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The Decay of the Angel - Yukio Mishima

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ecame <strong>the</strong> audiences for her proud lectures on<br />

Japanese culture. Older acquaintances had not<br />

dreamed that Keiko would one day honor <strong>the</strong>m with<br />

discourses on gold-leafed screens.<br />

“But <strong>the</strong>y’re passers in <strong>the</strong> night with no sense <strong>of</strong><br />

gratitude at all.” Honda warned her <strong>of</strong> <strong>the</strong> futility.<br />

“<strong>The</strong>y’ll go on to <strong>the</strong>ir next posts with not a thought left<br />

in <strong>the</strong>ir heads for this one. What’s <strong>the</strong> point in even<br />

seeing <strong>the</strong>m?”<br />

“<strong>The</strong> birds <strong>of</strong> passage are <strong>the</strong> ones you don’t have<br />

to be on your guard with. You don’t have to worry<br />

about ten years from now, and a new audience every<br />

night is ra<strong>the</strong>r fun.”<br />

But she was taking herself seriously, congratulating<br />

herself in a naïve way on fur<strong>the</strong>ring international<br />

cultural exchange. She would learn a dance and<br />

immediately unveil it before ambassadorial guests. It<br />

gave her strength to know that her audience was not<br />

likely to detect <strong>the</strong> flaws.<br />

However assiduously Keiko might refine her<br />

knowledge, it was not up to plumbing <strong>the</strong> darkness<br />

where stretched <strong>the</strong> deepest roots <strong>of</strong> <strong>the</strong> Japanese.<br />

<strong>The</strong> dark blood springs that had agitated Isao Iinuma<br />

were far away. Honda called Keiko’s store <strong>of</strong><br />

Japanese culture a freezer full <strong>of</strong> vegetables.<br />

Honda had become recognized at <strong>the</strong> embassies

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