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The Decay of the Angel - Yukio Mishima

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misgivings had been stronger, and he had kept his<br />

silence.<br />

He had not for a moment forgotten <strong>the</strong> Gesshuuji.<br />

But as <strong>the</strong> years <strong>of</strong> silence went by, a self-imposed<br />

restraint grew stronger, a feeling that <strong>the</strong> Gesshuuji<br />

was too precious, that he must not after all this time<br />

invade her sanctuary with memories, or look upon her<br />

in her old age. He had heard from Tadeshina in <strong>the</strong><br />

bombed-out ruins <strong>of</strong> Shibuya that Satoko was only<br />

more beautiful, as a spring is more limpid. Nor was<br />

he himself beyond imagining <strong>the</strong> ageless beauty <strong>of</strong><br />

<strong>the</strong> aging nun. He had heard an Osaka friend<br />

describe it in awed tones. But Honda was afraid. He<br />

was afraid to see a relic <strong>of</strong> past beauty, and he was<br />

more afraid <strong>of</strong> present beauty. Satoko would by now<br />

<strong>of</strong> course have reached a level <strong>of</strong> enlightenment far<br />

beyond Honda’s reach, and were Honda in his old<br />

age to visit her he would cause not so much as a<br />

ripple upon <strong>the</strong> tranquillity. He knew that she was<br />

beyond being intimidated by memories. But <strong>the</strong><br />

image <strong>of</strong> Satoko, safe in indigo armor from all <strong>the</strong><br />

slings <strong>of</strong> memory, seemed when he looked through<br />

<strong>the</strong> eyes <strong>of</strong> <strong>the</strong> dead Kiyoaki ano<strong>the</strong>r germ <strong>of</strong> despair.<br />

And it weighed on him to think that he must visit<br />

Satoko as Kiyoaki’s representative, bearing<br />

memories.

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