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The Decay of the Angel - Yukio Mishima

The Decay of the Angel - Yukio Mishima

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I saw how complicated <strong>the</strong>ir movements were. <strong>The</strong><br />

wind might come from one direction, but <strong>the</strong>y did not<br />

bow obediently in <strong>the</strong> o<strong>the</strong>r. One spot was forever in<br />

motion, ano<strong>the</strong>r obstinately still. One pad would show<br />

its underside, but <strong>the</strong> o<strong>the</strong>rs would not imitate it. <strong>The</strong>y<br />

bowed sluggishly, painfully, to <strong>the</strong> left and right. Winds<br />

that brushed <strong>the</strong> surfaces and winds that loitered<br />

along <strong>the</strong> stems produced immense disorder. I was<br />

beginning to find <strong>the</strong> evening breeze chilly.<br />

Most <strong>of</strong> <strong>the</strong> pads were fresh at <strong>the</strong>ir centers but<br />

eaten by rust at <strong>the</strong> edges. <strong>The</strong> decay seemed to<br />

spread from <strong>the</strong> spots <strong>of</strong> rust. <strong>The</strong>re had been no rain<br />

for two days, and <strong>the</strong>re were brown water stains at <strong>the</strong><br />

concave centers. Or dead maple leaves.<br />

<strong>The</strong> sun was still bright, but from somewhere<br />

darkness pressed in. We exchanged brief remarks.<br />

Though our faces were near, it was as if we were<br />

calling out to each o<strong>the</strong>r from far <strong>of</strong>f in an inferno.<br />

“What is that?” As if in fright, Momoko pointed to a<br />

cluster at <strong>the</strong> foot <strong>of</strong> <strong>the</strong> hillock, a tangle <strong>of</strong> rich red<br />

threads.<br />

It was a cluster <strong>of</strong> shining spider lilies, a powerful<br />

red.<br />

“It’s closing time,” said <strong>the</strong> old attendant. “Hurry up,<br />

please.”

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