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Butterfly Effect - ressourcesfeministes

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108<br />

9 Queen of Hearts. In a deck of cards this is the lesbian card of love. In the Tarot she<br />

is the Queen of Cups. Jeanette Winterson goes in search of the Queen of Hearts<br />

in The Passion (1987). Judy Grahn has written two collections of poems focusing<br />

on the card queens, The Queen of Wands (1982) and The Queen of Swords (1987). In<br />

the preface to The Queen of Wands she writes that The Queen of Cups (or Hearts)<br />

and The Queen of Diamonds are to follow, p. xi.<br />

10 thread. In the labyrinth, the house of the labrys, of the double axe, love is sought<br />

by means of a thread. It is not clear whether love will be a monster or a tame<br />

being; one has to enter the labyrinth to find out.<br />

12 unicyclists. It matters little whether the cycle is a unicycle or a bicycle, a woman<br />

riding such a contraption must be a lesbian. Divided skirts, or bloomers, were<br />

invented so women could ride bicycles. It took some bravery to do so at the<br />

dawn of the bicycle’s invention, and those women who did were soon equated<br />

with feminists / lesbians.<br />

12 fly without fear. Like the cyclists, women who join a circus, take up trapeze in<br />

adulthood and who have overcome their fear of heights, if ever they had such<br />

fears, are readily seen as odd, other, or as a lesbian.<br />

13 standing one atop the other. In a performance of this poem produced by<br />

Performing Older Women’s Circus members, four women stood one atop the<br />

other in the balance called “tiers facing”.<br />

14 gamelan orchestra. Helen Pausacker, a Melbourne-based writer, first gave me an<br />

appreciation of the complexity of Balinese shadow puppets and the<br />

accompanying gamelan music. She performed in Melbourne in the 1980s at<br />

Salon-A-Muse, a venue established by a group of lesbians to encourage artistic<br />

and intellectual endeavours by women.<br />

15 webbed feet. The gondoliers of Venice are said to be born with webbed feet. See<br />

Jeanette Winterson. 1987. The Passion.

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