Butterfly Effect - ressourcesfeministes
Butterfly Effect - ressourcesfeministes
Butterfly Effect - ressourcesfeministes
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9 Queen of Hearts. In a deck of cards this is the lesbian card of love. In the Tarot she<br />
is the Queen of Cups. Jeanette Winterson goes in search of the Queen of Hearts<br />
in The Passion (1987). Judy Grahn has written two collections of poems focusing<br />
on the card queens, The Queen of Wands (1982) and The Queen of Swords (1987). In<br />
the preface to The Queen of Wands she writes that The Queen of Cups (or Hearts)<br />
and The Queen of Diamonds are to follow, p. xi.<br />
10 thread. In the labyrinth, the house of the labrys, of the double axe, love is sought<br />
by means of a thread. It is not clear whether love will be a monster or a tame<br />
being; one has to enter the labyrinth to find out.<br />
12 unicyclists. It matters little whether the cycle is a unicycle or a bicycle, a woman<br />
riding such a contraption must be a lesbian. Divided skirts, or bloomers, were<br />
invented so women could ride bicycles. It took some bravery to do so at the<br />
dawn of the bicycle’s invention, and those women who did were soon equated<br />
with feminists / lesbians.<br />
12 fly without fear. Like the cyclists, women who join a circus, take up trapeze in<br />
adulthood and who have overcome their fear of heights, if ever they had such<br />
fears, are readily seen as odd, other, or as a lesbian.<br />
13 standing one atop the other. In a performance of this poem produced by<br />
Performing Older Women’s Circus members, four women stood one atop the<br />
other in the balance called “tiers facing”.<br />
14 gamelan orchestra. Helen Pausacker, a Melbourne-based writer, first gave me an<br />
appreciation of the complexity of Balinese shadow puppets and the<br />
accompanying gamelan music. She performed in Melbourne in the 1980s at<br />
Salon-A-Muse, a venue established by a group of lesbians to encourage artistic<br />
and intellectual endeavours by women.<br />
15 webbed feet. The gondoliers of Venice are said to be born with webbed feet. See<br />
Jeanette Winterson. 1987. The Passion.