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The Decay of the Angel - Yukio Mishima

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eservations on <strong>the</strong> surface seem no different from <strong>the</strong><br />

unconscious reservations <strong>of</strong> all o<strong>the</strong>r teen-agers.<br />

Whatever my perversity, Momoko does not feel it as<br />

such. So I let my feelings have <strong>the</strong>ir way.<br />

Unintentionally, I become sincere and honest. If I really<br />

were, <strong>the</strong>n <strong>the</strong> ethical contradictions in my being<br />

should be exposed like mud banks at low tide; but <strong>the</strong><br />

troublesome ones are <strong>the</strong> banks not yet exposed. As<br />

<strong>the</strong> waters recede <strong>the</strong>y pass a point at which my<br />

frustrations are no different from <strong>the</strong> frustrations <strong>of</strong> any<br />

o<strong>the</strong>r young person, <strong>the</strong> sadness that furrows my brow<br />

draws a line no different from that on <strong>the</strong> brow <strong>of</strong> any<br />

o<strong>the</strong>r. It would not do for Momoko to catch me <strong>the</strong>re.<br />

I have been wrong in thinking that women are<br />

tormented by doubts as to whe<strong>the</strong>r <strong>the</strong>y are loved. I<br />

have wished to plunge Momoko into doubt, but <strong>the</strong><br />

swift little beast has eluded capture. It would do no<br />

good to tell her I do not love her. She would think I was<br />

lying. My only recourse is to bide my time and make<br />

her jealous.<br />

I sometimes ask myself if I was not somehow<br />

changed by <strong>the</strong> dissipation <strong>of</strong> my sensibilities in<br />

welcoming all those ships. <strong>The</strong>re had to be some<br />

effect on me. Ships were born <strong>of</strong> my consciousness<br />

and grew into giants and had names. Only so far were<br />

<strong>the</strong>y my concern. Once in port, <strong>the</strong>y were <strong>of</strong> a different

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