Butterfly Effect - ressourcesfeministes

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110 16 webs. In aerials, a web is a long thick rope hung from a high joint. It has a hand or foot grip from which the aerialist is suspended. She uses this as a point from which to make bodily shapes. When the rope is spun from below she can control her speed by forming a tight ball (in which case she will spin faster) or by stretching out her limbs (in which case she will slow down). The spider who weaves a web is related to women in many mythical traditions. “The Greek Arachne, the Native American Spider Woman, and tales of the Black Widow all have resonance … The word spider is derived from Old English spinnan ‘to spin’.” Marta Weigle. 1982. Spiders and Spinsters: Women and Mythology. p. 2. A webster, as Judy Grahn points out, “formerly meant ‘female weaver’.” Judy Grahn. 1982. The Queen of Wands, p. xiii; see also her comparisons of the Ainu peoples of Hokkaido, Japan with the Pueblo stories of Spider Woman, pp. 98-99. For a longer discussion of Spider Grandmother/Spider Woman see Paula Gunn Allen who writes of the centrality of Spider Grandmother in the Keres Pueblo Indians’ universe. See her book, The Sacred Hoop. 1986. 17 dervish. “a spinster, a whirling dervish, spinning in a new time/space.” Mary Daly. 1978. Gyn/Ecology, pp. 3-4. 18 have you met your shadow head on. The Black Piglet, in Suniti Namjoshi’s Building Babel, meets Death. “As she nosed among the bushes and turned up stones, she saw a black shadow out of the corner of her eye. A perspicacious piglet, she realised at once that this must be Death.” Suniti Namjoshi. 1996. Building Babel, p. 14.
111 join the throng beating out the heart’s rhythm aerialists spin from webs 16 their bodies clump and open spiralling in a dizzying dervish 17 dance and death too crawls by selecting victims at random is your number up have you met your shadow head on 18 the dancers the celibates the poets the tree climbers the hand surgeons the teachers the sybils the artists the revellers the lovers are all here we fling ourselves toward the finale all whistling all drumming all singing a great chorale of voices and bodies swirling swaying spinning flying we revel until dawn when the sun rises once again over the sea mirror-like creating time spilling us into our days where we create new worlds and survive this one April 1997–April 2005
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Susan Hawthorne is a poet, novelist
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the Butterfly Effect Susan Hawthorn
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Contents note to sappho vii The But
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Note to Sappho It’s been a long t
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3 Strange tractors It’s an ancien
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5 We stand in a place where flowers
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7 not missing a beat. His history i
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Unstopped Mouths
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11 Unstopped Mouths 1 we meet in th
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13 simplified a single twist of hai
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15 we line the shelves of our homes
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17 summer with fire in the nostrils
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19 Empurpled 1 physicists speak of
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21 to the moon 5 with desire satisf
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23 we play pool billiards and snook
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25 harpies sirens birds of prey les
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27 In the Prisons we are known as c
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29 it’s still happening just two
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31 when the moon rises full in Scor
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33 my friend Daisy killed her husba
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35 some live in prisons without wal
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37 Rose Garden those who have no me
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39 making rosettes embroidering pil
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41 we fall upon one another kissing
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43 Firenze in honour of Jacqui Stoc
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45 porticos are chosen for secret m
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47 the cupola floats like a giant b
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49 we share our home with dogs cats
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51 Death for Maureen O’Connor it
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53 we stand in the cold gathering s
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55 Gumboots and Goblin Fruit we pul
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57 amazons Margaret Bhadravati Boud
Page 69 and 70: 59 with the assistance of harnesses
Page 71 and 72: 61 sipping at lemons 22 relishing t
Page 73 and 74: 63 Amphibious Lips we tuck hibiscus
Page 75 and 76: 65 we take our boats casting off 11
Page 77 and 78: 67 some days we float above corals
Page 79 and 80: 69 we build fires on the beach cook
Page 81 and 82: 71 The Land for Renate and River I
Page 83 and 84: 73 known to drive nine hundred kilo
Page 85 and 86: 75 we are not the only lesbians in
Page 87 and 88: 77 Angel Tongues Hail Mary Mother o
