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Butterfly Effect - ressourcesfeministes

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1 opening night. The performance was by the Performing Older Women’s Circus<br />

(POW Circus) established in Melbourne in 1995. Maureen (Maurs) O’Connor was<br />

a founding member. She was also a fine and funny clown and head techie until<br />

the end of 1997. Maureen’s life is recorded by Jean Taylor in The C-Word (2000).<br />

2 querent. The theme for the 1998 show was tarot. The performers used these<br />

images to explore different aspects of the cards. Shuffle, cut, stack. Images from<br />

the POW deck. Over the Top. “Over the Top with Tarot” was performed from 24<br />

to 26 September 1998 at the Pit Theatre, Footscray Community Arts Centre.<br />

3 cathedral. A double balance in which the base lies on her back with legs vertical.<br />

The flyer places her head between the feet, holding hands with the base and she<br />

springs into an inverted position on the base’s feet.<br />

4 highest point. The highest point in the show was an inverted hanging position in<br />

the space between two trapezes. The invert and the between space both represent<br />

lesbian existence.<br />

5 Fool. The first and final card in the Tarot pack. It represents creativity and<br />

openness to life which comes with wisdom. As a clown, Maurs was more than<br />

familiar with the Fool. Indeed, lesbians take to clowning with great relish.<br />

Having discarded conventional women’s roles, it is relatively easy to take the<br />

next step and to act out unrestrained impulses which most would not dream of<br />

doing. Maurs’ clown self was shy, unprepossessing, with a timid walk, and facial<br />

expressions which ranged from shame to sheer joy. One finds examples of<br />

clowning and humour from figures in Greek literature such as Baubo, who lifted<br />

her skirts and made the goddess Demeter laugh again.

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