real, and the reality often bears little resemblance to the mythology surrounding lesbian existence. It is, as Adrienne Rich writes: “the wreck and not the story of the wreck / the thing itself and not the myth”, “Diving into the Wreck”, 1973. Diving into the Wreck, p. 23.
65 we take our boats casting off 11 into unfathomable depths could paradise be a watery realm will we find safe passage we are rowing sailing drifting across the seas navigating by the stars following the path of the seven sisters 12 we climb the fo’castle like pirates 13 search for hidden treasure on unmarked islands peering out across the waves at night we trace our futures in the stars measuring the angles with our eyes we catch sight of the lighthouse 14 and steer towards it the waves carry us the curve of each wave like the curve of a breast 15 walking in circles in sways in curves none of us can walk straight 16 we walk over the heave of the ocean the body rising in arcs even the bones moving in circles as the waves break on the shore 17 we dive under them another underworld to explore where giant clams lazily open velvet lips bêche du mer slump into the sand and fish flick in and out of peripheral vision I breathe out and sink to the bottom I’m waiting for the big one reef shark octopus stingray or some transparent polyp prepared to take it front on my eyes are stunned to staring and the wreck 18 lies nearby
Page 4 and 5:
Susan Hawthorne is a poet, novelist
Page 6 and 7:
the Butterfly Effect Susan Hawthorn
Page 8 and 9:
Contents note to sappho vii The But
Page 10 and 11:
Note to Sappho It’s been a long t
Page 13 and 14:
3 Strange tractors It’s an ancien
Page 15 and 16:
5 We stand in a place where flowers
Page 17 and 18:
7 not missing a beat. His history i
Page 19 and 20:
Unstopped Mouths
Page 21 and 22:
11 Unstopped Mouths 1 we meet in th
Page 23 and 24: 13 simplified a single twist of hai
Page 25 and 26: 15 we line the shelves of our homes
Page 27 and 28: 17 summer with fire in the nostrils
Page 29 and 30: 19 Empurpled 1 physicists speak of
Page 31 and 32: 21 to the moon 5 with desire satisf
Page 33 and 34: 23 we play pool billiards and snook
Page 35 and 36: 25 harpies sirens birds of prey les
Page 37 and 38: 27 In the Prisons we are known as c
Page 39 and 40: 29 it’s still happening just two
Page 41 and 42: 31 when the moon rises full in Scor
Page 43 and 44: 33 my friend Daisy killed her husba
Page 45 and 46: 35 some live in prisons without wal
Page 47 and 48: 37 Rose Garden those who have no me
Page 49 and 50: 39 making rosettes embroidering pil
Page 51 and 52: 41 we fall upon one another kissing
Page 53 and 54: 43 Firenze in honour of Jacqui Stoc
Page 55 and 56: 45 porticos are chosen for secret m
Page 57 and 58: 47 the cupola floats like a giant b
Page 59 and 60: 49 we share our home with dogs cats
Page 61 and 62: 51 Death for Maureen O’Connor it
Page 63 and 64: 53 we stand in the cold gathering s
Page 65 and 66: 55 Gumboots and Goblin Fruit we pul
Page 67 and 68: 57 amazons Margaret Bhadravati Boud
Page 69 and 70: 59 with the assistance of harnesses
Page 71 and 72: 61 sipping at lemons 22 relishing t
Page 73: 63 Amphibious Lips we tuck hibiscus
Page 77 and 78: 67 some days we float above corals
Page 79 and 80: 69 we build fires on the beach cook
Page 81 and 82: 71 The Land for Renate and River I
Page 83 and 84: 73 known to drive nine hundred kilo
Page 85 and 86: 75 we are not the only lesbians in
Page 87 and 88: 77 Angel Tongues Hail Mary Mother o
Page 89 and 90: 79 mani padme aum clouds wrap thems
Page 91 and 92: 81 pustules vile bodies unclean bod
Page 93 and 94: 83 Tragedia they say it is a traged
Page 95 and 96: 85 social mores shift and run their
Page 97 and 98: 87 HD 17 even though their words bu
Page 99 and 100: 89 there are cities in our minds 21
Page 101 and 102: 91 those who fear us have many name
Page 103 and 104: 93 sleepless eyes reviled for our a
