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The Decay of the Angel - Yukio Mishima

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worker, and so <strong>the</strong>re <strong>the</strong>y are cheek to cheek, figuring<br />

out <strong>the</strong>ir taxes. No, it’s not <strong>the</strong> sort <strong>of</strong> romance I want<br />

to be part <strong>of</strong>.”<br />

Thanks to <strong>the</strong> ugliness <strong>of</strong> masculine old age, Honda<br />

was an amply qualified sacrifice to this dauntless<br />

resolution. Such are <strong>the</strong> unexpected blessings <strong>of</strong> old<br />

age.<br />

By way <strong>of</strong> recompense, perhaps, Keiko poked fun<br />

at Honda because he carried with him a small<br />

wooden cenotaph in Rié’s memory. He had kept it<br />

secret; but when his fever went over a hundred he<br />

began leaving final instructions, sure that he was in<br />

<strong>the</strong> last throes <strong>of</strong> pneumonia. One was that she take<br />

<strong>the</strong> cenotaph back to Japan.<br />

“That sort <strong>of</strong> love makes a person’s flesh crawl,”<br />

said Keiko, not at all gently. “She didn’t want to come,<br />

and so you dragged her along against her will.”<br />

On <strong>the</strong> morning <strong>of</strong> his recovery Honda found <strong>the</strong><br />

clear sky pleasant, and <strong>the</strong> tongue-lashing an added<br />

pleasure.<br />

It was not clear to him, even after Keiko’s ungentle<br />

remarks, what he was asking <strong>of</strong> Rié. She had been a<br />

chaste wife to <strong>the</strong> end, <strong>of</strong> that he had no doubt; but<br />

<strong>the</strong>re were thorns in all <strong>the</strong> hollows and on all <strong>the</strong><br />

corners <strong>of</strong> <strong>the</strong> chastity. <strong>The</strong> sterile Rié made always<br />

manifest <strong>the</strong> reservations Honda himself had about

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