Page 89 and 90: 79 mani padme aum clouds wrap thems
Page 91 and 92: 81 pustules vile bodies unclean bod
Page 93 and 94: 83 Tragedia they say it is a traged
Page 95 and 96: 85 social mores shift and run their
Page 97 and 98: 87 HD 17 even though their words bu
Page 99 and 100: 89 there are cities in our minds 21
Page 101 and 102: 91 those who fear us have many name
Page 103 and 104: 93 sleepless eyes reviled for our a
Page 105 and 106: 95 Love is an Uprising we write wri
Page 107 and 108: 97 we imagine a language invented b
Page 109 and 110: 99 some of us are saints 19 or Sybi
Page 111 and 112: 101 Lavender Hour in the lavender h
Page 113 and 114: 103 in the lavender hour extraterre
Page 115 and 116: 105 the lavender hour is not marked
Page 117 and 118: 107 Carnivale 1 we sing sliding alo
Page 119: 109 the Queen of Hearts the Queen o
Page 125: 115 Music for lesbian mouths oooooo
Page 129 and 130: 119 Almanac of the Dead 1 for Primr
Page 131 and 132: 121 ix I go to breakfast and mentio
Page 133 and 134: 123 The drive to LA is too long. I
Page 135 and 136: 125 Graveside Meditation We, the mo
Page 137 and 138: 127 In my mind then comes a phrase
Page 139 and 140: 129 But then the war came. You had
Page 141 and 142: 131 You told me later that you spen
Page 143 and 144: 133 As the cold wraps itself around
Page 145 and 146: 135 Memory is trampled by daily lif
Page 147 and 148: 137 The Dead i The dead press their
Page 149 and 150: 139 I return to my daughters in the
Page 151: India Sutra
Page 154 and 155: 144 modern day swan-maidens. Here a
Page 156 and 157: 146 the coffin missing but still th
Page 158 and 159: 148 unlike the others, she talks tu
Page 160 and 161: 150 o A buzz of black and yellow pa
Page 162 and 163: 152 Mementos for Sindhu, she says,
Page 164 and 165: 154 but not the silence between us.
Page 166 and 167: 156 Is this what freedom amounts to
Page 168 and 169: 158 they say, but not back. The ris
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160 white on ochre a drummer and da
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162 o The woman holds out her hands
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164 o This headache is like a strin
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166 25 Jan We talk of place, of mig
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168 Happiness is a dry fart, says t
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170 into the couch. It’s Scintl w
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172 The buffalo is in camouflage, w
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174 o In Goa, tourists tear along o
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176 just then, I receive one from h
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178 entwined double snakes, spirals
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180 Poorvashada and Uttarshada— f
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182 Mourning my father, the stillne
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184 of battles between the freedoms
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186 4 Feb In this one speeding car,
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188 I can haggle too, but not here.
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190 broad swathe is no highway for
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192 spread it out in the paddock an
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194 Second Sutra 26 May 2004, Delhi
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196 half contained. Pot plants flow
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198 o The women of Jagori share lun
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200 29 May We attend a reading in A
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202 emerge from behind bushes, thei
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204 31 May Old Agra is shimmering i
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206 Knocked sideways by this rush o
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208 third Sutra 28 Dec 2004, Bingil
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Fragilities
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214 Gravity’s rainbow could not f
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216 Greek for Suzanne Bellamy in ho
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218 It helped her unravel the birds
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220 Oil and water I said, It’s no
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222 The Day of My Crucifixion for a
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224 perform as if in a wake ghostli
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Eye of a Needle 226 Mid-twentieth c
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228 o 1980s In the camp I live unde
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230 Once long ago they said I was a
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232 women falling, falling … We a
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235 Bibliography Abbot, Sidney and
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237 —. 1989. Medieval Woman’s M
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239 —. 1990. Lecture, UCLA, May 5
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241 Jay, Karla. 1999. Tales of the
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243 Radicalesbians. 1970. “The Wo
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245 Undset, Sigrid. 1951/1980. Kris
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247 Acknowledgements Some of the po
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