Page 105 and 106: 95 Love is an Uprising we write wri
Page 107 and 108: 97 we imagine a language invented b
Page 109 and 110: 99 some of us are saints 19 or Sybi
Page 111 and 112: 101 Lavender Hour in the lavender h
Page 113 and 114: 103 in the lavender hour extraterre
Page 115 and 116: 105 the lavender hour is not marked
Page 117 and 118: 107 Carnivale 1 we sing sliding alo
Page 119 and 120: 109 the Queen of Hearts the Queen o
Page 121: 111 join the throng beating out the
Page 125:
115 Music for lesbian mouths oooooo
Page 129 and 130:
119 Almanac of the Dead 1 for Primr
Page 131 and 132:
121 ix I go to breakfast and mentio
Page 133 and 134:
123 The drive to LA is too long. I
Page 135 and 136:
125 Graveside Meditation We, the mo
Page 137 and 138:
127 In my mind then comes a phrase
Page 139 and 140:
129 But then the war came. You had
Page 141 and 142:
131 You told me later that you spen
Page 143 and 144:
133 As the cold wraps itself around
Page 145 and 146:
135 Memory is trampled by daily lif
Page 147 and 148:
137 The Dead i The dead press their
Page 149 and 150:
139 I return to my daughters in the
Page 151:
India Sutra
Page 154 and 155:
144 modern day swan-maidens. Here a
Page 156 and 157:
146 the coffin missing but still th
Page 158 and 159:
148 unlike the others, she talks tu
Page 160 and 161:
150 o A buzz of black and yellow pa
Page 162 and 163:
152 Mementos for Sindhu, she says,
Page 164 and 165:
154 but not the silence between us.
Page 166 and 167:
156 Is this what freedom amounts to
Page 168 and 169:
158 they say, but not back. The ris
Page 170 and 171:
160 white on ochre a drummer and da
Page 172 and 173:
162 o The woman holds out her hands
Page 174 and 175:
164 o This headache is like a strin
Page 176 and 177:
166 25 Jan We talk of place, of mig
Page 178 and 179:
168 Happiness is a dry fart, says t
Page 180 and 181:
170 into the couch. It’s Scintl w
Page 182 and 183:
172 The buffalo is in camouflage, w
Page 184 and 185:
174 o In Goa, tourists tear along o
Page 186 and 187:
176 just then, I receive one from h
Page 188 and 189:
178 entwined double snakes, spirals
Page 190 and 191:
180 Poorvashada and Uttarshada— f
Page 192 and 193:
182 Mourning my father, the stillne
Page 194 and 195:
184 of battles between the freedoms
Page 196 and 197:
186 4 Feb In this one speeding car,
Page 198 and 199:
188 I can haggle too, but not here.
Page 200 and 201:
190 broad swathe is no highway for
Page 202 and 203:
192 spread it out in the paddock an
Page 204 and 205:
194 Second Sutra 26 May 2004, Delhi
Page 206 and 207:
196 half contained. Pot plants flow
Page 208 and 209:
198 o The women of Jagori share lun
Page 210 and 211:
200 29 May We attend a reading in A
Page 212 and 213:
202 emerge from behind bushes, thei
Page 214 and 215:
204 31 May Old Agra is shimmering i
Page 216 and 217:
206 Knocked sideways by this rush o
Page 218 and 219:
208 third Sutra 28 Dec 2004, Bingil
Page 221:
Fragilities
Page 224 and 225:
214 Gravity’s rainbow could not f
Page 226 and 227:
216 Greek for Suzanne Bellamy in ho
Page 228 and 229:
218 It helped her unravel the birds
Page 230 and 231:
220 Oil and water I said, It’s no
Page 232 and 233:
222 The Day of My Crucifixion for a
Page 234 and 235:
224 perform as if in a wake ghostli
Page 236 and 237:
Eye of a Needle 226 Mid-twentieth c
Page 238 and 239:
228 o 1980s In the camp I live unde
Page 240 and 241:
230 Once long ago they said I was a
Page 242 and 243:
232 women falling, falling … We a
Page 245 and 246:
235 Bibliography Abbot, Sidney and
Page 247 and 248:
237 —. 1989. Medieval Woman’s M
Page 249 and 250:
239 —. 1990. Lecture, UCLA, May 5
Page 251 and 252:
241 Jay, Karla. 1999. Tales of the
Page 253 and 254:
243 Radicalesbians. 1970. “The Wo
Page 255 and 256:
245 Undset, Sigrid. 1951/1980. Kris
Page 257 and 258:
247 Acknowledgements Some of the po
show all

Butterfly Effect - ressourcesfeministes

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?