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Butterfly Effect - ressourcesfeministes

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248<br />

poems themselves. Sometimes I have used a word, a small phrase,<br />

a concept. Sometimes a poem, a work of art, a woman’s life, an<br />

experience, or a passing comment has provided the core of a line or<br />

a poem. I have acknowledged these throughout the poems.<br />

There are also women who have continued to nurture me. Their<br />

contribution cannot be measured. I cannot weight the ways in<br />

which they have changed my life. They have sometimes made it<br />

bearable; at other times they have brought me enormous joy; they<br />

have challenged me with honesty; and they have been interested. I<br />

cannot name all whose lives have moved me, but I will name those<br />

who’ve had a direct impact on this book. I would like to thank the<br />

women at Spinifex Press: Maralann Damiano for keeping me sane<br />

(and tidy); Belinda Morris for her editorial eagle eye; Jo O’Brien for<br />

her financial discernment; and Deb Snibson for the design and<br />

typesetting of this book. I have been lucky to have editorial<br />

feedback from four poets. I would like to thank Suniti Namjoshi for<br />

her generous editing of my work, especially “India Sutra”. Judith<br />

Rodriguez responded with in-depth comments on “Unstopped<br />

Mouths” including its layout, while Lizz Murphy gave me early<br />

feedback on this series. Patricia Sykes read early drafts of<br />

"Unstopped Mouths" and gave all of The <strong>Butterfly</strong> <strong>Effect</strong> her precise<br />

attention at a very late stage, and I am indebted to her for her<br />

challenges and detailed comments. I thank them all for their poetic<br />

acumen and for saving me from syntactic and semantic<br />

embarrassment (any errors are my oversight). Thanks to: Donna<br />

Jackson and Jean Taylor who enticed me into circus and into its<br />

many pathways through fear and performance; Suzanne Bellamy<br />

for art and life; Diane Bell for friendship and a reference; Meryl<br />

Waugh for her stargazing and farsightedness; Coleen Clare for her<br />

strength and honesty; Zohl dé Ishtar for camp fire stories; Lariane<br />

Fonseca for travels in India and a lesbian visual aesthetic; Kaye<br />

Moseley for a quarter of a century of conversations and coffee; my<br />

dog River for her patience and joyousness; and to my partner,<br />

Renate Klein for her great spirit of generosity, her passionate<br />

engagement with life, and her love.

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