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The Decay of the Angel - Yukio Mishima

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<strong>the</strong>m were quite devoid <strong>of</strong> sanctity. <strong>The</strong>y all had <strong>the</strong><br />

same hands, vigorously scoured with soap.<br />

Even at <strong>the</strong> pine grove <strong>of</strong> Mio, angels in <strong>the</strong> empty<br />

skull <strong>of</strong> poetry answered to <strong>the</strong> unspeakable demands<br />

<strong>of</strong> men, and were forced into myriads and myriads <strong>of</strong><br />

twists and turns, like circus performers. <strong>The</strong> cloudy<br />

skies were traced as if with a mesh <strong>of</strong> silver hightension<br />

wires by <strong>the</strong>ir dances. In dreams men would<br />

meet with only <strong>the</strong> marks <strong>of</strong> <strong>the</strong> decay <strong>of</strong> angels.<br />

It was past three. “<strong>The</strong> Pine Grove <strong>of</strong> Mio.<br />

Nihondaira Prefectural Park.” <strong>The</strong> rough-scaled bark<br />

<strong>of</strong> <strong>the</strong> tree was enshrouded in <strong>the</strong> green <strong>of</strong> moss.<br />

Above a gentle flight <strong>of</strong> stone stairs, <strong>the</strong> pines sent<br />

rude bolts <strong>of</strong> lightning across <strong>the</strong> sky. <strong>The</strong> blossoms,<br />

veils <strong>of</strong> green smoke that even <strong>the</strong> branches <strong>of</strong><br />

strangling pines will send forth, shut <strong>of</strong>f a lifeless sea.<br />

“<strong>The</strong> sea!” said Keiko joyously.<br />

Honda did not trust <strong>the</strong> joy. <strong>The</strong>re was a little <strong>of</strong> her<br />

party manner in it, <strong>of</strong> flattery for <strong>the</strong> villa at which she<br />

was a guest. Yet exaggeration can spawn pleasure in<br />

something that is nothing at all. At least <strong>the</strong> two <strong>of</strong><br />

<strong>the</strong>m were not lonely.<br />

Outside a pair <strong>of</strong> shops, <strong>the</strong>ir cantilever shelves<br />

bulging with red Coca-Cola cartons and souvenirs,<br />

stood a pair <strong>of</strong> photographer’s dummies with<br />

apertures for two faces: Jirōchō, <strong>the</strong> boss <strong>of</strong> Shimizu

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