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The Decay of the Angel - Yukio Mishima

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9<br />

THERE WAS one matter weighing on Honda’s<br />

mind as he escorted Keiko to <strong>the</strong> pine grove at Mio.<br />

He feared ruining her good spirits by showing her <strong>the</strong><br />

utter vulgarity to which this most beautiful <strong>of</strong> Japanese<br />

scenic spots had been reduced.<br />

It was a rainy weekday, but <strong>the</strong> huge parking lot<br />

was jammed with automobiles, and <strong>the</strong> dirty<br />

cellophane in <strong>the</strong> souvenir shops caught an ashen<br />

sky. <strong>The</strong>y did not seem to bo<strong>the</strong>r Keiko in <strong>the</strong><br />

slightest.<br />

“Beautiful. Perfectly lovely. Smell <strong>the</strong> fresh air and<br />

<strong>the</strong> salt. <strong>The</strong> sea is so near.”<br />

As a matter <strong>of</strong> fact <strong>the</strong> air was strangled with<br />

gasoline fumes and <strong>the</strong> pines were on <strong>the</strong> point <strong>of</strong><br />

asphyxiation. Honda felt better. He had visited <strong>the</strong><br />

place some days before, and he had known what<br />

Keiko would see.<br />

Benares was sacred filth. Filth itself was sacred.<br />

That was India.<br />

But in Japan, beauty, tradition, poetry, had none <strong>of</strong><br />

<strong>the</strong>m been touched by <strong>the</strong> soiled hand <strong>of</strong> sanctity.<br />

Those who touched <strong>the</strong>m and in <strong>the</strong> end strangled

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